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Lord Bile x LUNV D - Run (Official Music Video)
Prod. by
Shot + Edited + Directed by T.Aubrey
song links:
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Lord Bile
/ l0rdb1le
/ lordbile_tx
/ clever_au
open.spotify.c...
/ lord-bile
LUNV D
/ lunvd
/ lunvdofeightbracket
/ lunvd
open.spotify.c...
/ lunv-d
T.Aubrey
/ taubrxy
/ taubrxy
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This is the official music video for "Run" by Lord Bile & LUNV D. This is a single off their joint project "Leap Year"
Stream "Leap Year" below
/ lord-bile-x-lunv-d-lea...
open.spotify.c...
/ leap-year
Hope you guys enjoy :)
thank you guys so much for everything :)
"Leap Year is a deeply personal passion project that works best because of the amount of love and hands-on labor that went into it. Bile’s fingerprints are all over the production and engineering (save for “Avalanche,” produced by LUNV). The only feature appearance is by DFW rapper J3’s Journal, a close friend of both LUNV and Bile. And the themes explored lyrically between each song are invitations into the artists’ personal histories, social criticisms, and deepest thoughts and fears as much as they are anthems of defiance.
In “Got Out,” “I don’t care if you hate me” is the refrain sung over a chilling glass chime melody. End to end, Leap Year is full of infectious choruses certain to influence crowd participation, such as the boldly transparent “Run”-“No, I don’t scare that goddamn easy/No, I don’t run that goddamn fast/I don’t care if you believe me/I just want something to last/Now I’ll scream it from the rooftops, baby, I will/I’ll be standing ‘til the noose drops, then I’m lying still/I still feel you in the goosebumps under my skin/Knew I shouldn’t take it too far, I still let you in”-or the album opener “Act Up,” an anthem for working class artists that makes confident declarations of future monetary success.
The honest departure from the false bravado that any subgenre of hip hop is notorious for pops up again in “Rotten,” as Lord Bile ruminates on paradoxical life goals: “I wanna focus on my life and not my personal wealth/But you can’t be happy if you always worried ‘bout bills/Something smells rotten, I never signed this deal.”
Relationships are explored with brutal honesty in both “Avalanche” and “The Same,” tracks that mirror each other in a funhouse type of way, with the former expressing feelings of inadequacy and the latter being the most painfully empathetic depiction of a toxic relationship I’ve ever heard in a rap song.
It’s a testament to the production skill present that throughout drastic shifts in tempo and instrumentation between tracks, each song manages to transition seamlessly into the next while standing firmly on its own. For instance, the album’s first single, “Sink,” is a drill-influenced Lynchian nightmare that immediately precedes the album’s most hyperactive display of aggression-the aptly titled “Rage”-which opens with the line “Talk shit, I’ma knock your ass out” then escalates with Tech N9ne levels of freneticism, and somehow this placement totally works.
“Days Blend” emits heroin junkie vampire vibes that set precedence for the industrial banger “Decay,” which finds LUNV D channeling Playboi Carti to deliver some biting nihilism: “Take everything, nothing left/I guess this is what we get/Make sure to have no regrets/Make sure to live like you might die/In hell, you can pay your debts.”
I can’t see a future in which Leap Year is not part of my most-repeated listens. With their no-fucks-given attitude, DIY approach, and youthful energy conjoined with poetically rendered cynicism, Lord Bile and LUNV D are proving that punk isn’t dead, it just changed its name to SoundCloud rap."
-Kelby Losack