from 24 Pièces en style libre, Opus 31, Volume II. Arabesque, N°15 "à EMILE BOURDON" Composed in 1913. Performed by Dragan Trajer on virtual Mutin-Cavaillé-Coll organ of Notre-Dame de Metz.
Пікірлер: 17
@james.flores4 жыл бұрын
There's so many gems in these two books. Thanks for your rendition.
@gabrielackerman32373 жыл бұрын
Put wonderfully, James!
@harriotlovesyou43346 жыл бұрын
Feels like it's tearing itself apart from the inside and painfully dying. Wonderfully melancholic. I love it.
@josephyoung67494 жыл бұрын
I feel the despair. Collapsing onto a keyboard, wondering if the sounds they are making are real, not knowing whether to get back up, or whether it will be possible even you desired it. A finger rests on a note, a year passes, a tear falls, and you press another note. This is all recorded, transcribed, and will exist for eternity.
@BillyDScott-lp4sw Жыл бұрын
Eerily Beautiful. Love that whole tone scale. Well-performed by Dragan Trajer!
@Organgrinder101011 жыл бұрын
Thanks for showing the music. Beautiful!
@tofumanize9 жыл бұрын
Wonderful!
@alisabirula50396 жыл бұрын
Interesting! Love the composer so much..!
@mrSymphonic11 жыл бұрын
Thanks! I'm glad you're working on it yourself!
@evalewis111 жыл бұрын
Thank you very-very much! It was beautiful and helpful I just got the music and started to learn it, and your playing was really inspirational! All the best!
@jorgegarzaelli62386 жыл бұрын
De excelencia, "aydua" cuando obliga al oido clasico a un esfuerzo placentero para escuchar lo nuevo de todos los dias de sta vida actual-Bs.As.Argentina (habiendo escuchado hoy esta obra en nuestra ciudad)
@nadjaschell74623 ай бұрын
Красиво
@mrSymphonic11 жыл бұрын
Glad you like it!
@stefanhempel23545 жыл бұрын
Schade das alles bald gelöscht wird
@charlesdavis70873 жыл бұрын
I don't care what people say. I want a Bentley with a chauffeur . I deserve two. Love, always. Moi
@impregiomontanus15914 жыл бұрын
Choix de registration discutable dans la mesure où Vierne est très précis : pourquoi commencer la pièce avec la flute 8 du GO à la main droite au lieu de la seule gambe 8 du récit ? cela alourdit l'atmosphère alors que le son maigrelet de la gambe, un peu lointain dans la boite expressive, rend mieux le côté rêveur.