A glorious tenor with a great body, fabulous handsome looks (they called him "coscie d'oro' (Golden Thighs), and, of coarse, that Golden Throat. His name and reputation will survive all the ages. Many tenors through the yars have graced the opera world with great voices, but not all have had the charisma and absolute authority to do what Franco Corelli did so perfectly for so many years. I might be of today's generation, but, no question, this is a tenor for all generations and for all times. Grazie, Franco - Con rispetto e amore. Riposa bene, Spirito Gentil.
@natalinatollari92669 ай бұрын
supremo !!!!! meraviglioso in ogni aspetto vocale. recitativo, interpretativo. ...e bellissimo!!!!!!!
@zuzzo710 ай бұрын
... unico ... il più grande di tutti, ... senza se e senza ma ...
@georgefischer944827 күн бұрын
Muchos grandes tenores, pero sin dudas FRANCO CORELLI ..EL UNICO INMENSO
@medinsanchez8129 Жыл бұрын
Notable y extraordinaria voz del gran tenor y maestro Franco Corelli. 🇨🇱⚓️🇨🇱
@MassimoMedici-zb5cf6 ай бұрын
When Franco Corelli's high notes were released, it was like hearing thunder. they were dazzling notes that no other singer could cover. 
@johnblasiak249911 ай бұрын
The shading is unbelievable
@lieliannenasgy2649 Жыл бұрын
The great maestro Franco Corelli,unique, excellent and exceptional
@tomjones7729 ай бұрын
tremendo. Es un autèntico cañon.
@АндрейКондратьев-д4л Жыл бұрын
From another planet. So powerfull high notes!
@PragueImport Жыл бұрын
He was in a league of his own...His voice is what heaven feels like for me.
@cristinapedraza3322Ай бұрын
For anyone who will listen to it
@PragueImportАй бұрын
@@cristinapedraza3322 ???
@janosvas8597Ай бұрын
❤❤❤❤❤❤❤❤❤❤❤ very satisfying so much viewers, thank you very much
@PinaOliva-dp1ig Жыл бұрын
Ascoltare in doveroso silenzio. ❤❤❤❤❤❤❤❤❤❤❤
@potusumanbibingka4 ай бұрын
00:03 - Mamma, quel vino è generoso | Cavalleria Rusticana | Pietro Mascagni 00:09 - No, no, Principessa altera | Turandot | Giacomo Puccini 00:23 - Vesti La Giubba | Pagliacci | Rugiero Leoncavallo 00:36 - E lucevan le stelle | Tosca | Giacomo Puccini 00:54 - Pur ti riveggo, mia dolce Aida | Aida | Giuseppe Verdi 01:13 - Il Fior Che Avevi A Me Tu Dato (Flower Aria) | Carmen | Georges Bizet 01:23 - Vittoria! | Tosca | Giacomo Puccini 01:43 - Ch'ella Mi Creda | La Fanciulla del West | Giacomo Puccini 01:53 - Addio fiorito asil | Madame Butterfly | Giacomo Puccini [The photo is from Fedora | Umberto Giordano] 02:02 - Mamma, quel vino è generoso | Cavalleria Rusticana | Pietro Mascagni 02:11 - Mi batte il cor... O Paradiso! | L'Africaine | Giacomo Meyerbeer 02:22 - Un di all'azzurro spazio | Andrea Chenier | Umberto Giordano 02:31 - Recondita Armonia | Tosca | Giacomo Puccini 02:41 - ??? [I'm guilty of being ignorant with this aria. But it seems like it's from Verdi's Don Carlo] 02:54 - Cielo e Mar | La Gioconda | Amilcare Ponchielli 03:11 - Ah! leve toi soleil | Roméo et Juliette | Charles Gounod 03:35 - Meco all'altar di venere | Norma | Vincenzo Bellini 03:47 - I' te vurria vasà (Interpolated ending) | Neapolitan song | Eduardo Di Capua 04:00 - Celeste Aida | Aida | Giuseppe Verdi 04:16 - O Sole Mio (Interpolated ending) | Neapolitan song | Giovanni Capurro; music by Eduardo di Capua and Alfredo Mazzucchi 04:29 - La pia materna mano | La Battaglia di Legnano | Giuseppe Verdi 04:39 - La Vita Mi Costasse | Tosca | Giacomo Puccini 04:50 - Core n'grato | Neapolitan Song | Salvatore Cardillo; Riccardo Cordiferro 05:02 - Di quella pira | Il trovatore | Giuseppe Verdi 05:13 - Nessun Dorma | Turandot | Giacomo Puccini 05:27 - Gli'enigmi sono tre uno la vita (In Questa Reggia) | Turandot | Giacomo Puccini 05:51 - Che gelida manina | La Boheme | Giacomo Puccini 06:04 - A te O Cara | I Puritani | Vincezo Bellini 06:15 - Bianca al par di neve alpina | Gli Ugonotti | Giacomo Meyerbeer 06:26 - Giustio ciel, che vegg'io | Gli Ugonotti | Giacomo Meyerbeer 06:34 - Granada | Mexican song | Agustín Lara 06:44 - Dio che nell'alma infondere | Don Carlo | Giuseppe Verdi 06:53 - Act 3: Le Duc! Le Duc ! Roméo et Juliette | Charles Gounod 07:08 - No, no, Principessa altera | Turandot | Giacomo Puccini 07:29 - O Muto Asil Del Pianto | Guglielmo Tell | Gioachino Rossini [Home rehearsal 1961/62] 07:46 - Sfolgoro Divino Raggio | Poliuto | Gaetano Donizetti [Home rehearsal] 07:54 - Act 1 (Terzetto): Di geloso amor sprezzato | Il Trovatore | Giuseppe Verdi 08:10 - Gli'enigmi sono tre uno la vita (In Questa Reggia) | Turandot | Giacomo Puccini [Macerata] 08:30 - Di quella pira | Il trovatore | Giuseppe Verdi [Concert in New York] You're welcome.
@vittoriodipaola1375 Жыл бұрын
Yes of course from another planet, no comparison
@manuelescarate5352 ай бұрын
Que voz maravillosa sin palabras
@thealessio6011 ай бұрын
ha quello che e' cosa rara nelle voci liriche, la riconoscibilita', un tratto distintivo nei colori e tanta roba ancora andrebbe ricordato piu' spesso.
@thealessio6011 ай бұрын
la nota smorzata in celeste aida...epica!
@allenjones313011 ай бұрын
Great tenor!
@etelkanaccari11 ай бұрын
Antonio juvarra: ad accomunare i due tenori c’era la stessa eccezionale potenza vocale naturale… ma a stabilire LA SUPERIORITÀ TECNICO-VOCALE DI CORELLI ERA LA SUA CAPACITÀ DI CANTARE A MEZZA VOCE E DI FARE PRODIGIOSI DIMINUENDI ANCHE IN ZONA ACUTA… Chi di più?
@stevenburton7922 Жыл бұрын
Wow...such an exciting voice!
@alfredbernasek676111 ай бұрын
DIE AUSNAHMEERSCHEINUNG SCHLECHTHIN UNERREICHBAR❤
@christianroider11828 күн бұрын
Nothing more to say❤ unmatchable
@Tevyeh61311 ай бұрын
This is a very good lesson - Vittoria - @1:28 the O sound and the A sound are exactly the same. And the E of Ardenti in the Turandot contains the same open o/a sound. He only stays true to the I vowel. Vien Pareil, of Roméo - again is the A/O of Vittoria. Once you understand how he does it perfectly every time, then there is no excuse for not learning it. La Vita Mia Costasse (last act Tosca) - that "A" of costasse is EXACTLY THE SAME VOWEL as ARDENTE in Turandot. VinCERo only gets the diphthong right at the end of the note and it is a tiny tiny change to get that diphthong of the E - before that it is the A/O of Vittoria. This is how you do it.
@mariellamaestrelli10 ай бұрын
Unicoooo!!!!
@kraus3591 Жыл бұрын
El más grande Tenor Lírico - Spinto del siglo XX .
@olegvr549910 ай бұрын
Non spinto... Di forza!!!
@retepsnikrep11 ай бұрын
Great compilation.
@ANOANO-b5j6 ай бұрын
これぞ息の柱の共鳴。ベルカントの鏡!
@frankmaiorana664 ай бұрын
The A flat in Tosca Vittoria, some in the audience were not happy with Franco because he held the note so long it caused them to miss dinner reservations
@redsfab4 ай бұрын
😂👏🏻
@mariateresavozzo24082 ай бұрын
Corelli il più grande tenore del 900 ma anche grande attore e una presenza stupenda.
@frankmaiorana662 ай бұрын
Oops. It was a B flat.
@etelkanaccari Жыл бұрын
CORREGGO: IMMENSO!
@Oxboxer2 ай бұрын
6:53 high C was glorious
@amandajean77383 ай бұрын
I must thank the Corelli haters. If it was not for their comments and disdain for such a great singer, I probably would not have found his legendary art. Rest in peace, Maestro.
@giselamarch1994 Жыл бұрын
Yes. Victoria
@miguelsalinas41434 ай бұрын
Corelli, Primo Tenore di Tutto il Mondo!!!!❤❤😊😊👑👑
@giannitappeto63192 ай бұрын
Unico e iniettabile grazie corelli❤❤❤
@bodiloto26 күн бұрын
Un leone della lirica . Divino . ❤
@mariaruskova6054 Жыл бұрын
Unique and unattainable.
@gemmadestate32163 ай бұрын
Semplicemente DIVINO!!!🥰🥰🥰
@FAMA-18 Жыл бұрын
La forza del destino!
@kittylove69111 ай бұрын
The best!!!
@ritainnocenti2388 Жыл бұрын
6:32 ❤
@mariabarbetti3748 Жыл бұрын
❤️❤️❤️❤️❤️❤️❤️❤️
@julesr677 Жыл бұрын
Magnificent! Franco Corelli made opera, OPERA! ❤
@sandrogiordano58103 ай бұрын
Non me ne vogliano i tantissimi altri bravi tenori apparsi nello scenario della lirica!! Ma Corelli è inarrivabile !!
@49jga5 ай бұрын
Por favor, sres. hay comparaciones odiosas. Corelli era el primus inter pares; ciertamente los hubo buenos y buenísimos pero que agrupasen en una sola voz las características más excelsas del canto, sólo hubo uno, FRANCO CORELLI.
@renatanordio50613 ай бұрын
Unico irripetibile
@jaapschneider395126 күн бұрын
Forgotten Alain Vanzo 1985 video Philadephia and beautifull diminuendo !!
@etelkanaccari Жыл бұрын
MA CHI POTRÀ MAI , NON DICO UGUAGLIARLO, MA AVVICINARSI A UN ARTISTA COSÌ IMMRNSO?
@eugeniogentili104811 ай бұрын
Mario Del Monaco
@isco41513 ай бұрын
Io
@damianvb37016 ай бұрын
Which is the name of the opera in the 6:00 minute ?
@lz43p155 ай бұрын
I Puritani di Bellini.
@ИванИванов-з7м8е2 ай бұрын
it can't be that there is damage to the sound recording in every fragment, but they are present...You had to "clean" the recordings
@GlennAustin829Ай бұрын
One of few GOATs who sung for a very short time from over singing
@carlospena7633 Жыл бұрын
Le robaste ese video a tenorino medici
@alexj.denton745311 ай бұрын
Es solo una colección de ácido agudos, tampoco es para tanto
@nicolanitido456511 ай бұрын
Menos mal porque El lo quito
@carlospena763311 ай бұрын
@@alexj.denton7453 si es para tanto, por que el que hizo el vídeo se tomó su tiempo, en editar y buscar. Es como tomar el trabajó de otro sin preguntar. Eso es robo
@modernmusicalityАй бұрын
Corelli is great but Bonisolli is the best.
@lucianopavarotti284311 ай бұрын
He always sounded like he forgot to put his false teeth in --- very poor diction
@sugarbist11 ай бұрын
His diction wasn't great, but everything else about the voice was.
@ТатьянаБаженова-е7л11 ай бұрын
This was a consequence of the vocal technique used by Corelli. As far as I know, the sound cannot be directed at the larynx and the lips of the singer at the same time.
@sugarbist11 ай бұрын
@@ТатьянаБаженова-е7л There have been other tenors that lowered their larynx and have had very good diction. Del Monaco had impeccable diction, as well as Limarilli, and Cechele who came out of the Melocchi school. However, Corelli claims that he used a floating larynx technique, and stated he was born with the mezza voce`, but could not teach it. Corelli also stated that the lowering larynx technique was around for a long time and did not originate with Melocchi. Giacomini studied the Melocchi method under Marcello Del Monaco, but his diction was good but not exemplary. Martinucci and Monsalve also used the The method.
@ZENOBlAmusic211 ай бұрын
@@sugarbist His dictation was not always bad this is a generalisation. I recently did a translation of Mario Del Monaco in Andrea Chenier and his dictation wasn't that great, some of it was quite sloppy. So he did not always have great dictation, just as a Corelli did not always have bad dictation. Giacomini did not have good diction at all, I also did subtitles for him, they were pretty bad. None of the other Melocchi students had the same facility as Corelli on high notes, so there is probably a pay off somewhere. I have added subtitles to many different videos, and Corelli's dictation is very often some of the best. Yes, he did at times have sloppy dictation but it certainly wasn't as often as some people pretend, I would say it more in his later years. I don't think the bigger voiced tenors ever really had impeccable dictation, from what I have seen lyric tenors just have far better dictation in general. Of course Corelli was right in that the lowered larynx technique have been around for a long time, but he was very wrong with his idea that Melocchi's students could not do diminuendos and mezza voice, Melocchi had a few baritones who had good mezza voce. Maybe if he actually had more lessons with Melocchi he would have understood that. Del Monaco had a very extreme personality, so he took the Melocchi method as far as he possibly could. He taught that same method to his students, thus all of his students had depressed larynxes such as Giacomini. Del Monaco could sing with that extreme method but it didn't work that well for his students. I really like Giacomini but he had some obvious problems.
@ZENOBlAmusic211 ай бұрын
It is pretty useless making a comment about dictation on high notes, there is no dictation or even words on high notes it is just ahh sounds. Opera singers are not able to sing words on high notes, whereas some contemporary singers can sing whole sentences on C5 notes.