MAGIC ! First time watching Dimash Qudaibergen, Lara Fabian, Aida Garifullina - Ti amo cosi REACTION

[@ЖаннаКатусова]

Как он красив!

[@parjos140564]

J'adore votre réaction quand vous voyez Lara et Dimash qui vont chantez !!! 😊

[@kenhamaker]

I believe Dimash and Lara are friends and definitely admire each other.

[@kettleize]

Дорогая! Спасибо за реакцию! Вы теперь фанат и оперного пения и Димаша! My dear!Thank you for your reaction! You are now a fan of both opera singing and Dimash!

[@janhendriktromp7723]

Dimash this is creme delle creme

[@coralesangiovannibattistastezz]

I love Dimash, Lara and Aida... Kisses from Italy... ❤️❤️❤️

[@ВераСавельева-м7й]

It's WONDERFUL!! Thanks from Russia.

[@Julia_2]

This trio is just amazing!!! Please also react to Dimash and Aida singing Ulisse from the same show

[@samatappasov3248]

Dimash MTV # 1! Thanks for your reaction! Dimash COOL!

[@PauloBono1978]

Yes.. a very very lucky man... Singing with The Queen👑

[@kenhamaker]

Not lucky, deserving 🙂

[@djoy2003]

Please react to OGNI PIETRA/OLIMPICO ( ARNAU), AUTUMN STRONG ( I am singer 2017),WE ARE ONE,YOUR LOVE. DIMASH - pop, rock, opera, jazz, folk...!!!

[@emankzoman710]

Thank you for your reactions I love this prefomes all of them are great 👍💜

[@pierreraymond5202]

It's so beautiful, Aida, Dimash and Lara are very great performers, but here we have to salute the work of IGOR KRUTOY. This man is incredible, and those who sing for him, must have a very strong rigor at work. Go see MADEMOISELLE HYDE Sochi 2016 with Lara Fabian and Igor Krutoy, it's amazing. Thank you from Montreal.

[@Aurora-cv5to]

Loved your reaction, thank you! I love this song, it's just gorgeous - another Krutoy composition. Listen to the way that Dimash and Aida alter and match their vibratos to blend their voices.... stunning skill /beauty from both. Aida has been associated with the Vienna Opera. She is Russian and has performed with Igor Krutoy many times.

[@mikk449]

Милая, сделай реакцию на песню на песню know.

[@cynthiabruce-marzenska5024]

This is such a beautiful piece and the three vocalists - Dimash, Aida and Lara - each contribute so well and the balance is so professional. Lovely reaction to a lovely song.

[@kurapaul7442]

Well done!! loved your reaction and thank You!

[@EmanuelRecemConvertido]

Lara was very sick that night. The night before during the rearsheal she said to Igor (the master/pianist and her close friend since 2005) tha she was feeling a strong pain, that the medicine she took wasn't enough to low the fever and she would be taking a stronger shot to get better. She alsos has been facing a painfull situation called "meniere disease" since 2013 when her sound engineer almost blew up her both eardrum and she had to cancel her entire world tour and keep in treatment over 1 year, since then she hasn't been able to hear herself properly, she said that she lost at least 15% of her hability to hear. That's a lot when we think that she is classic trained and always use to have a perfect pitch. This desease is really painful, it makes you feel the strongest headache and dizziness you can experience. 😔 Thank you for the reaction.

[@alahia_chikibaby]

Aida que bella y qué trio por Dios

[@amorea1]

Listen to Dimash singing Hello

[@mightyravendark932]

Love your reaction. As you probably know Dimash loves Lara and she has been an inspiration for him during his career. So this was probably a big moment for him. And all of them sounds amazing. I say this as a badass coldhearted blackmetal guitarist;) And I love your hair;)))

[@olgaluna6447]

You should listen and watch the whole concert - this was the anniversary of the composer Igor Krutoy (the pianist) at the Moscow Ice Arena in November 2019. Dimash sang 5 songs of his I guess (and arguably one of the best versions of the song KNOW), there will be more Lara Fabian there, Andrea Bochelli, and other singers, musicians and famous skaters. Wonderful concert, I watched it three times already. You can find it on Igor Krutoy's youtube channel.

[@pierreraymond5202]

C'est tellement beau, Aida, Dimash et Lara sont de très grands interprètes, mais ici, il faut saluer le travail de IGOR KRUTOY. Cet homme est incroyable, et ceux qui chantent pour lui, doivent avoir une rigueur au travail très forte. Vas voir MADEMOISELLE HYDE Sochi 2016 avec Lara Fabian et Igor Krutoy, c'est renversant. Merci de Montréal.

[@suedouglas5455]

Check out Aida and Dimash singing Ulisse at the same concert. (Dimash sings the last highest note at the end!) Thanks for the great reaction! This was the 65th birthday concert of composer Igor Krutoy (playing the piano), all the songs were composed by him. Various artists took part and Dimash did 5 songs. The whole concert was amazing, it’s on KZbin.

[@Джейнджейн-д3л]

Thank you very much for the reactions to your favorite Dimash! Please listen to" KIELI MEKEN"," GOLDEN"," AMATAN " on Dimash's channel and his other compositions! We are waiting for you!

[@Urgelt]

Aida had the top note at the song's close. She is a marvelous classical coloratura soprano. But the song isn't entirely classical, as performed by these three singers. Lara's warm tone doesn't quite have a classical vibrato. But the three voices blend superbly, don't you think? The composer made a deliberate choice to present the song with these three performers, resulting in a subtly modern interpretation of classical singing. The bald guy at the piano is the composer Igor Krutoy, who has collaborated with all three of those singers in the past. Other Krutoy works performed by Dimash include Your Love, Love Is Like a Dream, and Know, among others. Dimash also sang 'Ulisse' with Aida Garifullina at the same concert. It's very beautiful, too. In that song, the final top note goes to Dimash.

[@charcruz9889]

Great reaction! Can you also react to a Jpop artist named Chanmina. Please react to her new mv 'Chanmina - Bijin official music video' Thanks

[@CrYou575]

You might be interested in this concert performance of Ti Amo Cosi from 2014. Igor Krutoy on piano, Lara Fabian again, Sumi Jo is the other soprano here, with Dmitri Hvorotovsky taking the part Dimash now sings. At the concert you reacted to there was a hologram of Hvorotovsky performing. This version has quite a cheeky performance from Sumi Jo and naturally from Hvorotovsky (his last concert before he died was with Aida Garafukina in Germany, so it sort of completes the circle). kzbin.info/www/bejne/pIbHXp6mrbJ-jLM

[@tirallala1]

👉 The lady in white at the beginning is Aida Garifullina (*1987), a Tatar from Russia, world-famous opera star and Prima Donna at the Vienna Opera (Austria). The lady in black is Lara Fabian (*1970), also a world-famous singer, songwriter from Belgium and a great role model for Dimash. Even as a child, Dimash wished to be on stage with Igor Krutoy and Lara Fabian one day ... and here the dream came true. You should react to her: "Je suis malade" kzbin.info/www/bejne/mofZnaCmpJqab80 or Lara Fabian and Igor Krutoy together - Les feuilles mortes/ Dead leaves kzbin.info/www/bejne/nnTclp1tpteqjbs This event took place on the occasion of the 65th birthday of Igor Krutoi (here pianist) in 2019, the same guy from the other video 😁. Can there be a nicer birthday? So far, Igor has composed several songs for Dimash and many songs in 30 years for Lara Fabian and other singers. Most of the songs in this concert were by him. (You can find the whole concert on Igor's channel.) Igor Krutoy is a music titan in Russia (billionaire), a world-famous composer, sponsor and mentor in Russia. He came out of retirement to work with Dimash from time to time. They have a father-son-relationship. Lilia Vinogradova wrote the lyrics and is known as a permanent co-author of the composer Igor Krutoy, with whom has created wonderful works in the crossover genre. She writes poems and texts for Russian and foreign composers and many well-known artists in Russian, Italian, English and French. Krutoy and Vinogradova created the cycle for DA Hvorostovsky, albums for Sumi Jo, Anna Netrebko, Yusif Aivazov, Lara Fabian and others. She says: 'And now we've added Dimash as a new element to our creative symbiosis. 🌼🇩🇪 👉Dimash sings 5 songs at this event: Olimpico (solo): kzbin.info/www/bejne/lWLcfKmompxrmsU Passione (solo): kzbin.info/www/bejne/n3uuhXiMg7aShrc Know (solo): kzbin.info/www/bejne/d2mumqZqiK6LibM a duet 'Ulisse' with Aida Garifullina: kzbin.info/www/bejne/Z2nPmmOXo8mbo7c and “Ti Amo Cosi” a trio with Lara Fabian and Aida Garifullina - kzbin.info/www/bejne/jpK0d5mneJifpLc 🌼🇩🇪 👉 Nice Backstage video: kzbin.info/www/bejne/ZnvKYXionMuIg9k 🌼🇩🇪

[@РооПол-ц1б]

Wow Dimahs Bravoo 🌎🎶🎵🎶🎵🎶🎵🖒🖒🖒

[@mihaiboata9399]

Last note was Aida !

[@unicounici3772]

Lucky man? Considering Dimash's singing value, I'd say the lucky one is even more Lara Fabian.

[@veroniquefuron3396]

Bonsoir, je vous conseille d'écouter "Je suis malade" par Lara Fabian avec les sous-titres et vous verrez quelle immense interprète elle est. Dimash est un grand fan de Lara, il a repris des chansons de Lara. Elle a écrit les paroles de nombreuses chansons dont celles de "Your love". Salutations de France.

[@andreasimonetti7635]

DIMASH: THE VOICE OF GOD OR WALKING GOD HIMSELF?

[@unicounici3772]

Lara The Ring Fabian, now read and learn. Prae scriptum : Even in narrative capacity as in everything else, comparing Lara Fabian - an artist that I hold in high respect - to Dimash is like comparing a match to an SLSN ( Super - luminous Supernova). But let us get to the heart of the matter. I will use the Google translator hoping for a good translation. In any case, I will also bring my text back to you in my mother tongue. I will use words that I have also used for others. - I'm Italian. I know the art of singing since I was born. Let's make the point right away: Dimash is not just good at this or that field, in this or that aspect, of singing. Dimash is the sound field. Following the ontological thread even before the logic of technical analysis, you still can't fully understand that here it is no longer just octaves, whistle register and even more than simple, immense, vocal technique. Dimash has a universal voice. To be clear, his voice is like what in biology is called a totipotent cell. In this sense it is a "stem voice". From this cell can be generated any type of tissue, what are commonly called musical genres. Its transitions are such that the transition no longer exists. Dimash does not sing the different genres (opera, pop, rock, also rap et cetera...). It's all genres already. In his case, musical genres are nothing more than a coloriture, an inflection, a declination, of his general voice. The same applies, of course, to all his voice records. This also leads to the fact that he sings easily in several languages. The different national languages are nothing more than determinations, sub-species, of its general sonority. Let me give you an example which is also a confirmation: Dimash has sometimes been criticized for not having devoted himself exclusively to the Opera. It was Dimash himself who declined the invitation to specialize in operatic singing. And this is perfectly consistent with its nature and value. Dimash is not only an operatic singer, neither just rock, nor just pop, nor anything specified and specific, simply because he is a "holistic" singer in both the philosophical and scientific sense of the term. Dimash is a "singing system" that is more than the sum of its own parts. She sings with her whole body. This fact does not only relates to technical considerations relating to the posture to be taken at different times and modes of singing. It is first and foremost that, as I said, in Dimash singing is equivalent to the whole organism. I suppose sooner or later this should have happened in someone. It happened in this Kazakh boy. In summary: The other singers, all the other singers, perform a song. Dimash executes himself. Having said that, I salute you. - In italiano : Sono italiano. Conosco l’arte del canto da quando sono nato. Chiariamo subito il punto: Dimash non è semplicemente bravo in questo o quel campo, in questo o quell’aspetto, del canto. Dimash è il campo sonoro. Seguendo il filo ontologico ancora prima che logico dell’analisi tecnica, non è ancora possibile capire pienamente che qui non si tratta più solo di ottave, di registro di fischio e nemmeno più di semplice, immensa, tecnica vocale. Dimash ha una voce universale. Per intenderci, la sua voce è come quella che in biologia viene chiamata una cellula totipotente. In questo senso è una “voce staminale”. Da questa cellula può essere generato ogni tipo di tessuto, quelli che vengono comunemente chiamati generi musicali. Le sue transizioni sono tali che la transizione non esiste più. Dimash non canta i diversi generi (opera, pop, rock, anche rap et cetera…). E’ già tutti i generi. Nel suo caso, i generi musicali non sono che una coloritura, una inflessione, una declinazione, della sua voce generale. Lo stesso dicasi, ovviamente, per tutti i suoi registri vocali. Da questo deriva pure il fatto che canta agevolmente in diverse lingue. I diversi linguaggi nazionali non sono altro che determinazioni, sotto-specie, della sua sonorità generale. Le faccio un esempio che è anche una conferma : Dimash è stato talora criticato talora per non essersi dedicato esclusivamente all’Opera. Fu Dimash stesso a declinare l'invito a specializzarsi nel canto operistico. E questo è perfettamente coerente con la sua natura e il suo valore. Dimash non è solo un cantante operistico, nè solo rock, nè solo pop, nè altro di specificato e specificabile, semplicemente perché è un cantante "olistico" nell'accezione sia filosofica che scientifica del termine. Dimash è un "sistema canoro" che è più della somma delle sue stesse parti. Canta con tutto il corpo. Questo fatto non attiene soltanto a considerazioni tecniche relative alla postura da assumere nei diversi tempi e modi del canto. Sta innanzitutto nel fatto che, come dicevo, in Dimash cantare equivale all’intero organismo. Suppongo che prima o poi questo dovesse accadere in qualcuno. E’ accaduto in questo ragazzo kazako. In sintesi : Gli altri cantanti, tutti gli altri cantanti, eseguono un brano. Dimash esegue sé stesso. Detto questo, ti saluto.

[@unicounici3772]

Pour Véronique Furon. Aussi dans ce cas, je ramène le texte à l’italien à la fin, en espérant que Google va également traduire bien en Français. - Ma chère Véronique, dit sans présomption, je n’ai pas besoin de vos indications à ce sujet. Si vous en connaissez 100, j’en connais un billion. Lisez ce que j’ai écrit à Lara The Ring et apprenez aussi. Et surtout, ça s’arrête là. Il n’y a pas d’objections ou de clarifications plausibles à ce que j’ai écrit et, par conséquent, si vous les proposez, elles ne recevraient pas de réponse de ma part. Mon éthique m’a toujours obligé à ne pas me chamailler hystériquement sur ce genre d’évidence que 1 plus 1 fait deux. In italiano : Mia cara Veronique, detto senza presunzione, non ho bisogno delle tue indicazioni a riguardo. Se tu ne sai cento io ne so a trilioni. Leggi quanto ho scritto a Lara The Ring e impara anche tu. E , soprattutto, finisce qui. Non esistono obiezioni o precisazioni plausibili a quanto ho scritto e dunque, dovessero essere avanzate da voi, non riceverebbero da me alcuna risposta. La mia etica mi impone da sempre di non battibeccare istericamente su quel tipo di ovvietà secondo la quale 1 più 1 fa due.