Manon Act 1 Royal Danish Ballet

  Рет қаралды 81,658

balletalban4690

balletalban4690

Күн бұрын

Пікірлер: 30
@gyorgytibrea4076
@gyorgytibrea4076 10 ай бұрын
BRAVÓ!!!❤ CSODÁLATOS BALETT ELŐADÁS. FANTASZTIKUS, NAGYSZERŰ KOREOGRÁFIÁT.TISZTELETRE MÉLTÓAK A TISZTELT BALETTMÜVÉSZEK ❤.
@iaf4454
@iaf4454 11 ай бұрын
I love ballet ❤ thanks for uploading 💃💃
@Polygal111
@Polygal111 Жыл бұрын
Alban Lendorf is amazing. His slow solo is mesmerizing
@homosapien0822
@homosapien0822 5 жыл бұрын
I saw this production at the metropolitan opera as part of their ABT season and it was amazing!
@dancingnature
@dancingnature 3 жыл бұрын
I agree I saw that also
@assenandonov7100
@assenandonov7100 5 жыл бұрын
Synopsis Act I. Scene I: The courtyard of an inn near Paris - The courtyard at the inn is frequented by actresses, gentlemen and the demi-monde from Paris. Among them are Des Grieux, a young student, the wealthy Monsieur G.M. and Lescaut, who is there to meet his sister Manon on her way to enter a convent. A coach arrives bringing Manon and an Old Gentleman who has been very much attracted by her. Lescaut notices this and takes the Old Gentleman into the inn to come to an arrangement with him over Manon. Manon remains outside and meets Des Grieux. They fall in love and decide to escape to Paris with the help of the money that she has stolen from the Old Gentleman. Lescaut and the Old Gentleman come out of the inn, having made a bargain, and to their dismay see that Manon has disappeared. Monsieur G.M. tells Lescaut the he too is interested in Manon and because of G.M.’s wealth Lescaut promises to find Manon and persuade her to accept G.M. Act I. Scene II: Des Grieux’s lodgings in Paris - Des Grieux is writing a letter to his father but Manon interrupts him by declaring her love for him. Des Grieux goes to post the letter and in his absence Lescaut arrives with Monsieur G.M. Manon yields to G.M.’s advances. When Des Grieux returns, Lescaut persuades him that there will be great wealth for all of them if he, Des Grieux, will sanction the liaison between Manon and G.M. Act II. Scene I: A Party at the hotel Particulier of Madame - Manon arrives at the party given by Monsieur G.M. and is clearly torn between the wealth of her companion and her love for Des Grieux, who is also there with Lescaut. Des Grieux tries to persuade Manon to leave with him but she tells him that the time is not right and only will be when he takes more of Monsieur G.M.’s money at cards. Des Grieux is caught cheating and he and Manon rush away. Act II. Scene II: Des Grieux’s lodgings - Manon and Des Grieux once again declare their love for one another but Monsieur G.M. arrives with the police and Manon is arrested as a prostitute. In the ensuing struggle Lescaut is killed. Act III. Scene I: The Port - The Jailer of the Penal Colony awaits the arrival of the convicts from France. Manon has been deported to America as a prostitute and Des Grieux has followed her there by pretending to be her husband. The Jailer turns his interest towards Manon. Act III. Scene II: The Jailer’s room - The Jailer has arrested Manon but offers her rewards in the hope that she will desert Des Grieux and live with him. Des Grieux, however, breaks in and kills the Jailer. Act III. Scene III: The Swamp - Manon and Des Grieux have escaped into the swamp of Louisiana. All her former ambitions of wealth and splendor have been renounced for her love of Des Grieux. While eluding their pursuers Manon collapses and dies in his arms.
@irene7772
@irene7772 2 жыл бұрын
Thank you, you’re wonderful
@pagano1905
@pagano1905 Жыл бұрын
Alban Lendorf, the best Des Grieux there is. His dancing touches one’s soul.
@Qwerty-db1js
@Qwerty-db1js Жыл бұрын
Errrrrr....... have you seen Anthony Dowell??????????????
@pagano1905
@pagano1905 Жыл бұрын
@@Qwerty-db1js u fortunately not in that particular pas de deux, so I can’t compare.
@Qwerty-db1js
@Qwerty-db1js Жыл бұрын
@@pagano1905 Yeah, I understand. You are allowed to like whoever you want, of course.
@faberbosc6639
@faberbosc6639 7 жыл бұрын
Musique vraiment brillante; on oublie trop souvent de citer Massenet.
@Edward245100
@Edward245100 8 жыл бұрын
I hope and trust we will get the remaining acts of Manon by the Royal Danish Ballet.
@mnmleung
@mnmleung 6 жыл бұрын
Thank you! 27:39 bedroom pas de deux
@tomabervetsky8830
@tomabervetsky8830 Жыл бұрын
18:15 solo Violin & Cello
@izzym3592
@izzym3592 5 жыл бұрын
32:48 he just fuckin flINGS HER that poor girl
@vhar5658
@vhar5658 4 жыл бұрын
¿480p para un ballet?
@carmenridiche7984
@carmenridiche7984 8 жыл бұрын
Who made the choreography ?
@081035jb
@081035jb 7 жыл бұрын
kenneth Macmillan. but some of it seems to have been slightly changed here.
@williamwoolhouse3702
@williamwoolhouse3702 5 жыл бұрын
Joe I think your are right..I am surprised that Lady Deborah Macmillan gave her permission.
@edithdahrouge4779
@edithdahrouge4779 4 жыл бұрын
Do not miss the performance of Aurélie DuPont /Paris Opéra Ballet!
@ballyhigh11
@ballyhigh11 Жыл бұрын
Well it is the Royal Danish Ballet. Who would say no to them?
@RC2214
@RC2214 4 жыл бұрын
The synopsis was so confusing?
@65NART
@65NART 4 жыл бұрын
For you, perhaps.
@Qwerty-db1js
@Qwerty-db1js Жыл бұрын
In what way? Manon can be quite a confusing ballet for a first-timer... Manon herself is a very complex character. Des Grieux too, lols. So I get you.
@birdyfilovingheart6365
@birdyfilovingheart6365 5 жыл бұрын
Oh dear,they will never be as polished as the Royal Ballet,Bolshoi or Mariinsky.
@milaslesar10
@milaslesar10 5 жыл бұрын
This is the funniest comment I’ve seen in weeks, way to go!
@birdyfilovingheart6365
@birdyfilovingheart6365 5 жыл бұрын
@@milaslesar10 Oh really? Perhaps you have not enjoyed the pleasure of seeing any of these companies live then! You would then realise the enormous difference.
@lanna0596
@lanna0596 4 жыл бұрын
That may be, but this by these two is the first time I have understood the move at 22:02 (the dragging along the floor). The "better" companies I have seen seem to just execute that move without getting the sense of it.
@markbeck8384
@markbeck8384 2 жыл бұрын
I mildly agree; but I am not so sure. I think the bigger companies have maybe a bigger company load of dancers to juggle, and many years of famous dancers coaching & polishing the old warhorses; however, the RDB also has a famous school & Past, uniquely their own. What they turn out are: light, springy dancers with beautiful feet; lots of good guys; and wonderful acting. I like their sets, orchestra, lighting, and costumes. If they don't turn out giant corps that are gloriously regimented or pas de deux that are steely-secure; they come up with sparkling soloists with personality, and a cast that is committed to telling a good story. I also like that they use more kids and older dancers than many companies do: it adds to the depth and Reality. Also, I think they have been on a roll for a while of expanding their repertoire and refreshing their material & polish. I love what they do, while admiring all the other great companies; and I think they have a thrilling future.
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