Manuel Cano/1988 Soleá-Granadina-Siguiriya

Osaka Japonés 1988 concierto
マヌエル・カーノ　大阪公演
吹田市文化会館“メイシアター”中ホール　1988年11月1日
Recuerdo a Ramón Montoya（ラモン・モントヤの想い出）
Lo toca en la guitarra hecha en Santos Hernandez.（サントス・エルナンデス使用）
Soleá
Granadina
Siguiriya
En el día del programa
当日のプログラム
“Recuerdo a Ramón Montoya”
第一部　ラモン・モントヤの想い出
Soleá　ソレア
Guranaina　グラナイーナ
Seguiriyas　シギリージャ
Rondeña　ロンデーニャ
“El Tema De Flamenco Manuel Cano” (Hida-Shunkeinuri Guitarra usada)
第二部　マヌエル・カーノ　フラメンコのテーマ（飛騨春慶塗ギター使用）
Serana　セラーナ
Petenera　ペテネーラ
Caña y Polo　カーニャ・イ・ポロ
Zambra　サンブラ
Lamento gitano　ジプシーの嘆き
Seguiriyas　シギリージャ
“ Dúos De Guitarra”
第三部　ギター2重奏
Recuerdos de la Alhambra　アルハンブラの想い出
El Vito　エル・ビート
Crepúsculo Granadino　グラナダの夕焼け
Guajira　グァヒーラ
Farruca　ファルーカ
Anda Jaleo　アンダ・ハレオ
Encuentros　出逢い
“bis”
アンコール
Concierto de Campana　鐘のコンサート
Alborada　夜明け
Cuatro Muleros　四人のラバ引き
Cascada　滝

[@jerzynekdob7240]

Fantastyczny występ, jeden z najlepszych gitarzystów z absolutnej czołówki tego gatunku flamenco

[@BrunoPedros-iv5nn]

genial Maestro y sonido unico😊

[@elipkau]

Olé maestro !!!! Cómo reluce .

[@AC-nq6os]

First time I’ve seen or heard this guy. Awesome interpretations. I love how the combover is the default hairstyle for flamenco guitarists once they get older.

[@rstoop]

Yo fuí unos de los estudiantes en el Conservatorio Superior en Córdoba en los últimos años de su vida. A pesar de sus peculiaridades (como muchos artistas) era un guitarrista con mucha pureza y con eso me ha dado algo essential. Gracias, Don Manuel.

[@manuelfranciscocortes4224]

Yo también estudié con él en esos años... Un saludo desde Almería.

[@carmenmesacobo6543]

Fue un gran amigo mío y nunca lo he olvidado,José villar

[@nenadmarincic7716]

...El Maestro Cano.! ... tocando..... ..con gran pureza y ., sentimiento ...... .soleare , granadina, siguiriya....(.. difíciles , " clásicas" .. creaciones,de niño Ricardo?/ Sabi..(?.. (..El Maestro ,, además , en cada " nota ".... transmite , infinito amor y pasión por la guitarra...

[@elmecanico4943]

Bellisimo y divino...maestro de la guitarra española.. En honor a mi padre, Efren Pinzon Castillo

[@nenadmarincic7716]

.así suena la guitarra , .. cuando se ..toca con el... sentimiento... ......temple , y buen gusto/! ..

[@MrBrunopedros]

ricordo che nel 1984 al cons di cordoba studiai con il gran maestro un suono unico, molta purezza ,,peccato che questi grandi stanno scomparendo ..viva il maestro cano para siempre bruno pedros

[@pleasepermitmetospeakohgre1504]

0:00 Solea 04:55 Granadina 09:15 Siguiriyas

[@gardenia48100]

Gracias. Se trata de un máster de vídeo valiosos en Japón.

[@alvisosa943]

Fenómeno

[@eng954]

Pure flamenco..Guitar crying in his hands.Only spain guitarists can play such sentimental pieces..

[@Anriuko]

Many virtuosi add vacuous embellishments as if only to keep their fingers busy and the audience dazzled. Just ask yourself what is the conversation that the music is trying to enact, it will reveal where it's coming from. A self-absorbed virtuoso uses music to talk about themselves - it's all about impressing. They try to literally *impress* themselves onto you, the intent carries from the mind to the hands, from hands to guitar, from guitar to air, transmitted via that medium into your ears as changes in air *pressure* surrounding your sensory organs, and through into your brain. The self-absorbed virtuoso may be interesting in and by herself, yet have nothing interesting to say after you lose interest and intrigue in them as a person and a thing happening. They're aplenty, it's a pathology of our time. They exist in numbers because we want to be impressed. When we lost interest, we find another impressor. There is always something new; a new flavor, an effect, a novelty. Something surprising to make us feel like we haven't yet seen it all, adventures to look forward to. The shock, surprise and awe make us feel alive. We subconsciously move on to the next phenomenon and source of awe before we have had the time to realize how superficial the very experiences that make us feel alive are, like a cat and mouse game of seeking short-term gratification and trying to cover your tracks from death and the existential crisis tailing you. Well, wasn't that a tangent... What I actually wanted to say is that after having listened to the Soleá twice, I'm feeling this guy is the real deal. There is no showing off. The intricate details and ornaments are a produce of the combination of a complex emotional life and intellect. His music is having a meaningful conversation, and he is actively participating. He doesn't have answers - he asks the guitar. He exposes to you his intimate inner world in the hopes that someone hears, understands, and has an answer. He's the genuine article with valuable stories to tell.

[@user-lm2cv5qo3u]

OLE! would have done.whatever 🙄

[@banjoboy01]

riff