Рет қаралды 176
This online conference on the history and conservation of frames is co-organized by the museum’s curatorial and conservation departments to promote inter- and multi-disciplinary dialogue. The AGO is home to an important collection of historic frames, and a project is currently underway at AGO to catalogue and conserve this collection to make the collection more accessible for study and use. In light of this project, the symposium aims to present current research that contextualizes frames in their many incarnations, including research on frame makers, framing traditions, frames’ afterlives, frame collections, pairings of frames to paintings, artists’ frames, the commercial history of framing, and related topics.
For more information visit:
ago.ca/events/...
Gregory Porter and Andrew Haines [MFA Boston]: “The Conservation Treatment of the Frame on a 15th century Venetian Altarpiece by Bartolomeo Vivarini”
00:03:53
Christopher H. Brooks and Allison Langley [Art Institute of Chicago]: “Reframing Georges Seurat’s A Sunday on La Grande Jatte- 1884: a process of research, revision and refinement”
00:33:38
Sacha Marie Levay [Montreal Museum of Fine Arts]: “Journal of a Framer: Witnessing Framing Trends in the Montreal Museum of Fine Arts’ Canadian Paintings Collection”
00:55:55
Allison Jackson [Harvard Art Museums]: “A Decade of Intentional Framing at the Harvard Art Museums”
01:22:33
Closing Keynote Address:
Hubert Baija [retired Conservator of Frames, Rijksmuseum]: “Colorful Traces - Original Framing” (30 minute talk with 15 minutes for questions)
01:44:48