María Dueñas performs Ravel's Tzigane

[@呵呵-j7v]

She plays it so AGGRESSIVE, and somehow it works amazing!

[@beyourownhero1489]

For me it's PASSION. And if you are in fire when you play violin then you know that you are born to do it.

[@yepsan95]

The piece is aggressive

[@Luguanyu307]

Tzigane is kinda known for aggressiveness.

[@alexandrajaderian6090]

Exactely! Her play is pasional like gipsy hearth!

[@Will67267]

That’s gypsy music. Wild and aggressive!

[@susansu6953]

Her aggressive style suits her very well! BEST RECORDING OF THIS PIECE I HAVE EVER HEARD!!!❤

[@Chibanah]

I can only compare her style to Vengerov, he also has this very confident style, but not every piece suits their agressive style, sometimes I feel it too much in case of other pieces, but this piece is perfect for them. Recently I am very amazed with a version of a young Kroean violinist, she basically plays an elegant, beautified version of it (so to say 😄) kzbin.info/www/bejne/p17ak6CrbNRrZ8U

[@lily_wonka]

The person who composed this piece is called Maurice Ravel. He initially composed for a Hungarian violinist Jelly d'Arányi, great-niece of the violinist Joseph Joachim. The original instrumentation was for violin and piano. But after, the orchestration part was composed. The first performance took place in London on April 26, 1924. The original score of Tzigane included instructions for these register changes during execution. The name of the piece is derived from the generic European term for "gypsy". This piece was made in the romantic era, which is characterized by its emphasis on emotion and individualism. I like this piece because it has alot of emotion and because the beginning of the piece, the violinist gets a solo. The player playing this piece is called María Dueñas, she plays with a lot of emotion, and very aggressively, she also uses long bow strokes to play.

[@fanyang3877]

The style of this piece suits her very well, an amazing version!

[@montana6041]

The best interpretation I‘ve heard!👏👏👏 Brava!

[@chanhnguyen2215]

Currently Ms. Maria Duenas is one of the best violinist not only in Spain but also in the world. She is powerfully player and very excited. She will go so far. Good luck for her and God Bless her.

[@_alexcr]

my favorite recording! So aggressive!!!

[@iamjane9628]

She is just so incredible. 👏

[@mariopluasfernandez1925]

No existe mejor interpretación que esta, creo que solo ella mismo puede superarla, grande María Dueñas🎉

[@sargentfresu4440]

The best one. Bravo María, eres única!! Gracias 👏👏👌🏼🇪🇦

[@MrThetaphi]

just great! I will look for more from María Dueñas.

[@sugarpacketchad]

Bravo!

[@UNGRANTIPO1]

Que maravilla.....eres un prodigio de la naturaleza....

[@laszloredei4075]

Excellent Performance😍

[@kostasmponis1042]

The female Kavakos.....Wow...she will become top tier Violinist!!!!

[@muhammadalithompson4525]

She is for the best of this century. Of course there is a lot to improve but it has the essentials.

[@whirl.__.nix.__3840]

Amazing

[@hibaart469]

Those harmonics 😮

[@bahaeeddineofficiel1173]

hello just wanna ask are you arabic by any chance

[@hibaart469]

@@bahaeeddineofficiel1173 yes l'am

[@Chibanah]

This piece fits her style very well, yet I can't decide if I like it more than Vengerov's version or not. I think I like both equally, it is impossible to judge violinits over a certain level, I just rather go with the overall feeling they give with their own style and interpretation with a piece.

[@dnxxnb]

Two legends! No need to choose indeed, better to appreciate and enjoy each with their own uniqueness :)

[@香山旭-x7m]

擠術、音樂之賞心悅目，名付其實的顶級演奏家～

[@RenaMichelle]

She’s amazing 😍💕

[@xyzxyz-ym8ih]

Eaaaaaa que orgullooo

[@vitocortesi9389]

Perfezione assoluta!

[@adrianacanasavello2775]

Es la mejor

[@gilbertpangyarihan8014]

אינטרגלקטיקה מוסמכת!🌹

[@clem5532]

WoW

[@helloitsme693]

wow!!!

[@cristiansicilia1286]

OMFG love this.

[@josevigil3786]

What's that hissing sound through out the recording is that her breathing? And holding her breath?

[@issadjr]

Yassss, amazing right?

[@gilbertpangyarihan8014]

A miracle of violin virtuosity at the age of 20 and by a female at that. Just don't know what her violin professor could still teach her.

[@劉巾英]

Ravel is watching now

[@AgostyGoshm]

does anyone know why she used bow for the lh pizz part? was it because she wanted a challenge

[@dominikn19]

Savage.

[@NoyesChanning-k7z]

Miller Richard Hernandez Angela Smith Nancy

[@KarenJackson-g5t]

Allen William Young Karen Rodriguez Carol

[@NettieRodriguez-r2y]

Williams Dorothy Lopez Shirley Lee Ronald

[@KennyWong-yd6hn]

Seem the body movements are too massive and affected the otherwise perfect delivery of the piece😅

[@heitorferreira2674]

Shes not even playing it right search up midori playong ravels tzigane

[@elquepasadeti]

Obviamente al final de la obra hubo una "falta de entendimiento" entre ella y el pianista...incomprensible a mí parecer!

[@aliciaisabelcastrorejon4090]

Incomprensible es la osadía con la que dices eso, si no puedes hacerlo mejor no critiques!

[@sofiavaldes6451]

corazón, así es la pieza :/

[@elquepasadeti]

Creo que debería "moverse menos y sonar más"

[@user-po6ei7ke5p]

Y tú quizás hablar menos y practicar más, cuánto darías por sonar así...

[@user-po6ei7ke5p]

Que mala es la envidia...

[@muhammadalithompson4525]

Burn that envy Jesus.

[@cristiansicilia1286]

Ciò che non sai, è che Tzigane, per una serie di motivazioni storiche, diviene l’archetipo novecentesco dell’aspetto gestuale violinistico, cui seguiranno, per tutto il secolo, diverse sperimentazioni in tal senso. Questa, tra tutte le interpretazioni che troverai sul web, è la migliore a mio parere. C’è uno studio approfondito dietro, non è semplicemente “troppo movimento”, questo pezzo è scritto appositamente in questo modo. Agli occhi di Ravel, la figura della giovane violinista che ispirò la stesura di questo pezzo, diviene la personificazione mitica della Musica, una donna, in grado di svelare le segrete relazioni tra lo strumento e l’artista. I suoni prodotti dal violino, grazie a sapienti movimenti dell’esecutrice, dialogano in rapporto sinestesico con la sonorità visuale delle oscillazioni dell’archetto e di tutto il corpo della giovane, a sua volta indotto dalla musica a muoversi empaticamente, flettendosi e inarcandosi nello spazio aereo e sonoro circostostante. Potrei parlartene per ore, ma evidentemente non sei la persona giusta, o semplicemente non hai voglia, di comprendere a pieno questo pezzo, e questa sua ottima interpretazione, intrinsicamente legata alla storia che ci sta dietro.

[@moracabanas]

Tiene una proyección espectacular, y una musicalidad fuera de serie. Encima de todo eso ella es capaz de interpretar la pieza con tanta energía y de la manera tan extravagante que exige esta pieza en específico. Es un espectáculo musical que cuesta mucho trabajo y está muy bien ejecutado. Sabemos que todo es mejorable en esta vida, y antes de evaluar tu capacidad crítica, vamos a darte la oportunidad de que estudies un poco más y te leas tu primer libro 🥰