Margarita Slepakova - G. F. Händel - Scherza infida

[@Roberto23939]

Grande Margarita❤❤

[@stefaniaargento8183]

Ho provato a trovare dei difetti a questo Concerto. Impossibile. Anche la sempre aleggiante invidia professionale... si è dileguata, al cospetto di tanta grazia composta ed armonia tra le parti. BRAVO a tutto l'Ensemble e ... attendiamo nuovi traguardi. Grazie di cuore. sa

[@margaritaslepakova9374]

Thank you so much for your kind words! This means so much to me

[@HelenJoannides]

beautiful! brava!.... ❤

[@margaritaslepakova9374]

Thank you!

[@eleonoranegri1593]

Great interpretation, Margarita! Congrats!

[@margaritaslepakova9374]

Thank you so much!

[@adagina-zwolinska3884]

Stunning!!! Congratulations Margo!!!

[@margaritaslepakova9374]

Thank you!

[@antonisz1826]

Amazing. Brava!!!

[@margaritaslepakova9374]

Thank you silo much!

[@Roberto23939]

Bravissima complimenti..

[@margaritaslepakova9374]

Thank youuu

[@nadezda6726]

Необыкновенной красоты голос ... И сама вокалистка хороша собой !

[@margaritaslepakova9374]

Spasibo vam bolshoye!!!!

[@leonidgorokhovsky4281]

Bravo !

[@neskachu]

Najpiękniej!

[@РосоСоллито]

Браво, брависсимо! Вы прекрасно поете, Рита. У Вас необыкновенной красоты голос! Потрясающе! Представляю Вас в роли Кармен - это было бы феерично. Я просил бы Вас еще что-нибудь выложить, если можно.

[@margaritaslepakova9374]

Больое вам спасибо за ваши слова! Мне очень приятно. Всего вам доброго! (Я выложила в этом году несколько новых записи на канале).

[@DavidHughes-op6zl]

Beautiful singing but there's much, m u c h more to this hauntingly gorgeous aria than she currently gives us. Working with a good coach will transform a presently not entirely impressive rendition into something approaching a more mature one. At the moment I don't get the feeling that she sufficiently 'sees' the dark, passionate and poignant nature of the aria. Thus, not nearly enough of these aspects translate into her phrasing and tone colouring. Unquestionably attractive though the vocal product is, it's a largely academic performance. A work in progress. One last thing: all that arm waving adds nothing to the communication of the piece, indeed it irritatingly detracts from it. One should not only sound like a singer but look like a singer. At times her visual antics came within less than paper-thin dtstance of resembling the opening stages of a belly dancer. On the concert platform the drama - and there's a hell of a lot of it in this music - must be projected ninety per cent of the time via the v o i c e.

[@basiliusmoesch3791]

Come on, it is a warm and expressive baroque voice and the "arm waving" looks completely natural an I like it much more than the ladies standing on stage like a statue ...

[@DavidHughes-op6zl]

@@basiliusmoesch3791 I wholeheartedly agree that no-one wants a singer to assume a statuesque stance in recital but neither is it a good idea for someone to give the impression they'd rather be a windmill than strut their vocal stuff. It's a matter of getting the balance right. As I said in my original blurb, all that physical activity not only does nothing to enhance the rendition, it actually detracts and distracts, at least it does in my book. A little movement, yes, not the excess to which she treated us. The idea is to draw the listener towards the words and music, not the performer. Can you imagine Janet Baker cavorting about on the concert platform? No, neither can I. She was always the >consummate< artiste. I'm serious when I say that I suspect she wouldn't even •think• of scratching an itch in public because by so doing it would interfere with her interpretive focus. I was taught that one must not only s o u n d like a singer but l o o k like a singer. I call it platform protocol. Alas, what remains uppermost in my memory regarding the singer in question is not her vocal skills but those off-putting visual antics....

[@Alex-hx3nm]

senza la musica, la vita sarebbe un errore

[@Alex-hx3nm]

виночерпий, бездонный кувшин приготовь: пусть без устали хлещет из горлышка кровь, эта влага мне стала единственный другом: ибо все изменили: и друг, и любовь в тему произведения