Mariah Carey: Charmbracelet (Vocal Range: F♯2-C7)

[@lProjectZerol]

I think "Yours" is one of her best vocal songs ever...

[@treatedmekindsweetdestinyy4565]

Eternal Shadow along with through the rain.

[@lourencovieira5424]

specially the live performance, "the one" as well.

[@izzalrahizam8865]

the one for live version and saving grace for climax

[@kijanayoung2000]

Love Yours

[@got2bjosh]

In her early years, the media criticized Mariah for over singing and lacking restraint. Upon Charmbracelet's release, the media (fresh off Glitter bashing) chose to criticize Mariah's restraint through whisper technique (which she had employed even in her prime) and posited her as vocally through. Meanwhile this album showcases upper chest belts, beautiful head voice (those gorgeous B5s), masterful mixed voice technique, and 4.7 octave range. How is that being vocally through? Always think critically and see past the ideological agenda the media pushes your way through the culture industry.

[@leonelvalencia6035]

Joshua Samuels Excelent, most of people don't even recognize That Mariah had espectacular vocal after her prime and even more difficults, Lead the way, subtle invitation, Fly like a Bird, I only wanted, Come on Aleluyah faithful, and many other examples, a legend is a legend.

[@axelito6342]

@@leonelvalencia6035 that’s because she was still in her prime back then . And if we wanna be 100% real .....her studio vocals between 97 and 05 are better than anything she did in the early 90s technique wise

[@musicalkavya]

Charmbracelet was Mariah’s 3rd prime

[@Litalici0us]

Good job, this album is amazing vocally

[@JonathanGardnerTV]

This album is packed full of some of her best mixed belts. So beautiful, so rich, so resonant, so soulful

[@jayelazy1348]

3:25 Daydreamriah tone came back for a second

[@harveylemsic739]

my favorite era daydream and Charmbracelet powerful vocal and i like the resonance..

[@Borinssj]

07:45 yaaaaaaaaaaaasssssssssssss

[@ElizabethRey97]

ONE OF HER BEST F♯5'SSSSSSSSS!!!!!

[@lambforever2455]

Hell NO. That was SOOO squeezed.

[@Borinssj]

I love it tho Lamb Forever

[@ldl4eva]

I thought that F#2 goes all the way down to a Eb2, from Alexmax9295 studio vocal range vid of her, I can hear it actually, but all together, DAAAAAAMMMMMMMMNNNNNNN Mariah went off on his album.!!! My God, those G#5s were absolute heaven, like Im speechless, My God.!!

[@taytaybeynippy408]

OMG I really can't remember the last time I listened to this album This Album Came Out When I Was like 5 years old I Used to reenact the "Through The Rain" Music Video In The Middle Of Our Living room :P :D The G#5'a On Her Are Everything. Oh And This Album Is Actually 4.4 Octaves and A Semitone not 4.7 :D

[@ElizabethRey97]

Hahaha that's adorable :P And I'm still learning about counting the semitones.. Sorry and thanks for watching :)

[@taytaybeynippy408]

Xtina & Mimi it's All Good I Love her octave unisons on this album

[@Mfggbf]

Amazing F5's F#5's and G#5's

[@mugrad25]

her range was the best on this album

[@VanishingMoonlight]

I saw this video like 4 times and I've just noticed you wrote WHISTEL hahaha :) awesome video :D

[@ElizabethRey97]

Hhahaha I was so happy no one noticed it! Hahhaah :P

[@mangacie]

The Highest note in this album should be D7. And at the end of video, it should be 4 octaves 3 notes and semitone (F#2-C7) This album is second/another version of Music Box album, because Mariah played with her Feeling and Soul. But this album has more Whistles than Music Box album.

[@ElizabethRey97]

Thank you for correcting me about the 4 octaves... I'm getting used to it. But there's no D7 in this album; not in You Got Me nor in The One. Thank you :)

[@mangacie]

You're welcome. No problem, everyone has different opinion, right? lol

[@mangacie]

Queen Xtina Btw, may I request something?

[@ElizabethRey97]

mangajoentax Of course:)

[@mangacie]

This Year is 15 years of Christina Aguilera Career (1999-2014). Would you like make her full Vocal range Live or Studio.

[@vamberdisonandrade585]

G#5's 🔥🔥🔥

[@TonyRedEyes]

Queen Xtina Yay! A new video.

[@treatedmekindsweetdestinyy4565]

Could you please upload more? Just subscribed.♡

[@itsjanzhen5917]

It posibble to hit mariah 5 octaves in this

[@AnonymousXtinaSinger]

Great video! Im still tryna decide which is the better vocal album between this and TEOM.

[@cruzma594]

Lower register: Tie Mid-belts: TEOM Upper-belts: Charmbracelet Head voice: Charmbracelet Whistle register: Tie? For me it's Charmbracelet ♥

[@kijanayoung2000]

Lows: Tie Belts: TEOM. Sounded natural and not pitched up. In CB everything from F5/F#5 sounds pitched up which she didn't need to do. HV- CB Whistles- CB CB failed because of belts. Would have been better vocally than TEOM.

[@tayedizzle7170]

Charmbracelet

[@zairoxpunk]

@@kijanayoung2000 I like the tone in TEOM, the belts don't sound too strained like it is in CB. TEOM sounds rounder or maybe deeper, I like the tone more

[@kijanayoung2000]

@@zairoxpunk yes. I like TEOM belting. The most refined belts

[@charmbraceletera6405]

Yes dahling , i did that

[@emc2era988]

Purr. Slay

[@shamilashukor7588]

love this

[@maisasoares5633]

lindaaaaa amo demais!!!!

[@norhidayatiesupaei6277]

Beautylady

[@bambini80675]

Whoever said she lacked control... is a liar! She has control !

[@usedtobe1197]

Ela tem um Eb2 em You Had Your Chance

[@kijanayoung2000]

When I listen to this, I can now see why her voice was said to be in tatters throughout the record. 1. Too much restrain- using the whisper register excessively. Even on Butterfly, she did this but Butterfly wasn't panned due to no(2). 2. MID BELTS- This album was inadequate in the midbelt area. One song extensively features in the Bb4 to Eb5 region- THROUGH THE RAIN. Isn't it a coincidence that critics picked this as top pick for the album?? Mariah's midbelt is her asset. Even if we want to deny it or not- people live to hear Mariah sing in the Bb4-F#5 region(mid belt dominated sound) because her voice is MORE RESONANT THERE. She rose to fame as a counterpart to WH. Therefore, her vocals are still associated to be powerful!! By overrelying on upper belts and ignoring mid belting, Mariah did herself in. 3. Vocal Condition- This was following her vocal change due to overworking and fatigue which was apparent in 1998 and became so bad in 2000. 2002 was just not a great vocal year for her- I think she was going through alot emotionally and alot of pressure that it impacted her vocal on that year. The rasp in her voice this time was excessive and her nodules sounded kinda inflamed- even as she belts you can hear raspy thin whistles behind her belts. Her voice even here in its upper belts sounded thin, airy and strained (please compare Subtle Invitation with If Its Over before coming for me) Luckily she went on tour and redeemed herself with TEOM which was back to form and the strongest Post Butterfly record we got from her. 4. Poor song choices- alot of these songs are filler songs. Part 2 of Butterfly album. Only less developed vocally. If she sang this album the way she sang Never Too Far and Lead The Way she wouldn't be panned vocally. But also the album materialwise LACKED STRONG SELLING POINTS TO MAKE IT COMMERCIALLY VIABLE. Crazy in love was dominating the charts. There wasn't any song here that could compete really. It was an overly mature record to recapture her AC audience after a career slump but it failed because people move on quite fast.

[@leonelvalencia6035]

Kijana Young Fuck you!

[@kijanayoung2000]

@@leonelvalencia6035 Even Mariah agrees with me lol. Do you see her singing any CB songs??? Lol I love MC but I don't kiss ass when someone fucks up. She fucked up vocally with this. No lie. Listen to Emotions then listen to Butterfly then listen to this. You'll see what I mean.

[@aaronkelly5337]

actually, 2001-2002 is considered mariah’s 2nd vocal prime. her upper belts when she performed songs from the album were obviously mostly lipped but she could support and resonate up to Eb5/E5 again when singing live, which she hadn’t really been doing with consistency since early 1997. her vocal fluidity, pitch and control was much better and the rasp she had in 2006 hadn’t crept in

[@MartyMusic777]

I completely disagree - Charmbracelet happens to be my personal favourite of Mariah's albums, and in large part due to the restraint and musicality she demonstrated. Vocally, her voice was a much bigger wreck during Rainbow (speaking of Butterfly part 2...), as her upper belts at least sound clear in this album, and her songwriting became more mature and nuanced - there's true subtlety in songs like 'Clown' and 'Yours' that had not been present in earlier albums in sheer delivery, nevermind song structure and vocal textures. As for critical response - since when do critics say anything useful? They're mostly just people who express their opinions loudly and make endless comparisons - most of them have no handle of singing technique or how voices change over time. The entire entertainment world turned against Mariah in the early 2000s because of how massively successful (if not TOO successful) she had become, and it shows in articles and reviews of the time. So, instead of giving a shit about that, she released an album of introspective and nuanced cuts that sort of comes off as a giant middle finger - for one album, she just didn't give a damn about writing a commercial hit, and it's refreshing to get an album that feels like Mariah just talking about life and having fun instead of belting about how we belong together, or giving instructions to touch her body. It may not be commercially viable (still sold millions of copies, btw), but it's still interesting and damn good work.

[@chadmarussin9230]

Who are you??

[@bryancosico5530]

@0:19 what's the song's title? please anyone??

[@MrKanye38]

Clown

[@ilovetati91]

There are a lot of pitch-shifted notes on this album so it's hard to make a vocal range video...

[@Songbirdsupreme99]

It is like the early 0's version of miamtec! Anyway, must have been an interesting job voor her vocal engineers since autotune pitch shifting was only a recent technique (1998 I believe ) so I guess this was one of her first major projects using it.

[@ilovetati91]

@@Songbirdsupreme99 And she didn't seem to have used it much (if at all) on Rainbow or Glitter.

[@joblanskymangumjr1430]

ilovetati91 and how do you know? Were you in the studio with her? Everything in her belting was consistent on the charm tour. So just stfu

[@joblanskymangumjr1430]

SIPPIN ON THE LOVELYTI she didn’t pitch up her vocals don’t listen to this fool

[@GeeYhan]

@@joblanskymangumjr1430Interestingly, She did pitch up quite alot of high notes from this album. She has over 10 G#5s in this album, more than ever, its crazy. And the High F#5 belt that wasn't included in the "You Got Me" album version sounded very pitched. fascinatingly, You'll actually hear her real tone (similar to her live voice during that time) if you pitch down some of the high notes using Melodyne or other software.

[@daloncontreras4035]

What’s the song at 9:06 😍😍😍😭

[@ianatzayaelh1965]

Dalon contreras Miss you

[@vocalvids5190]

What song is the Bb2?

[@joyjoyforever]

vocal vids I hope it's not to late to reply. It's called "Yours"

[@vocalvids5190]

JoyJoy111 Better late than never! Thank you!

[@maqueldalisay291]

What song is the intro?

[@user-yi8ih1he3x]

maquel dalisay You Had Your Chance from this album, of course❤️

[@heartriah]

what font is that??

[@TonyRedEyes]

Plus there is a D7!!

[@shamilashukor7588]

omg

[@edcardenass]

good video but I hate the editing lol.

[@ElizabethRey97]

Hahahahha y?

[@edcardenass]

the way u cut the audio clips and some text for the notes

[@ElizabethRey97]

No hate, but I think it's my video! Anw i'll try to make it good next time