Incredible. Breathtaking. Phenomenal. Exquisite. Those (and many more similar) adjectives are not enough to describe your instrument. That stage presence, strong connection to the ground and posture... Those chest tones... Those roaring highs... PLEASE never change, your charisma, beauty and voice are all the adjectives that I listed and more 😅 Wish you the best regarding your career and hope to one day watch & listen to you live🙏🏼
@MaritinaTampakopoulos3 жыл бұрын
Your kind & generous words give me so much motivation and empowerment dear @TristanSoars ! I THANK you with all my heart for believing in me so vividly and i hope in the near future to meet your expectations! Fingers crossed Music will make our paths cross, hopefully soon.! All the best to you and once again THANK you immensely. M.T
@tarejso5632 Жыл бұрын
Young spinto lirico tenor here.... I hope you succeed...You deserve it. Know these days big voices, with many colors and great chest voice, are sadly not preferable but let me tell you if you do not know...for me the greatest soprano technically Anna Pirozzi (primadonna of our times) started to learn singing at 25 and began her career at 34 now she is the most looked after dramatic coloratura in the world. You have it all in my mind...voice is big and powerful...Use it to the fullest!!!!!!! Do not be ashamed...many, many small voices few big and as beautiful. In this clip you remind me of Studer in her performance in La Scala..It is that good!!! You are also charismatic and your southern soul is there...Passion is there... You look great as welll something I had to add(these days it counts) You are a full package.
@peteryemos72962 жыл бұрын
Φωνή πού σε απογειώνει!!!🎼🎹🎼🎵❤
@peternystrom89812 жыл бұрын
wow!
@ransomcoates546 Жыл бұрын
Splendid singing. Once again, you hear somebody really good, it’s two years later and no big career.
@MaritinaTampakopoulos Жыл бұрын
And why do you think that is?
@ransomcoates546 Жыл бұрын
@@MaritinaTampakopoulos Doing just a little bit of KZbin research I find at least part of the reason. In your master class with Yannick N.-S. you sang a spectacular ‘Tu che le vanità’ and a magnificent opening line with its thrilling descent into the soprano ‘voce di petto’. And what does he tell you to do? Eliminate the resonance in this ‘weak’ part of the soprano voice. The chief conductor of the Met. is utterly ignorant of how great voices have sounded historically. And if you do know (how proud Callas would be at the sound you make on the word ‘mondo), supposed experts will try to reduce your voice in search of some perverse idea about characterization - and then probably bump it up with amplification so you can be heard in the house. I cannot imagine how frustrating this must be. But you and your teachers know exactly what a healthy dramatic sound is. Please don’t give it up to please any poorly informed conductor, no matter how influential.