Mark Andre - durch (w/ score) (for saxophone, percussion and piano) (2004/5)

Trio Accanto
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately.

[@Labratas123]

Bravo😊

[@ja_cob_mus]

The negative comments bothered me enough that I'm now leaving a comment expressing my immense appreciation for this work. Just because you don't like something doesn't mean no one is allowed to.

[@sew88sew88]

I appreciate it, too. It seems to me also very strange there are still so many people hating post-Lachenmann style, which is to me much easier to hear and much more subtle and emotional than other styles.

[@SergioCoteBarco]

love to read your response here, this piece is magnificent

[@ja_cob_mus]

@@SergioCoteBarcoI think most of the more negative comments must have been rightfully deleted 😅 I played this for a friend’s masters recital and the way the sounds come to life in the space is really impressive

[@oscargill423]

I love that the comments bewailing the negativity of this comment section outweigh the number of negative comments. Positivity!

[@abyss_composer]

Thank you for uploading all those recordings with the scores! It must have taken a lot of time. Thanks to that people who want to study including me are getting so much help.

[@__414.88b_]

Obscure coolness

[@vkkoorchester666]

we dig this. thanks for uploading.

[@machida5114]

I like this style. so good!

[@galas062]

danke!!!!

[@relike868p]

Lachenmann is his teacher

[@---wd3ij]

This comment section is pretty brutal

[@MegaCirse]

C'est beau comme la rencontre d'abord improbable, puis messianique d'un parapluie et d'une machine à coudre sur une table de dissection

[@alaksandrporakh601]

"Света доступнее Риты, семпл влиятельней бита" :)

[@klangschatten5610]

Post-Lachenmann style.

[@MuseDuCafe]

trednytrendytrendy

[@23ellimomac45]

saxophone, percussion and piano ; tout ce que je déteste ! comment ils l'ont su ?

[@Dagfinn_Koch]

As a composer am I very openminded towards contemporary music. But I do have problems with this Post-Webern-Lachenmann academic "Zeitgeist" style. Sorry.

[@mirrors1]

Molto Stockhausen. meglio, però.

[@emilianoturazzi]

molto Lachenmann anche direi....

[@jaspernatchez]

Can't you people understand that he's pulling your leg?

[@xaviergavalda5128]

Demostración de la decadencia de Occidente

[@angelcarbonell1038]

Tu sí que ets decadent, fòssil.

[@mmmuscraft5558]

Al contrario, muy al contrario, esto es tan solo el inicio de un nuevo Renacimiento. Ojalá te alcance la vida para llegar ahí, mientras tanto puedes ponerte a estudiar. La decadencia está en otro lado, si quieres puedes ir a ese frente a combatir, aquí te estás equivocando de batalla.

[@v.6297]

I like modernism a lot; but this is just noise, though there are indeed interest things (like 11:17, that remembers me a gate opening): but it is not a good piece; I think it only works as a font of little ideas that could fit into a great composition, that is not just noise.

[@mmmuscraft5558]

noise? ... you ain't hear nothing yet, by now, this is child's play compared to what is going on right now in terms of "noisiess"... but I could agree on that it could be a font-of-little-ideas ...in fact, compared to what has been coming out about working with noise, this has turned into a naive exploration of musical.potentialities.... it's not at all a statement piece. not a manifesto. I hope André did not intend it to be any of that.

[@sew88sew88]

There is intervalic order and not only.

[@SergioCoteBarco]

noise is awesome