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Mark Andre - Woher...wohin (for orchestra) (2017)

  Рет қаралды 6,025

belanna000

belanna000

6 жыл бұрын

Deutsches Symphonie-Orchester Berlin
Evan Alexis Christ
Just for promotion.
Please write me a direct message if you have complaints about this upload concerning copyright issues. In that case, I will delete the video immediately.

Пікірлер: 13
@jonasstary5895
@jonasstary5895 6 жыл бұрын
Beautiful... Thank you.
@grinblat
@grinblat 6 жыл бұрын
Thank you for uploading!
@mirikruger7789
@mirikruger7789 6 жыл бұрын
Ein Kanal auf dem ich ganz sicher wieder zurück kommen werde.
@SeanPi314
@SeanPi314 5 жыл бұрын
00:00 1st mvt. 02:51 2nd mvt. 05:50 3rd mvt. 10:45 4th mvt. 14:13 5th mvt. 18:37 6th mvt. 22:21 7th mvt.
@jonasstary5895
@jonasstary5895 6 жыл бұрын
Some parts remind me of Webern's op. 6.
@dennisraabe8879
@dennisraabe8879 6 жыл бұрын
Ich hatte sehr gute 27 Minuten (Y)
@JoBalDez
@JoBalDez Жыл бұрын
Couldn't hold the tears at 8:30.
@poirrot2011
@poirrot2011 6 жыл бұрын
I find The preoccupation in The iconic usw of provokative Sound Images, like He techiniques they use for mobile scores. Not necessarily Musical but a study of mobility. Is it possible to demonstrate It through music? Anyway, temporality becomes Well Explorer while We have to Imagine what is the being getting ground and space We cannot See. Existente. Ex. Ad ohne. Spacio. Mobility. Temporality. Being
@mark-j-adderley
@mark-j-adderley 6 жыл бұрын
Standard overexcited highly-strung classical contemporary music with all the trimmings. But where is the provocation with “going-with-the-flow ?” Lovely instrumentation and impeccable technique. How about breaking out ? Classical contemporary music has become too preoccupied with being streamlined and “acceptable”, and has thereby created its own clichés.
@KinkyLettuce
@KinkyLettuce 3 жыл бұрын
its standard academia music where 90% of the notes have to be some sort of special effects. Ironically, this is becoming extremely conventional and exactly as you said, cliche
@JoBalDez
@JoBalDez Жыл бұрын
@@KinkyLettuce the selfreference of it all is just gross - the only way they reach a wider public as their collegues and contribute to something is through the bits that are taken into the soundtracks of horror-movies haha. "classical" music becoming a specialized creation field for the horror-film industry, well done. at most serving two more movie-genres.
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