I loved meeting this artist for the first time - she made me grunt (discreetly) with delight! I put on Prokofiev's 5th piano concerto, and I often put on my own music to watch your excellent artist tours, because then I can pause the visuals for closer scrutiny without interrupting the music. But then I can watch them all over again to the music available with the video and double my fun. And your text window is so rewarding, LearnFrom! Do I have to increase your Patreon amount?
@xitapedrao13773 жыл бұрын
This sound make me crye❤😥😭
@alienfromalphacentaury25285 жыл бұрын
Beautiful
@jesussobrinho62344 жыл бұрын
Pinturas muito lindas!Talvez tenha se inspirado um pouquinho no Chagall... É a primeira vez que vejo e gostei muito...
@terencebarrett28975 жыл бұрын
Absolutely wonderful and ,different,
@musicaclasicaviva42585 жыл бұрын
Maravillosa obra
@common_myrtle4 жыл бұрын
My heart softened. I felt hot. My eyes have become gentler.
@Pakunin615 жыл бұрын
No teman ser tomados por ignorantes diciendo lo que realmente sienten al ver estas pinturas. Parecen manualidades de parvulario. ¿ de verdad tienen tanto miedo a decir que esto no vale nada? ¿Habrá aprendido alguna vez a dibujar en su vida? ¿ o sucedió que se rindió y decidió maquillar su torpeza como estilo sofisticado? Y ahí llegan aquellos, que pretenden pasar por expertos o entendidos, adulando sin dejar de pensar interiormente que contemplan monigotes.
@turquoise7704 жыл бұрын
simply horrid.
@tonybinda69054 жыл бұрын
Why horrid? Holy cow I thought they were well developed considering that they are a extension of the artist and their own alternate universe. CHEERS
@turquoise7704 жыл бұрын
@@tonybinda6905 Up until a certain point in the early 20th century, these pictures, if presented in a reputable museum or gallery, would have been thought by all to have been done be a non-talented child or a retarded adult. Just like in "contemporary" sculpture, you may find "profundity" in a polished aluminum cube by Tony Smith, compared by art critics to "the Italian Renaissance master Leonardo Da Vinci's famous drawing of the Vitruvian Man", but you and I both know that thousands of these cubes could be made, perhaps better, by any number of high school machine shops - what could not be reproduced easily, if ever, would be Da Vinci's Giaconda or Michelangelo's Pieta. "Extensions of the artist" and products of "their own alternate universe" are simply the developed scam jargon to keep a con going in the art world so that they can shamelessly assign an exorbitant price tag to a banana taped to the wall with duct tape at Art Basel in Miami Beach so that a cadre of greedy collectors, opportunist curators, compromised MFA academics, art critics and "artists" - [ hyped by this cabal in order to garner these "artists" a certain amount of "fame" in order to "justify" inflated value to mere garbage, backed up by the said scam jargon in publications like Art News and Art in America to give the garbage the patina of mystique and convince collectors that, not unlike paper money, these otherwise worthless objects are all agreed upon by those that matter to be a good investment] - can all cash in. Granted, what might have started out as interesting mental exercises and philosophical inquiries by art movements like Dada and the anti-art proponents, has ultimately, to the detriment of quality workmanship and mastery of the medium, followed its logical conclusions of absurdity, made manifest in bananas taped to walls, aluminum cubes, and giant high school parade floats of glued on flowers a la Jeff Koons, all being regarded as important as Gothic Cathedrals built over centuries. At least in its embryonic stages, in the early 20th century, this not-even-mediocre-schlock, perhaps not yet fully influenced by the stamping out of all white or all black painting by the day like sheets of worthless paper at the U.S. Treasury being made into money, had attempts at meeting a certain thresholds of competency, but as the decades rolled by and the "official art world" in its single-minded and driven greed propelled by the art market, with all pretense of proficiency cast aside, eventually succumbed to the pure absurdity and pure garbage of "artists" putting their own excrement in cans and branding it as art, or filling a gallery room waist-high in topsoil, or feminine artists squatting naked over unstretched canvas on the floor with brushes protruding out of their lower orifices - all of this in the name of quick cash pushed by insidious art writer and critics, welcomed by mendacious curators and museum directors, given the rubber stamp by scurrilous MFA professors and ultimately bought by greedy commodity collectors, and of course, churned out daily by the unscrupulous "artists". But again, conceding Ms. Fedden some slack, she, like we all, was just an unwitting victim, already born into a world that had taken this horrid, dystopian turn. Although I would almost bet that, with some research into Ms. Fedden, I could almost guarantee that her particular brand of mediocre schlock, not undifferentiated from a mountain of comparable mediocre schlock produced by millions of dabbling amateurs and part-time smearers of paint during her own time, was in all probability due to higher proximity to said cabal of art writers/critics, MFA academics, moneyed collectors and other "artists" promoted by that incestuous kickback circle.
@tonybinda69054 жыл бұрын
@@turquoise770 I sure would would hate to be a part of your life. Kindly fuck off to the end of the earth and (shut up).
@turquoise7704 жыл бұрын
@@tonybinda6905 Can't stand the truth, can you?
@tonybinda69054 жыл бұрын
@@turquoise770 Truth? About what that I have a grade 8 education. That I enjoy most art. Tradesmen all my 66 years. I have been practicing at creating art with no formal training over the years with results that I love. So once again thank you for your replys and CHEERS