Matriarch Quicky: Parallel Wet/Dry Filter Patch

An update from the previous patch...a much easier way to patch a parallel filter.

[@jansteinmuller]

thanks again for a great tutorial!

[@teakmakai5921]

Infinitely grateful for these

[@martincarbow5491]

seconded!

[@AModulationJourney]

Great explanation of this patch, thank you, sounds great 🤟

[@RobeMusic]

Glad you like it!

[@payamrahrow4108]

Youre a wizard bro, thank you 😊

[@degstep9968]

Nice GG

[@peew_peew_peew]

Once again, thank you for the video. This time I have a question :) why only ten o’clock on the oscillators, and not in the overdrive range to find some nice frequency sweet spots?

[@RobeMusic]

Good question! Of course that’s an option…just didn’t think of it while putting this together. Thanks.

[@peew_peew_peew]

@@RobeMusic got ya :) Thank you for taking the time to answer :) When producing dance music/techno, I find that working with frequencie sweet spots is such an important part of the sound design; it can really make or break a track; to enhance certain moods (🙂, 🍺, ❄️, 💊, 🍄) of the dance floor.