MBP

[@flownaut]

130hz yall god has spoken

[@DjangoFlaherty]

It feels like you've been experimenting with a new format. I like that this one didn't feel like an interrogation. Please don't shy away from music industry and studio topics - I've always enjoyed that aspect of the podcast.

[@hereforthis]

yoo it's Grabbitz on this episode :o

[@4lare615]

mr bill doing a podcast with his son is crazy

[@doriodiiorio]

"Interesting" ~Grabbitz, 2024

[@Roses_R_redeR]

👊🔥🥀 I sense a Mr.Bill Grabbitz tune soon...‼️👍‼️

[@Roses_R_redeR]

And sorry about Discord bill I was trying to watch you make a beat clicked on it and you in a couple of fellas were chatting my 4-year-old son was screaming and yelling at that moment I realized you guys can hear me got super nervous and didn't say nothing Didn't know how to mute myself sorry brother ... 🤦😮‍💨🥀

[@PaulEubanks]

37:00 The way pianos are tuned, notes higher in pitch from middle C are tuned progressively more and more sharp, and notes lower in pitch from middle C are tuned progressively more and more flat. This is to do with how the human ear perceives relative pitch "correctness" between notes of high and low pitches. Since each individual note can be tuned on a piano, it is easy to make these offsets. People have been trying to do this with guitars for decades with systems like Buzz Feiten, and fanned fret design, and even some where the fret wire itself is shifted slightly left or right on a per-note and per-string basis. They're really weird to play on.

[@interaktiveaudio]

Have you got any interest in Dolby atmos or any other surround system as an evolution of the electronic music in a live environment ?

[@bupkis7505]

I think atmos is highly impractical for a live setting.

[@interaktiveaudio]

@@bupkis7505 yes is not easy but very possible you can play the sound system as an instrument we are testing it with interesting result

[@bobg7445]

i might let this one float away

[@floriankettenbach6117]

if you keep taking away elements and still find music in anything, then i guess there's only one answer to it: Tempo. literally any sound can be perceived as music and it doesnt matter if the sound is happennig just once, twice or if there are different sounds all the time. everything happens in a certain Tempo and our brain detects that. no tempo has to be precise in order for us to recognise it, so BPM is not important either. the human brain primarly tries to find patterns in pretty much everything and we are very good at it. so if any sound can be music (no silence) then the only thing we are left with is Tempo. But perhaps even that has its limitations. appereantly the lowest BPM humans can detect is 33 or 26 BPM. but as i already said, tempo doesn't have to be precise for us to be recognised. So I say that even lower BPMs can be recognised by us as a pattern and that for me is the last element you can remove. going down even further: I guess what makes up Tempo for us is that it is a pattern. so maybe, all we need to perceive something as music is any kind of a pattern. in combination with a sound source of couse. So, my answer to this is: Pattern(s) (and the last pattern you can remove is Tempo) - probably I love this question and all the different answers to it!