Daru Jones' Paiste 12" PST X DJs 45 Cymbal Set

[@afxmnstr]

Only daru Jones could go to New York with 12 inch cymbals and still have a career.

[@arthurazoubel5344]

DAMN, the man is a legend his feeling is absolutely incredible

[@kotopec4978]

his drumset looks like he sat down on a wrong side and thought "Naah man I can work with that"

[@GuyBanani]

Love this dude and the cymbals too

[@bojack-horseman]

the ride kinda sounds like ass but daru is absolutely rocking those safety goggles

[@phillippapageorgiou7206]

You know what I’m saying 😄

[@DavidKrautscheid]

his fav words

[@Alpengrower]

he was cutting the fence and forgot to take off glasses xD

[@chickenbeforeegg]

I always thought this line was really hip, but when D started switching up the hats configuration I was blown away.

[@JTown66]

I want that ride.

[@goingnowere101]

I love Darus playing, but does your back hurt playing like that ?

[@ayoungethan]

a lot of people make that comment, but I honestly don't see him bending over or straining much. Time will tell...!

[@alejandrobustos2268]

Se sienta alto.

[@echopryme]

Trying to figure out what 18" ride would work well with this, because they're damn near perfect for both ska-punk on a regular kit, and rockabillyon my cocktail kit, once the ride gets moved to the top hat position... Maybe the 2002 Psychoctopus? Rude 18 Crash Ride? Thoughts?

[@memphisdrumshop]

Both are great bright-sounding cymbals. For a couple more options, check these out as well! memphisdrumshop.com/paiste-18-2002-big-beat-cymbal-1068518-1030919k memphisdrumshop.com/paiste-18-fomula-602-heavy-crash-cymbal-1041818-1052020k

[@echopryme]

@@memphisdrumshop Those 602's sound amazing, but I really don't want to have to mortgage my house for a cymbal. Haha! I was going for a sorta punk-ish trashy sound with the crashes, the ability to play a great bell on the hats (a reggae/ska standard), and a small ride that will contrast big deep drum sounds. I'm honestly afraid that the Big Beat and/or the 602 will sound too "good", if you know what I mean. Thats why I was leaning toward the Giga Bell (plus its two different bells to work with, which is fun). I was also, honestly, looking at the PST5 18 Crash/Ride. I know its not a great cymbal, but from what I hear it has a level of (for lack of a better word) "shittiness" that might actually sound match better with the DJ45's in a live setting. But I can't find a vid of the PST5 thats not mic'd up to death, so its hard to get an idea of what it actually sounds like, and my closest shop would never have it outside a box set.

[@echopryme]

@@memphisdrumshop Thanks for your advice, but the way!

[@JCON808]

Am I crazy or did he not even hit the crash? He talks about it, picks it up, and then swaps out the hi hats?!

[@AgentNight1]

take a shot every time he says You know what i'm sayin

[@lincolnmmitchell]

Waiting to see how that Tom is used

[@ILuvJazzNJava]

That last configuration of the hats really sounded like a clap stack 👍🏻

[@rolandhillmann6503]

Cool you know . I Love him

[@martonkardos8094]

I love Daru Jones, but I really think he would sound soooo much nicer with some "proper" cymbals

[@macaranas]

I know what he's saying...

[@nathanwalsh3028]

I didn't know Von Miller from the Denver Broncos played drums.

[@Juniscrazy]

Ppl such haters but this is cool

[@paulreed1142]

Is this a joke? Know what I'm sayin'?

[@MrGabino8000]

His cymbals suck. Especially the hi hat set. Don't even bother using the 12 ride. You know what I'm saying....

[@Juniscrazy]

It’s not meant to be used like a normal ride just to have a different sound, if you hear videos with the bass players or with music then you can hear how good they can be used

[@alejandrobustos2268]

Peor es usar lo que usa todo el mundo y está archi escuchado ya. La batería es el único instrumento donde puedes sonar personal, pero la mayoría de los baterísta intenta sonar siempre lo mismo o copiar lo que "funciona". En la percusión los sonidos "bonitos" no interesan, o no son determinantes, mejor dicho. En la percusión y la batería lo que vale es sonar de la manera más personal y original posible y eso nunca lo conseguirás tocando lo que toca todo el mundo. Datu Jones, desde como arma la batería, su configuración, hasta como se sienta y lo que toca lo muestra como un músico original. Y eso es una búsqueda de años. Mira videos de sus orígenes cuando tocaba "como todos lo hacen" y miralo ahora y notarás la diferencia. Y eso es un logro: ser original.

[@cooldude2847]

Sounds terrible know what I'm sayin