Meyerbeer - Robert le Diable: «Ballet des nonnes damnées»

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[@torstenbaars8751]

Es ist schön das diese balletmusiken wieder in der Öffentlichkeit zu hören sind hoffe das auch Jacques harlevy Carl V veröffentlicht wird.

[@herrbrucvald6376]

1) Les Feux Follets et Procession des nonnes/ 2) Bacchanale/ 3) Var. 1 l'ivresse/ 4) Var. 2. 'jeu'/ 5) Var. 3. l'amour'/ 6) Finale. Degas depicts the nuns coming onstage in habits. Originally, they then shed these and danced the whole ballet in Romantic tutus just like in La Sylphide. There are several Act 3 passages in Meyerbeer's manuscript which should be restored. 1) Alice’s Couplets et Scène (the original Romance is crossed out) has a longer orchestral ritornello than the printed score, but using the same thematic material. 2) The Trio sans accompagnement lacks the virtuoso cadenza. 3) The recitative preceding the duet for Robert and Bertram, Bertram’s reference to the abandoned convent of St Rosalie survives in an older, unused version (accompanied by bassoons, horns and trombones). 4) The recitative preceding the Évocation is concluded with an excised passage in which Bertram makes reference to “le céleste courroux”, a concept that is recurs in the evocation itself "Ne craignez pas d’une sainte immortelle, ne craignez pas le terrible courroux". 5) In the Ballet of the Nuns, Hélène’s Pas de seul (Séduction par l’amour) is preceded by an orchestral passage en style de récitatif mesuré (with solo oboe and bassoon) while les nonnes consultent entr’elles. 6) Meyerbeer wrote additional interpolated variation music for Taglioni for a later production in Berlin or Vienna.

[@luisfedericosala1354]

Thanks to you, for the information in your comments 👍👍👍👍

[@robertlediablenormandia7281]

Mi cuenta esta hace 6 meses manejada por otro !!!No soy YO ::::Cuidado