MIAMI BASS MOVIE "The Bass That Ate Miami" Full Movie

Produced by: Alex Weir, Chris Walton, Scott Libengood, and Rick Sosa.
Dreamhouse Studios and Cut It Up Def Entertainment are excited to announce the debut of their latest creation, "The Bass That Ate Miami, The Foundation". This independent documentary is based on the evolution of music in South Florida and the untold story of the hip hop genre known as Miami Bass. South Florida artists, producers and music executives helped evolve this sound into its own unique hip hop dance genre. Miami Bass dominated the airwaves and car speakers from the mid 1980's to the mid 1990's. The Miami Bass sound continues to influence many of today's hottest artists.
As hip hop grew and took over different regions of the U.S.; South Florida gave birth to a new style of hip hop that most people don't realize evolved there. The fast, bass heavy drum beats that are used in pop culture today were created on the street corners of South Florida with huge speakers and massive street parties.
The documentary features segments on Kraftwerk, Electro-Funk, breakdancing, turntableism, drum machine programming (the 808 & the SP1200), the process of record making, car audio exhibitions and of course high energy dance moves.
Some of the main creators of this genre are interviewed including; Afrika Bambaataa (The God Father of Hip Hop), Pretty Tony (The Inventor of Freestyle), Mr. Mixx (One of the Forefathers of Bass), Jim Jonsin, Afro-Rican, Dynamix II and many more producers, deejay's & artists from the old school to new school.

[@djsandwichs_elreydelretumbe]

The Real King Of Bass Forever DJ Magic Mike 🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊🔊

[@RawUndergroundMusic]

Miami Bass Will Never Die...

[@raheemwatson6625]

This Is One Of The Best Movies In History Of History. 🔥🔥🔥🔥🔥

[@RawUndergroundMusic]

why is the hell isnt this on netflix?

[@DaDonBitterVonWan]

Thank You🙏! South Florida born and raised, 954! I'm beyond thankful I was able to find this doc! I was today years old when I actually seen Cap D!

[@BoomBubbleBustRepeat]

This movie is simply amazing! I love it so much and it hurts my soul that it hasn't been viewed 1 MILLION TIMES! 🎹🎵🎼

[@bassboylowg]

I'm lucky to be able to call some of these legends friends! Bass for life.

[@jessebecraft7108]

I am glad to have been a DJ in the midwest playing Bass music in the late 80s and 90s doing street party's and playing Bass in the clubs DJ JJMIXX Peace

[@GodlessG0D]

Palm Beach County in the house!

[@raheemwatson6625]

And Whenever I Watch This Movie, I Gotta Have That Bass On And Up To The Max.🔊🔊🔊🔊🔊🔥🔥🔥🔥🔥🤘😎

[@briansmith9959]

We need Part 2....boy the ol MIA in the 80' s ....I miss the jams on 15th, 18th, 61st etc...great times. Peace & love to all the contributed to Miami Bass you are legends!!

[@GFY11]

Dayum! All the legends!

[@adrian12810]

First of all Id like to give props to the creators of the Miami Bass Movie and everyone involved, especially all of the great artists, producers, Djs. etc. I wanted to make a post to set the record straight regrading the first Miami bass Track released. The movie states ghetto Jump was in fact the first Miami Bass release. This is incorrect. Bass Rock Express produced By M.C.A.D.E. was released FIRST and Ghetto Jump was released after. This is a fact and I know this because I was there. I produced my track and also worked in my fathers record store from the age of 11. So making and selling records at the time they are released was part of my every day life. Bass music has been my identity since I first heard T LA Rock's, "Its yours". Being there at the time will avoid any speculation. But don't take my word for this, look at the facts and you can make your own logical conclusion. The Chicken before the Egg 1. Bass Rock Express used the Green Acres Tv show theme melody that used a banjo. ( Bass Rock Express used a Banjo to play the same banjo melody as Green Acres. ) 2. Ghetto Jump also used a TV show theme, the Wild wild West Tv show. Actual TV show Melody played by a low string or bass guitar. ( Ghetto Jump uses a Banjo sound to play low string or bass guitar melody of wild Wild West. The SAME Banjo used on Bass Rock Express ) What would make more sense? A. Ghetto Jump uses a Banjo sound to emulate a popular tv show melody originally played by a low string sound then ADE hears Ghetto Jump and recognizes the sound and says, hmm thats the same banjo in green acres, lets make a green Acres song. Hmm OR B. Bass Rock Express emulates the exact melody and Banjo sound as Green Acres, is then released and is one of 4-sites biggest selling tracks. Its heard by producers and then Ghetto Jump is released with the same Banjo as Bass rock Express playing a tv show themes melody that doesn't call for a Banjo. Question A is basically putting the Chicken before the egg and doesn't make much sense. Henry Stone was a very smart Executive who understood and practiced a formula of emulating what was hot at the time. This is well known by listening to his catelog. I think we all emulate something. I know I have. So this is how it went, Bass Rock Express was released first and was very hot. Ghetto Jump was then released on the same formula of Bass and recognizable melody of a TV show theme. The fact that Ghetto Jump used the same Banjo from Bass Rock Express for a TV show melody that didnt call for it will tell you that Bass Rock Express came first. Im a very strong believer in my faith, so the truth is much more important than any personal accolades or trying lessen the achievements of any other producers. These are ALL great tracks I listened to, sold in my fathers record store and have made Miami Bass what it is! I just felt the need to state the facts. If anyone ( who was here at the time ) can dispute this, it would make a great discussion. MC. A.D.E

[@kendallminor5527]

Ms.Dria Show:Bass Rock Express was in fact released 1st(1985)...With Ghetto Jump being released that very next year(1986).

[@kevindube7096]

Appreciate your contribution here, it 100% makes sense

[@ripleyhrgiger4669]

Miami Bass is what turned me into an audiophile and made me appreciate audio engineering when I was a teenager. It put me on the path to wanting to have a kick ass home theater that could be bombastic for movies and music both but clean sounding and balanced. Now I have a great home theater system that sounds incredible and can shake your butt and send you into euphoria when lsitening to your favorite music. My very very first Miami Bass album was Dynamix II: Bass Planet. I love the sci-fi spacey sounds on that album and I wanted more. It wasn't just the bass - it was the entire production.

[@trueblueelectro7746]

OMG!!!Thankyou So much for posting this movie I live in FL all my life. Miami bass electro has always been a part of my life. I'm a electro DJ myself so I know and heard of all these artist in this movie I even learned a few new things about the music this movie is so on point. I was totally blown away. What a great flick this is going to be a classic I just can't thank you for posting it.

[@bceoproductions]

This documentary sent chills through my spine. I remember being glued to the radio at 6, 7, 8, 9 years old and listening to EVERY one of these songs on the radio. I'm from Brevard County, FL and this era of bass music was bigger to me than anything else in the world! I knew EVERY song played in this film, and I was shocked that most of the stuff I was listening to was white guys! You guys did an amazing job with this. If a soundtrack existed of all the songs in this film, I would pay $1,000 for it. Thank you for taking me back in time.

[@HannesFab]

growin up in the 80's with miami bass & flow was like heaven on earth! hermosa vaiiiiina =) DIOS los bendiga*)

[@Donamtrx]

O.M.G! I bless whoever made this gem right here to take me back home! This was MY time & Miami bass was my shit. If you weren’t there..you’ll never know. Nun but luv!🙏🏻

[@cutitupdef]

Your right, maybe Ghetto Jump was not the first Miami Bass record, but each artists expressed there thoughts and experiences, but we all know ADE, Mixx, Amos, Gig, Bo, and a few other key players were one of the first. We had to give the world a summary of this amazing powerful music and sound. Much Respect to all.

[@YakThaWiseman72]

Actually I believe that Ghetto Bass was first Miami Bass songs I mean at least that one of the first songs i heard.

[@YakThaWiseman72]

My bad the first Bass record was Coming in Fresh by Double Deuce produced by Amos Larkings.

[@ttash98]

The bass that ate Miami blew the speakers in my car! This is great! This is the shit I grew up with! when I entered the military a lot of the northern and west coast made fun of this shit. I just replied that while their rappers were talking about killing each other us Florida boys where bassing out and watching the girls shake their asses to this shit. We were more interested in the girls versus guys!

[@chyna2038]

Thank you for representing HomeTeam!!! They ain’t ready!!! We older now and still “Riding Out”

[@RudeboyDaytona]

So blessed that I grew up in Daytona Beach right in the middle of the Bass triangle that stretched from Miami up north to Atlanta and back south to Tampa... I been slamming Electro for years now and it all started as a teenager at Skate City getting those first goose bumps when my ears heard an 808 drum before I even knew what it was. I just knew I loved Miami Bass and now guys like Exzakt who keeps the 808 lifestyle are why I still listen to it in 2018.

[@YakAttack915]

Fantastic documentary. Thank you for your efforts in preserving this history. Jam on....

[@rodolfoabc2009]

obrigado pelas referencias ao Brasil. Everlasting bass!!!

[@cleoricardo171]

também estou assistindo pela segunda vez, os graves, a maldadeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

[@insanelook]

Thanks a lot for this fantastic documentary, I really appreciated it. Was about time a doc was made bout Florida electro bass scene. I am from E.U and turning soon 48, so I know a lot bout the thing as I used to be an electro-funk old school vinyl record collector, bought evthing that belonged to electro - hip hop of 79 - 86 era. But 2 years ago I decided to sell my 20 years of collecting, you know, age, money etc....

[@69TT]

Just want to say thank you all for an amazing piece of history of a time and place where a simple change in music production had come to be one of history's biggest moments evolving the music genre, i lived it, i was there and it was a wonderful and unforgettable experience Thank You,Thank You.

[@MichaelJones-gr1ss]

R.I.P Uncle al

[@cutitupdef]

We are pleased to announce that a Portuguese version will be uploaded soon for our Brazilian Bass fans.

[@fabioacm]

Where can I find a Portuguese version?

[@tonydontplaythat5475]

Thanks for sharing this

[@deborahbrenda5540]

Where?

[@societyofsin]

Been looking forward to this. Good job everyone!

[@gunnyakdo1653]

glad to see that the guys did this documentary to enlighten some underground miami rap groups who were more in the underground

[@attackcenter]

I love the movie and it was much needed. For me and many others the Miami Bass movie that was never made is a reality film that shows specifically where the Miami Bass artist were, what happened to them, where their career went & why, where they are and doing now, and what their presently doing during the filming through popular demand and voting polls from the fans whom want to see them resurface.

[@Donamtrx]

I remember Jam Pony tapes circulating in middle school😜

[@TehAwesomer]

This was very well made and enjoyable for an independent documentary feature about a local music scene. 🔈🔉🔊🏝

[@eternall808]

I'm still and will always be bout that life(BASS)....!

[@alanladdseinekatze859]

And I have to add: this is one, if not THE, realest and best researched documentary on true hip hop culture. I love the SP/MPC era and grew up with it, don't get me wrong, but this here represented is the keepin' it real shit. NYC couldn't preserve, Miami, Detroit, Baltimore and NJ could. Keep on keepin on...

[@TheDjndoe]

Thank you for sharing this with us. Great job everybody. Respect

[@KIMSEEORLANDO]

Cant WAIT to watch it !!!!

[@dabrazillionaire]

This is very informational!! Very well produced as well!!

[@sambucci8544]

Hell Yeah!!!! Thank you everybody.

[@terrypussypower]

Fuck, "Whisperin' Bob Harris" was the *last* person I expected to see on a documentary about Miami Bass!

[@bassblues595]

Great Video & Love It.Super Job on all interviews & the work putting into how it all came about.Makes me wanna find all those original vinyl releases.EXCELLENT WORK ON THIS.I noticed mentioned DJ Magic Mike, but would have loved to hear from him or how about his more involved with the Miami bass thing.Thanks

[@princelakim]

Why There was no Interview with DJ Magic Mike about his legacy of Bass music in this movie!!?? He was the one that change that bass game for real!!, Maybe because he a Orlando native!!??

[@YakThaWiseman72]

Could be but he probably wasn't available at the time. I mean he made money he along with Shy D was one of the first to use Between the Sheets.

[@isaacludwig9071]

Prince Lakim Harms man I keep wondering this all the time. Out of all the Miami bass interviews and podcasts and video pieces out there... DJ Magic Mike is never featured in them. It’s... just crazy. Bass Is The Name Of The Game changed my gottamn life.

[@B68Infinite]

AWESOME Video Movie!!! Incl. all my big favs! Thanks for uploading this great & amazing video! Peace, Love and respect to all

[@benedictjames5013]

thank you thank you thank you for making this, putting up on here and getting it to my eyes and ears......! ! ! ! ! Such a great history lesson...! ! ! !

[@budsmoka3941]

man this little documentary took me all the way back to when I was a kid and the teenager when the boom music was in I'm from Northern California and all this music play a big role in the boom Wars in NorCal

[@TheTechnoThugz]

Alex and staff. Y'all just don't know how appreciative I am for this body of work y'all put together. I have to let everyone I know know about this film and the music that made us what we are today. Hip-Hop! I have to show this to my son and I'll one day show it to my daughter when she is older. Truly amazing. More peace and power to you from The Techno Thugz.

[@marcelolinhares9637]

Caramba...esese carar são uns monstros do funk antigo,em amo miami bass,nunca mais vai nascer outros iguais,meu sonho era ir ao e.u.a.pra ver ao vivo essas feras...demais...!!!!

[@mostmost1]

Gotta listen to this on my Theatre surround system.

[@tinoezmartin2409]

Stevie B has some cool Bass!!

[@cporteus968]

Really enjoyed this documentary, My friend from south Florida would bring these tapes up from Florida(Power 96) and I was blown away with the Dj’s like DJ Laz mixing 6 turntables live and it was incredible.

[@DJCISKO1]

DOPE!!!!!!!

[@briceidabeatrizbulgin3861]

I'm sharing this video with all that love Miami Bass. Excellent job putting all of these knowledge into one. My hats off to you. Amazing work.

[@RaisedRightFl]

Fucking lick

[@freelifeproductions]

thank you so mutch for this upload... so inspirational and educated me some more in HipHop history. 2Thumbs up

[@montedred8974]

Thanks for the time and effort put into making this! Now I know!

[@YakThaWiseman72]

I agree Jam Pony Express were the Original Cats with the Mix Tapes everybody had it.

[@DJmetamorphsis2009]

Thanks for uploading this really Educational about Florida and the Music Seen :)

[@sheldonhchambliss1385]

Great just great

[@JaviLengomin]

Fire!

[@blacktipfishingadventures]

Nice job on the movie and facts. It brings back memories. I am Wayne Hooper aka Hoopdawg aka Sugardaddy. Taught by Pretty Tony, Uncle Luke, Uncle AL, Disco Dave and Randy man. Friends of Disco Rick, 1/2 pint, Big Daddy Conch, Mike Divine and many more. NAP Posse - Dre, Lips & Hoopdawg AWOL- pay you back, Kiss the boots. Hot Productions!

[@PappaWheelie]

Thank you for posting. It's rare people like you bring who give the deepest roots to the Bass family. Again, thank you Mr. Hooper! Big Up Mr. Hanks!

[@chesosa7779]

A classic and original is born!!

[@pete6616]

AWESOME! Watched the whole movie from beginning to the end and I just got off of a time machine, which brought back many memories growing up as a teenager when all this was going down in Miami at the time. Than you!

[@soulroyalgeneral6969]

Kooley C killt it on that opener!

[@alvidama151]

please bring more old music live clips from the beginning !!!!

[@MyEarHz]

Quality, thank you.

[@adobo1200]

incredible

[@djrafa1]

Thank you so much for upload I'm very fan of Miami Bass style from Cuba Listened Hot 105 and Power 96 ....Shitt @54:27 I want that machine

[@kellybogues]

Excellent to the max. Thanks for sharing.

[@Zero-is-infinite]

Thank you for this

[@mfuji02]

gotta add magic mike & shy dj man rip fresh kid ice

[@dopeskwyd]

Excellent work. This is awesome

[@miami8089]

A lot of talented artists and producers from Florida back then.

[@juantorres2983]

🔊🔊🔈Feel The Bass🔊🔊🔈

[@BigHomieDJVIP]

Love it, great doc about the culture of southern bass music

[@naterally2176]

when i heard drum and bass for the 1st time at a rave. changed me forever.

[@spawn00x]

Straight up dope...took me back to when I was buying all of this vinyl....

[@alvidama151]

one of the best bass dokos ever !!! thanx for putting it together !!! big up from germany !!! where bass still live till today !!!

[@b1gpuck]

Rest In ✌ Kooley C

[@SurgeCess]

Damn that was a good watch! Very dope and informative movie. I didn't really know anything about this scene, the only groups out of Florida I was bumping were G-Shorties, Dynas, Mother Superia, Blackface and of course Mr. Mic Rippa (R.I.P.)

[@helias12]

essential watching !!!!

[@Rhythmtravels]

Great Documentary! big S/O to the producers of this documentary!

[@jeannes.oshiro3635]

Dope documentary !

[@mossadon]

Yer naughty fer not tellin me the full film was up here earlier Christopher Walton !!! Awesome to finally see the whole thing ! Absolutely stirling work by all. Had me vibed up, whoopin, callin out and feelin proud like a papa t' see ma boys tell their tales. YUSH ! >places right fist on open left palm & bows

[@holyred7]

Awesome 🔥🔥💯💯💯🙏🔥🙏🔥🔥🔥🔥🔥🔥 thanks for this

[@stokesr08]

South Florida DJ’s

[@afrodaily5175]

Rip Dj UNCLE AL !!!!

[@recordsurfer]

a classic of all time record hits from this genre. a must have for all freaks who love these music. get your chance and order it now.

[@nutROn77]

awesome!!!!!!

[@reazallykhan8614]

very educational video

[@cporteus968]

Great Documentary so far, about half way through. A lot of my fellow New Yorkers had a lot to do with this Miami bass movement.

[@360MIX]

Catch George Jett (360MIX) @ 1:30:07

[@YakThaWiseman72]

It's Yours in my Opinion is what really made us go crazy over the Bass sound in Miami.

[@markob572]

NICE

[@edsonbarbosa424]

show de bola relembra os classicos fo pasado

[@thenoisengineer]

Had to subscribe to get you to 1000 subs 😎👍

[@Thegotimeshow]

GHETTO STYLE DJS, AMAZING CHICO, MARVELOUS JP, UNCLE LUKE…THE CREATORS OF THE PAC JAM!!!!

[@namtaru1]

im really surprised no one mentioned Mantronix through the whole show. Especially when they started talking about editing, he basically invented that shit.

[@mossadon]

Hello. With all due respect...Kurtis didn't invent that shit...at all...nowhere close. His 1st record was released in 85. "What we gona do right here is go back...way back. Back into time" ... i agree i did expect him n his music to get a mention but not fussed that he didn't... because he didn't invent editing or fast edit cuts. Tape editing was a mainstay of studio production in splicing out unwanted parts where maybe a mistake was made, only slight, the band would be waved on to keep going and the mistake edited out or a track running too long edited down for a single. It was also a part of reggae production techniques in Jamaica. It moved forward with the disco era and the arrival of 12"s and the master cuts of Larry Levan and Tony Humphries who created extended "disco mix" versions that chopped and rearranged parts of songs into a wholly different vibe as it was no longer a straight through recording of a song by a band. Sometimes creating stutter rolls. Tony also did a lot of this for his radio show "Friday night MASTERMIX dance party" as well as actually, for yeeeears after, having a reel to reel tape machine in the club so he could play his own exclusive remixes. Fast edits and stutters ? 1981 !!! TONY MORAN & ALBERT CARBRERA = LATIN RASCALS. >DROPS KEYBOARD, WALKS OFF STAGE< ;)

[@princelakim]

Thomas Carnacki Hey wait there, Kurtis Mantronik came up with editing through Chep Nunez!! Do your home work Dude!!

[@mossadon]

he may have but he certainly wasn't 1st brother

[@Invisoclam]

Not hating -- but Mantroniks beats - the drum programming portion particularly - even by his own admission were a bit quirky / not normal which is the antithesis of Miami Bass/Electro . So he was same era using the same gear 808's and 909's etc - but he had a totally different feel that was not Miami / Southern Florida feel or tempo.

[@Invisoclam]

editing existed in the music world for years before electro freestyle hip hop era - -

[@dundigenous1]

The "movie" never says ghetto jump is the first bass record..Amos Larkins implies that through a mistake during ghetto jump the response made him continue extending the decay on the 808 and it became known as Miami bass ..legend also has it that Amos himself programmed bass rock express , we stayed impartial for the whole Amos ADE ...Kooley C KJ Brain Damage ..beefs etc ..we let each person present their side...I was there too and in my opinion bass rock express and ghetto jump were still more electro funk than Miami bass ..like a prototype ..to me , and this is a matter of opinion of course . The true Miami bass sound was created by Dave Hobbs aka Mr. Mixx

[@cookinwithboogie1518]

Awesome movie, but Legend has it? Legend also has an 8 foot hairy monster walking around called big foot and there is a fairy princess that leaves money under your pillow when you lose a tooth. Legend doesnt come into play when there is EVIDENCE and the person is still alive, lol. You do realize Ade's the person ON the record is alive and here telling you? To say Legend has it someone else produced Ade's doesnt seem to be very respectful. He and others help pave the way for the very music this documentary is about when many of us were in middle school. I seriously doubt youd like anyone telling you that Legend has it, someone else made YOUR track by someone that wasnt even around at the time. cmon, really?

[@dundigenous1]

jerry berry well hate to burst your bubble bruh...but of the 4 hours of footage we got. We actually got ade admitting he didn't program the drum machine for bass rock express ...that's not an engineers job ..and Hobbs was IN Miami when he did ghetto bass and throw the d...the first true Miami bass records IN MY OPINION ...and if we're really gonna go there the first Bass records came from NY by east coast Dr dre and Rick Rubin..in fact that's who are and Amos and everyone else down here including Hobbs were emulating by their OWN admission , and you telling you gonna believe Adrienne over Amos because he's the artist in the record is the most hilarious thing I ever heard...I suppose the artists never lie regarding their records? News flash ...if there's anything I learned making this movie is that EVERYBODY lies and exaggerates regarding there music...so keep trolling, I got nothing else to say to you about it , as it is obvious to me you THINK you know a lot more than you actually do

[@cookinwithboogie1518]

Christopher Walton Yes like saying ghetto jump was released first but wasnt? Yea I agree and Im sorry Im just like you bruh,someone that was NOT there. I think it would be fair to say MANY artists dont play the drums on their tracks but have input on the sound they want. Guess the drummer on James Brown records produced the songs and the keyboard player in Katy Perrys tracks should be put down as the producer as well? you cant be serious, lol By your token a lot of Artists lie so we can say Taylor Swift produced Cut it up def? I read Ades post and it was to the point and not malicious at all. You yourself are basically admitting Ade was truthful in saying Amos programmed the drum machine, so it looks like hes being truthful here. Nothing racial here but a white guy - who was at best just out of middle school at the time- on the "mean streets" of West Palm Beach ( lmao ) telling a brutha from Liberty City what happened then and what Bass music is and calling him a liar is the funniest shyt Ive ever heard. I seriously almost fell out of my chair, bahahahaha No trolling at all here and Ill chill. But I dont blame you for not responding as it would sound foolish, Bruh, lol

[@adrian12810]

Christopher Walton 1. I didn't program Beefbox - programmed by Frank Cornielus 2. I didnt program Bass rock express - programmed Amos Larkin 3. I didnt program bass mechanic - programmed by Nat Siediman In music production there is a thing called a studio musician, you may have heard of it. They come in and play the instruments, but do not get credit as the producer. Like I have said so many times I didn't know how to work the drum machine, keyboards etc..... but they all played the beats and music directed by me, these are people before and after Amos ask them. If anything I could just as easily said I did it all. what does that tell you? and if you looked at that footage and came up with that!, that say's a lot about you and what you might be feeling, but it's well known Being a Pioneer you will have a lot Jealous people hating on the low. But I will still be A.D.E. and you will still be living in my Legacy! I am Miami Bass, and Hobbs is my boy, But Ghetto bass came after Bass rock express Fact not Legend!...

[@Heliobranconamixxx]

Really wise move. Peace Alex.

[@JUNIORROCK]

Miami bass is hip hop ….it’s street music!

[@sgtpepper122]

That was a damn good movie/documentary. I loved the cultural diversity. I played a lot of that when I deejayed back in 87. Big shout out to MAGGOTRON and DXJ

[@cleoricardo171]

ótimo ver participando desse documentário o saudoso dj hélio branco aqui de são paulo e meu amigo dj nazz da cidade de niteroi rio de janeiro, rap miami bass na mente sempre, rap com graves sempre , a maldadeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

[@fernandoleitao2643]

Eu adoro esta musica dancei muinto nus anos 80 a e ainda houje fasme tripe danco sempre que houico break dance e a melhor musica do universo espectaculo ueeeeeeeee rmc bomb africaboobaata para tuda havida ate murere danco sempre