Maya 2018 simulation tutorial : Falling tree leaves

#3DModeling #3DAnimation
In this subscriber request video in Maya 2018 I will show you a method that will allow you to create a tree letting go of its leaves.
Here is a link to the video that will teach you how to model the house in the video : kzbin.info/www/bejne/nHWTiI1sd6ZngtU
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[@johngrey5806]

Another great tutorial! For advanced users, I would recommend creating blockers - low poly versions of the house and other geometry - to use as colliders instead of the high poly assets. It will speed up the physics calculations especially if the house mesh is really high poly.

[@Fumbletoe]

Hi Mike, been following you for a while now. Your videos has really helped me out as a 3D/animation-student and I'm really grateful for that! I heard you were using Redshift, I'd love to see a video with an overview of Redshift and the pros/cons from your perspective somewhere down the line. Keep it up!

[@TYIIAK]

always something interesting and some new tricks for me Thanks Mike

[@superiorphi5778]

great video, thank you so much, thanks Mike!!

[@dennischinedu7282]

Wonderful tutorial, please can you do an elevator modeling and rig tutorial

[@sharookali7866]

hiii mike ! Can u please do a video on creating blurred frosted glass effect in substance painter ?

[@shaansaleem5692]

Whenever I watch ur videos, always thought I haven't learnt anything from school :(

[@zaid-ur-rehman4718]

Hehehe. Same happened with me.😁

[@Samnold1]

thats all of us bro, university is a scam, the best artists and animators or whatever are mostly self taught or learned via free means

[@ANMOL355]

Hello sir, I am having the 2015 version and am not able to find the "Get Brush" tool as you told in this tutorial. Can you please tell me how to use it on MAYA 2015...?

[@MrAnvith1993]

Hi love your videos as always.. Just one doubt.. When I use the paint effect trees.. I can't render it in Arnold... It still shows the rectangular quads rather than the tree leaves... Any help would be really appreciated Love your videos again 😀😀

[@skywalkerstudio3928]

I have the same issue. Did you find the answer?

[@nestorrios9703]

Great tutorial thanks 👏👏👏👏

[@DemyanSoul]

Looks good. Like a MassFX in 3ds max)

[@nigelsmith7717]

Awesome!!

[@Q_A_World]

Sir please tell me....how to make dusty tire in substance painter......pls make video

[@dennischinedu7282]

Or a tutorial on how to create sparks when objects collide

[@rahkriga]

The problem Im having is after I convert paint to polygons...the CherryTreeLeafShader is glowing very brightly. Even when I turn Glow Intensity to 0 or a negative value...its still glowing pretty bright. The tree looks great BEFORE I convert to polygons. Not sure why this glow is happening.

[@Q_A_World]

Sir Pls make vireo on this topic...how to export normal map zbrush to maya (details)

[@ahadhossain8736]

please create a character eating animation

[@joostkonemann]

You were talking about having some leaves fall and some stay on the tree. How would you do that and have some artistic control over it? How to “release” leaves over time?

[@vamshivams5029]

Its hard you have to code for that to happen

[@MHTutorials3D]

Joost, that is possible. #1. Separate the leaves by using Mesh - Separate #2.Group leaf sections scattered over the tree, for example 4 groups. Group 1 stays on, group 2 falls first, then 3, then 4 #3 Turn group 2,3 and 4 into nCloth as shown in video. #4 Keyframe the gravity from 0 to 9.8 on each group but with different frame intervals. So group1 stays on ( no nCloth ) Group 2 falls at frame 50, group 3 at 80 etc

[@joostkonemann]

I did some tests. Coding is not needed. Using multiple nCloth objects is a possibility, though I would not keyframe the gravity on the nucleus node, as this would need a separate nucleus solver per nCloth object, which means no interaction between the nCloth objects. Better to either keyframe the "Ignore solver gravity" attribute on the nCloths or disable the gravity on the nucleus node and use a gravity field per nCloth object. In my opinion the best solution I found was to use a constraint which you can either keyframe per constraint, or use a map (texture or per-vertex) to control the glue strength of the constraint. With some noise as input texture, you can create nice effects while keeping the effect as procedural as possible.

[@devjitpaul1191]

please do intro music like your ending music, ending music is really good, intro is getting annoying,

[@archivradio]

nice hack!