More from Benjamin Britten's masterpiece. I love how she whips the entire borough into a frenzy.
Пікірлер: 30
@inthedesert2008 Жыл бұрын
One of the great opera choruses. Heard it once live and has stayed with me forever.
@jacktaggart24892 жыл бұрын
Felicity Palmer is the quintessential Mrs. Sedley. The chorus responds in top form in this great scene from Peter Grimes. It has all the great markings of the MET's great and gifted Chorus Master Donald Palumbo.
@coraggio93 Жыл бұрын
❤ I heartily agree about Ms. Palmer. Loved seeing Peter Grimes during lockdown when the Met offered free streams every night for 70 weeks. I had never seen this opera before.
@petersmith45118 жыл бұрын
Felicity Palmer incredible as Mrs Sedley. She spits her words with true venom as she works the borough into a frenzy. Phenomenal production of Britten's masterpiece. Just ordered the dvd of complete Opera. Can't wait till it arrives.
@drtmuir4 жыл бұрын
It's magnificent. Runnicles conducting. The Met orchestra and chorus. The silences! Absolutely chilling.
@NYCOPERAFAN Жыл бұрын
Felicity Palmer truly owns this role - spectacular performance!
@andrewkohler37072 жыл бұрын
2:07 - TFW you realize you have just completely let your freak flag fly in front of the whole town-one of the greatest facial expressions I've ever seen in an opera production! :-P I agree with the others here who don't like how stolid and stagnant the staging is, changing one of the most electrically terrifying scenes in opera into what looks like an Outraged from Tunbridge Wells crowd (some of them even have hands clasped or, even worse, in their pockets!!!), but DAMN Felicity Palmer is EVERYTHING.
@leedshunk13 жыл бұрын
woa what great singing , i love this opera !!!!
@hilarykendrick84052 жыл бұрын
Brilliant opera
@peterrieder81805 жыл бұрын
i really love that
@scottishphotographer12 жыл бұрын
@leedshunk This is John Doyle's production for the Metropolitan Opera, New York.
@broadwaylover28213 жыл бұрын
I LOVE this! The only thing I would think of changing would to be smoothing out the "ahh"s at 4:09 because it's supposed to imitate waves.
@kendaves38413 жыл бұрын
HOOKED!
@joepianograziose38223 жыл бұрын
This scene is a pinnacle of Western civilization.....great diction compared to most I've heard....stage instructions are for the whole ensemble to go to the end of the stage to scream at audience on the B flat "Peter Grimes which is often not done so quickly and metronomic as here....I feel it could be more broad for drama...vocal glissando at 4:06 was nicely audible.....yes needs more staging but maybe some of the diction might have been lost....I've seen productions where guys have guns.....
@andrewkohler37072 жыл бұрын
The climactic "Peter Grimes" has no indication in the score to broaden the tempo, and yet that's what Britten did when he conducted it (he could have bothered to write it in, too). Other productions manage to have movement in this number without sacrificing too much of the sound, so I really don't know why they decided to have such dull staging for this exhilaratingly harrowing number.
@joepianograziose38222 жыл бұрын
@@andrewkohler3707 True , he could have at least put tenuto marks on the score, which any conductor with any musical instincts worth his salt will interpret and insert anyhow
@flicfan4168 жыл бұрын
Can you post the mad scene from this production?
@leedshunk13 жыл бұрын
where was this recorded ??
@michaelz-c41787 жыл бұрын
What's this opera called?
@odaiko7 жыл бұрын
Peter Grimes
@michaelz-c41787 жыл бұрын
Oh okay, makes sense
@Quotenwagnerianer7 жыл бұрын
Oh let's line them all up at the ramp just standing there, so that it is easier for the conductor to hold everything together...
@andrewkohler37072 жыл бұрын
Strong agree-I hate how they just leave in a huff at the end. Compare the hair-raising staging from the Covent Garden, with Patirica Payne as a truly batshit Mrs. Sedley: kzbin.info/www/bejne/Z4GXZ5SBntKqaNU Equally hair-raising is the BBC's production with Ben himself conducting, and Ann Robson also very good as Mrs. Sedley: kzbin.info/www/bejne/ql7Ye2WVZtl-ec0 All that said, I reiterate what I commented above about how amazing it is when Felicity Palmer realizes at 2:07 that she's just revealed herself to be a total lunatic.
@andrewkohler37072 жыл бұрын
P.S. I'm not sure which character is to Mrs. Sedley's right (our left), but WHY does he have his hands in his pockets?!?! His body language is completely devoid of any tension. And then at the end Mr. Swallow trundles off to speak to the manager.
@jonathandore75214 жыл бұрын
Great performance and consummate musicianship, but barely a staging.
@johnmanno2052 Жыл бұрын
Yeah. This scene in particular should be FILLED with movement and direction. And the performance I saw many decades ago at Chicago Lyric had just that. They looked like they were all whipped up for a lynching. Chilling and terrible! Don't quite understand why the director decided to have them just stand there
@petergrimes4172 жыл бұрын
I’m I the only person who doesn’t like this opera, they could’ve named this anything but they called it “Peter”?! That’s a persons name not an opera’s smh 😤
@1pureboy1 Жыл бұрын
Tosca, Boris Godunov, Prince Igor, Turandot, Aida, Don Carlos, Simon Boccanegra, Manon Lescau, Suor Angelica, Gianni Schicchi, to name but a few….you obviously don’t know the repertoire.