Avalanche / 雪崩 (1937) (EN/RU/IT)

[@Michi-py2xr]

昭和12年の東京の街並み、人々の服装、作法、音楽・・・戦前の古き良き日本が映し出されていて感動しました。成人の息子に確固たる信念を述べる父親も今の日本ではみられなくなりました。霧立のぼる、美しいですね。ありがとうございます。

[@sunshinebgt2117]

過去を美化しすぎ。くだらない

[@harima36]

@@sunshinebgt2117you have a paper mind 😢

[@こうたきはるみち]

今から判断しても素晴らしい父親です。

[@YoshiNishio]

A beautiful movie. I am a big fan of Naruse Mikio. Thank you for the translation. People all over world can now enjoy Japanese films.

[@福子-b8o]

とても素晴らしい映画でした。 どの役所さんも　安心して見ることができました。 京マチ子さん　若尾文子さんお綺麗です。 鴈治郎さんの演技素晴らしいです。映画の中に引き込まれました。 細かいところまで　そつのない映画でした。 ありがとうございました。

[@harrylime4736]

A universal social decision, made more intimate with flashbacks and inner thoughts. Thank you.

[@sitarnut]

Finally, these wonderful 1930's fantastic films of Master Naruse with subtitles in English... barely possible my friend to express the unbounded joy you've given to us all. I used to write a "Masters of Japan Film Corner" on the net... Mikio Naruse was one of my favorites. Immediately have subscribed.

[@さかとajt]

この時代は皇族、華族でもないのに宮殿のようなお屋敷で生活されてたのですね。 かたや、貧しい家畜小屋のような生活の人が沢山おられた時代です。 現在ではあり得ない貧富の差に驚きました。 それにしても、お父さまの素晴らしい人間性には深く教えられました。 このようなお父さまなら戦争中でも捕虜を虐待せず人道的に扱われたかと思います。 人間性とは、時代に関係ないことがわかりました。

[@sugar7343]

<a href="#" class="seekto" data-time="1300">21:40</a>　戦前の丸の内の風景いいなあ　ほとんど取り壊されているだろうな

[@liatasnim9454]

Thank you so much for uploading this!

[@alicetsai9723]

すごく　感动しました！そんな優しいの　お父さんがあの時代、今でも　少ないでしょ？

[@撒拉韃纜]

三十年代拍的電影竟然如此清晰，真是令人惊喜。實在是大師级電影，劇情發展抓得很准没半點冷塲。最欣赏還是女演員的表情我見蕕憐，拍摄角度也很令人赞嘆。

[@さかとajt]

自分に忠実になろうとすれば必ず誰かを傷つけると言うことですね。

[@harima36]

You will always hurt someone anyway. If you are not true to yourself you will never develop integrity. If you don’t have integrity you will eventually lose track of who you are and won’t be able to make any decisions or know who you are. It is not necessary to have no regard for others around you just because you know your self. In fact you will have the ability to care more and have more insight on what others need.

[@Mami-tx9sp]

素晴らしいお父さんね。

[@likearock2428]

Beautiful ending. Thank you for translation.

[@aadamtx]

Very interesting! I'm only now discovering many of these b/w films of the 1930s from JapanSo many to watch, so little time to watch them all!

[@しょうちゃん-w8g]

おい！五郎、二人も女を泣かせるもんじゃない！　というのが率直な感想です。

[@jasonmicheals5594]

thank-you for uploading "Avalanche"

[@mckavitt]

I call this a film. Thank you so much for sharing w us Japanese film fans.

[@mecom3450]

黒澤明は、助監督として成瀬監督についたのは本作のみだった Akira Kurosawa was only attached to Naruse as an assistant director for this film. 黒澤は撮影中居眠りをしていたことを後年成瀬に謝った Akira Kurosawa apologized to Naruse in later years for falling asleep during filming.

[@morningatsea]

Extraordinary film, true to the rightness of social honor and decency yet fully allowing self-interest (no matter the cost to 'the other') its rightness - and so an honest perspective and a resolution is found. The society as a whole is strong.

[@extraway770]

大佛次郎原作の「雪崩」。むずかしい映画だと思う。主人公のモデルは1923年に心中死した有島武郎ということのようだけれども、映画の主人公は死をとどまる。 The original is from the same titled novel by Jiro Osaragi(1897-1973),and model of the hero in this film is thought that novelist Takeo Arishima(1878-1923) who double suicided in 1923 at villa in Karuizawa.But in novel author has stopped him dying as we see in the film.

[@carolledufresne6729]

Merci de nous partager ces films, le cinéma japonais sous-titré anglais j'adore...

[@kbj8953]

公衆電話のシーンは丸の内かな？今よりずっとかっこいいね。

[@phi4857]

well, he choose the right social morality than his own happiness, as the happiness of Fukiko, because she will die without being truly loved. that's sad, i can't imagine myself living like this. i feel sorry for her and all the women around the world that are puttin in this position

[@hektor6766]

The movie doesn't provide enough info to tell if Goro is a selfish promise-breaking rat or a victim of an arranged marriage. Yayoi seemed to want independence more than matrimony generally, so she's the one really pressured by both Goro and society.

[@hektor6766]

I don't see Fukiko for life without parole as a bad thing. Lots of ways to spend the time. She'd blush for good reason with all the buns in the oven.

[@analogueandy8x10]

Western dance seemed to be quite popular in Japan back then, going by Naruse's films.

[@織田祐二-e8h]

33分あたり。電話のシーンが妙。

[@josemariaureta6981]

One of the assitants is Akira Kurosawa.

[@tikbalangbukid]

I'm looking for a B and W Film about ..,'bus passengers travelling at night on a lonely rural area or countryside'. I'm not sure if its a horror or crime-drama-suspense and i forgot the movie title. Kindly help. Thank you.

[@harima36]

Could you be thinking of ‘Mr. Thank you’ ?

[@百花落種実]

昭和12年・・まだサイレント映画が主流のこの時代に、トーキー映画を持ってくるとは、ずいぶん金をかけたな。 回想のシーンを暗転させるアイデアは斬新だと思った。現代なら妻と愛人バトルが勃発しそうで、あり得ないストーリー。 五郎・・何だか情けない男だが、なぜか親父にだけは強気だw。 オープニングクレジットの江間弥生と横田蕗子の名前の順番が違うのではないかと疑問が残る。 霧立のぼるはこの5年後に情けない五郎役の佐伯秀男と結婚するんだなww

[@mckavitt]

I love Naruse. Can you upload others of his films, perchance? For example Le Repas (The Meal in English)? All of his are interesting, imo. Thanks in advance.

[@のうんあん-h2i]

ごろう・自分中心でやり切れん。

[@jean-jacquesterki5186]

Il n' y a pas de traduction en Français?

[@modernrocksong]

Unfortunately I cannot find any.

[@goognamgoognw6637]

To see decent, sane, stable people in a movie, i have to go back to 1937. The world and morality of today comes from a degenerate tyrannic media monopoly and bankers as we know well who they are. Their tradition and vices are not those of the majority demographics.

[@hektor6766]

I'd bet you supported a philanderer and sexual predator for president. The degenerate is you. The media are just following your fetid money.

[@こうたきはるみち]

こんな利己的な男だったのか。有島は。フィクションである。

[@roadwarr]

`Ah, those 1930's movie codes. You could go to a nightclub and dance belly-to-belly with any stranger. Try to pull your wife into a loving embrace, however, and that's somehow not permitted. I've seen this time and again.

[@mckavitt]

EvolutionRevolution As I have, particularly in US films & television shows. Japan was on its way to becoming v. Americanised at the time, as is irrefutably evident in is film. I wouldn't blame the Japanese in particular. Perhaps it is just human or patriarchal.

[@TheJackmaster7]

🤣全編、正しい日本語🤣

[@darioleonfernandez6932]

Ñ P0rqué las parejas casadas no comparten cari icias físicas, de cualquier tipo?

[@harima36]

Yeah, I’d like to know that also. It seems to be a Japanese cultural habit. I guess it’s a male superiority complex. I wish for everyone that it would change.

[@xwi_61lade]

I don't get it

[@baronmeduse]

Bad luck.

[@hektor6766]

What is the sound of an avalanche averted?

[@Dan-pi3ik]

成瀬巳喜男の映画とは思えない、つまらない、稲妻で高峰秀子が街を歩くシーンの胸に来る清々しい未来へ向かう姿とは違う、金持ちは合わないし、三島雅夫が本編で愚痴を言っていたのが、可笑しい。成瀬作品の全体は謎

[@asobino7372]

どうしてこんなに音声が小さいのか、観続けること不能。残念無念！もっと元を大きくしておいてほしい。

[@internezzo]

Those horrible western interiors.

[@穂積アゲハ]

ストーリーは別として大根ばかり