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It isn't always a "happy accident," but when feedback is done intentionally, rich and changing sounds can be found. In this tutorial, we use Bitwig's powerful feedback options in the regular Delay and Reverb devices, explore oscillator feedback in Phase-4, and then create feedback in The Grid for some creative instability. Processing a signal over and over again without it ever repeating; (can be) a lovely thing.
NOTE: Project file with snapshots and bonus content available here - www.bitwig.com...
0:14 - Feedback, a (potential) force for good
0:59 - Delay allows FX/plug-ins into the feedback loop!
1:56 - Changing things each loop makes feedback interesting
2:35 - Stereo delay and feedback sound design example
3:07 - Reverb exposes feedback too
4:49 - Synthesis feedback with Phase-4
6:40 - Per-note modulation of feedback
8:13 - Switching to The Grid…
9:06 - Creating feedback connections in The Grid with Long Delay
11:27 - Logic Delay, for time-shifting envelopes, etc.
13:36 - Pressure In, for poly pressure / MPE
14:13 - Modulator Out, to use any signal as modulator
Learn more: bitwig.com