Moon Photography with Jennifer Khordi | B&H Event Space

[@donnamcknight056]

Absolutely Beautiful Jennifer!!

[@garyfai2754]

Love the preparation that went into the shots. Really great info.

[@southsidekarl]

Great content, very formative

[@thomastuorto9929]

Nice vid. Great work. Wear the heck is that tear drop? I stumbled across the use of the tele lens when shooting Osprey at Sandy Hook & deciding to hang around for the sun set with my other lens back at my vehicle 1.5 miles away. Before that , almost all sun sets & sun rises like that was shot between 14-24mm. Almost went to the Jersey City water front to shoot the Harvest moon back in September using Photo Pills but opted out with the pandemic around. Thanks B&H for putting the video up.

[@angelogarciajr5356]

When you say it is red rising, you mean on the actual day of the full moon. I tried yesterday 2 days early and the moon rose in a pale white with no details. When I shoot the moon on the full moon day it always seems to be an orange glob with no details? Not sure how you get a gorgeous orange moon and a sharp lit foreground? Pretty frustrating. Last month I shot moonrise and it was in focus but appears distorted? My only guess is the field I was shooting over could have been giving off some type of low heat waves or something. Again frustrating. There are no great foregrounds in my area without driving a long ways like San Francisco and I am not willing to do that. Thanks for showing me the possibilities.

[@m.witter5115]

Jennifer, I notice that your shots frequently place your red pin on bridges where cars are going to and fro...and you say sometimes you have to subtract the height of the location you are shooting from from the height of your subject...Question: When searching for place for clear views, I frequentlyl find myself wishing I could be on the 12th floor of a certain office building or hotel? How do you go about convincing people to let you get into such places or stay in some spots that might include roadside easements or property belonging to a businesses....

[@gewglesux]

I tried this last night I need more practice.

[@angelogarciajr5356]

I have been told to use the Looney 11 rule to shoot the moon. I have never been even close to a good moon image using this rule. Why does this rule not work for me? Also the settings as the moon begins to rise is way different from when the whole moon is up?

[@BandH]

Please contact us via e-mail if you have additional questions: [e-mail]

[@sanilalkuttimon1755]

❤️❤️❤️

[@bhowmiktulu73]

I would love to sea Photoreveiw sessions on eventspace

[@KubaJurkowski]

Lens compression doesn't exist :) If you crop a wide shoot for the same fov the proportions will be the same, it's just the distance working.

[@KubaJurkowski]

@Dennis W sure

[@michaelmckeag960]

Yes, it is the geometry of perspective that matters, not the focal length of the lens.

[@armandconiglio9620]

They are correct . The lens isn’t compressing anything. It’s simply the fact that a telephoto lens is focused far away. The dimension of depth is lost. As you approach infinity, the difference in angular sizes of two or more objects approaches zero. This is what gives images seen through a telephoto that flat look; mountains which are many miles behind a city skyline look pressed right up against the buildings.

[@KubaJurkowski]

@@armandconiglio9620 not really, it's the relative distance between objects and the camera that does that

[@johnwalch7414]

Self promotion no real content

[@michaelmckeag960]

In-camera white balance setting is irrelevant if you are recording RAW. Recording only JPEGs would handicap post processing options significantly. Not sure what your actual practice is.

[@MrRottweiler72]

She said she shots in raw.

[@peternagy9708]

Please cut the " aaaaaaaam " . Very annoying.

[@thomastuorto9929]

I hope you have insurance on your equipment. I use State Farm about $160 a year on $11,000 of camera gear.

[@toysmastermind1929]

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