Mozart Piano Concerto No. 24, K.491 - Performed by Richard Qiu

Performed on March 3rd, 2023 at Richardson Auditorium, Princeton University with Princeton University Orchestra, conducted by Maestro Michael Pratt.
Huge thanks to the wonderful guidance under Dr. Peggy Kampmeier at Princeton/MSM for the past year on this piece, and thank you to the Princeton Concerto Competition for allowing me this awesome opportunity to perform my first piano concerto with an orchestra to end my time at Princeton.

[@MrJimmyWSP]

A delightful performance!

[@lilyzhou7398]

Congratulations!🎉🎉🎉 bravo performance!🎉🎊👏👏👏

[@georgiaguardian4696]

Lovely performance! Please play more Mozart!

[@simonyaopiano]

Bravo! Congratulations! We are so proud of you!

[@andre_yin]

BRAVO RICHARD! Absolutely brilliant performance, congratulations on winning! Seeing you so happy makes me happy

[@QunyingZhou]

Wow I Can’t stop watching this amazing piano performance! This Mozart piano concerto make me so happy ❤ Thank you Richard and Princeton University orchestra! congratulations🎉🎉🎉

[@ГерманУстинов-з1х]

Good day!!! June. Mozart!!!!

[@myriamworonoff1570]

A future professional pianist "habité" by the music!

[@ProfFakhryMAhmed]

Amazing masterpieces 🎉

[@katepan2756]

Wonderful performance!

[@josellorca9275]

Great performance of the soloist and orquestra, but this concert always left on me one the same questions. ¿How can a person from that century imagine such an enormous beautiful piece of music?

[@liazorzoli2650]

MOZART TRASCIENDE TODO TIEMPO Y ESPACIO. ES UN GRANDE

[@wendywangpiano]

Beautiful cadenza at 30:05

[@Ernesto7608]

Richard Qiu shows excellent potential for a career of professional pianist. Perhaps complemented by his skills in economy. After improving to a more straight posture at the piano.

[@torusato401]

一般的にモーツァルトのピアノ協奏曲の短調の作品はKV466 ニ短調が好まれますが、このKV491ハ短調はドラマ性がありすばらしい曲です。ベートーヴェンはこの作品に対抗して同じ調性の第3番作品37を書いてます。 モーツァルトのピアノ協奏曲の最高峰の一つであるKV 488イ長調とこのハ短調協奏曲を対比するとさらに見えてくるものがあるでしょう。 演奏はソロもオーケストラもすばらしいです。唯一残念なのは第1楽章のカデンツァでモーツァルトが作曲した時代のピアノにはない音域が使われたことです。 カデンツァは演奏者に任されますが、作曲者にどう迫るかが大切ではないかと考えます。ソリストがこれだけの解釈と技量を持っているので完璧に迫ってほしかったですね。🎉

[@celsop57]

Mozart é Mozart. Parece que ele tentou, e conseguiu, mostrar uma música diferenciada. Não tenho conhecimento para analisar profundamente, porém, o que ouvi no primeiro momento, parece indicar a intenção de querer apresentar uma mudança. O segundo deixa de conter as belezas que esperava-se ver como no concerto 23 (o mais belo dos seus), porém, enfatiza a invenção de mudanças, sem comprometer a linha da música. O terceiro, deixa de lado a rapidez das notas destacadas e enfatiza a fluidez delas como foco para quem as ouve como quem está ouvindo um som divino. Gosto disso e imagino o poderia vir depois.😮

[@celsop57]

A execução da orquestra e do solista é impecável.

[@drcpbrowndrcpbrown]

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