Mozart: Symphony No. 29 A Major K. 201 | CAMERATA Salzburg

[@barryhorner8796]

FABULOUS performance!! As awestruck as I was to hear this bright, crisp and passionately played symphony [my favorite of all of Mozart's work!], can you imagine what it would have been like in the late 1700's when this piece was first played? Pure genius to write it and 240+ years later, still inspiring awe. The spirit, the energy, the professionalism and the acoustics - all incredible and came together for a perfect performance. AUSGEZEICHNET!! BRAVO!!

[@carolhuru8173]

Probably best Mozart symphonie, top play, superb from his town !,,,

[@vitonardi3892]

0:27 I. Allegro moderato 8:08 II. Andante 15:12 III. Minuetto, Trio 18:24 IV. Allegro con spirito

[@ANDROLOMA]

Auditory rhapsody.

[@knuthartmann4846]

Bravo. Dieses häufig musizierte Werk mit Lebendigkeit, Tiefe, Dynamik, Artikulation, Klarheit und einer ausgezeichneten Technik gespielt. Vielen Dank.

[@marcogutierrez9630]

Gracias a la musica de Mozart y a Ustedes por compartir su Arte, saludos desde Arequipa-Peru!!!!

[@rickelmonoggin]

so much emotion showed by the orchestra is lovely to see. they seem to be in a musical dialogue with one another

[@deliaplesca7759]

MARVELOUS 💝✨🌍🎇🎶💫.....MOZART👑🎀

[@JeremyNieboer]

Such fidelity to every note and every space between them but utterly sublime as a whole. Miraculous.

[@Trava56]

Wonderful! Joy, togetherness, taste, sensitivity and musicality that you will find in really good chamber music and musicians of the highest order. And Mozart. Sublime! And they have fun when producing perfection.

[@newportexec]

Masterful Magical A joy to watch musicians truly enjoy their craft and art

[@andresperez9648]

El derecho a ser feliz solo lo otorga esta música. Felicidad de avance de conciencia gracias Mozart.😇

[@williamburroughs2273]

A perfect recording of a masterful performance! This is certainly a buried gem in Mozart's symphonic works.

[@jaschenski]

My favourite!

[@matteovasta5952]

Un’orchestra da camera sempre ad alto livello. Conosco molte esecuzioni. È un vero piacere ascoltare questa musica.

[@yugandali]

What a performance! and great camera work, too. I am devoted to Telemann and Bach, but sometimes Mozart is so elegant that you can barely comprehend it.

[@ZootBurger]

Only just heard this now. Bloody BRILLIANT performance!! Thanks

[@fkassis76]

Amazing

[@philem49]

Formidable !!! Merci mille

[@dikyfirmansyah8672]

Good performance Let's play more from Mozart.. From Nusantara

[@김길동-j9z]

3:50 Smile ! Good 👌, Wonderful 👍🎶

[@DressedForDrowning]

Mar-vel-lous!!! 🤩🤩

[@sergioaguila1129]

Una maravilla de musica. GRACIAS MOZART POR HBER NACIDO COMO GENIO DE LA MUSICA CLASUCA🙌💥🌳🐴😾🌴

[@TheMajortanner]

The very definition of being "in concert"

[@simonkawasaki4229]

I like the concertmaster's red mute!

[@matteovasta5952]

Ne ho ascoltato altre due versioni: Mozart Players di Londra; Berliner Ph. guidati da Abbadò. Il sound accattivante di questo complesso mi sembra più bello. È Mozart!!!!!!!

[@AnaMaríaRiescoPagalday]

This is a very good concert

[@חכל]

Great music....

[@reinhardtristaneugen9113]

Perzeptionsscreening: Die Durchführung beginnt bei circa 4:30 und das zweite Thema in E-Dur auf der Oberquinte hat als vorletztes Motiv auf dem ersten und dritten Schlag eine Achtel gefolgt von zwei Sechzehntel, wobei auf dem zweiten Schlag zwei Achtel zu hören sind und auf dem vierten eine Achtel mit Pause... ...und ich will hier weg, ne... Le p'tit Daniel

[@kudrukvasili8892]

❤❤❤

[@arkazoo4769]

Joyous rendition! When was it performed?

[@carolajoeres1784]

Großartig 👏👏👏

[@MrPGOLIVEIRA]

Maravilha.

[@jaschenski]

Ist das der Brüder von Leonidas Kavakos, der Cello spielt?

[@bivmvideo]

What microphones were used?

[@BestAmateurViolinist]

Finally, a version where they're not trying to do it like a race track to see who gets home first. I am tired of these presto performances. My only complaint about this one is that he does not keep a steady tempo. The forte passages are a little bit faster in general and I prefer it all at one tempo.

[@franciscocastillomata9786]

Y si aceptamos variaciones en la dimensión forte-piano, por qué no habríamos de aceptar pequeñas variaciones en la velocidad de la música ? Tal vez porque no aparece en la partitura? Seguro que MOZART, en sus obras para piano,se tomaba sus “ licencias poéticas “. 👋

[@kekko9091]

0:25

[@prager5046]

Is seems that this music has always existed, never composed...

[@ANDROLOMA]

Auditory rhapsody.

[@mayaconde3332]

8:09

[@vladimirprjevalski5565]

Bravo!!!!!!

[@sabanertanozyurt6323]

... uyku geldi bedene ne mutlu kalkıp gidene... ilk önce wc yi ziyaret... bağırsakları boşaltmak gerek... sonra cuuup yatağa... bu kadar gevezelik yeter... herkese iyi geceler, renkli rüyalar......

[@joernschulze5182]

Ja, es ist schon problematisch, die 29. mit einer 4er Besetzung, noch dazu dann mit nur 2 Celli und einem Baß zu spielen. Die subito Forti (T13) sind zu viel hart, um nicht zu sagen brutal, was z. Bsp. dem etwas melancholischen 1. Satz (fallende Oktav) nicht gut tut. Das sollte man in Salzburg wissen. In der Besetzung entsteht einfach nicht dieser besondere Schmelz: Oboen und Hörner sind oft einfach zu präsent gegen 4 1.Vln. Trotzdem eine sehr gute virtuose Leistung. Vielleicht doch besser mit einem profilierten Dirigent?

[@חכל]

Not dirigent orchestra

[@김길동-j9z]

3:50 Smile ! Good 👌, Wonderful 👍🎶

[@kekko9091]

4:24

[@kekko9091]

4:27

[@kekko9091]

4:29

[@jeannotdenimes158]

0:28