Рет қаралды 24,480
#bansuri #mysore #indianclassicalmusic
Mysore A Chandan opens his concert with this evocative piece, bringing out the flavours of bhakti or devotion aptly in this performance. Accompanying him are Dr. Jyotsna Srikanth (violin), Neyveli Venkatesh (mridangam) and RN Prakash (ghatam) who add soulful textures to this varnam.
Enjoy this music piece? You can WATCH THE FULL VIDEO HERE -bit.ly/3Aufh47
You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 ______________________________________________________________
More about the music:
‘Sarasuda Ninne’ is a composition by Kothavasal Venkatarama Iyer, a renowned composer, singer and also the guru of Patnam Subramania Iyer. This varnam is set to Raag Saveri in a rhythmic cycle of Adi talam.
Chandan plays a brief alapana, quickly embarking on the composition. He builds the emotion of the raga schematically, embellishing parts of it with elated phrases. Dr. Srikanth gives wonderful support with melodic reciprocations, enhancing the ‘karuna bhava’ (compassion) of the composition effectively.
Venkatesh and Prakash give a tight rhythmic support, regaling the listeners with a variety of rhythmic improvisations within a short span.
Saverii is a janya raga that is derived from the 15th meḷakarta Mayamalavagaula. It is an auḍava-sampurṇa raga. The swaras present in this raga are ṣaḍja, suddha risabha, suddha madhyama, panchama, suddha dhaivata in the ascent; in addition to these swaras, kakali niṣada and antara gandhara occur in the descent. Its arohana and avarohana are
S R1 M1 P D1 Ṡ - Ṡ N3 D1 P M1 G3 R1 S.
In Western music notation, if C is taken as the base or tonic note, then the scale is
C C# F G G# C - C B G# G F E C# C.
Raag Jogiya of Hindustani music is similar to this raga, but has a slightly different scale.
The ragachaya swaras are gandhara, madhyama and dhaivata. Niṣada and gandhara, though of the third variety, have special rare usages where they appear slightly diminished.
A rakti raga, it can portray rasas like santa (peace), karuna (compassion) very effectively, just as it can convey the feeling of devotion or bhakti bhava.
Musicians
Mysore A Chandan (flute)
Dr. Jyotsna Srikanth (violin)
Neyveli Venkatesh (mridangam)
RN Prakash (ghatam)
________________________________________________________________
All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust