南管曲--山險峻(陳筱玟演唱與心心南管樂坊).MPG

[@福成-d6w]

好聽南管，思古幽情，懷恩祖先父母。

[@yipyip6260]

陈老师的演译首屈一指！节奏分明，七情上脸，傾情投入，悲喜哀乐絲絲入扣！实乃此名曲演唱者之表表者！配上四管搭挡天衣无缝！把一众听众带入曲折奇妙的境界，百听不厌…如能顺应爱好者要求，将原景象配上字幕，当是锦上添花之杰作！

[@mgtunaung1223]

我們的國寶必須代代相傳

[@limdavid2279]

唱得很动人！

[@alanhill4957]

Thank you from the bottom of my heart. I hope this translates well. I used to listen to nanguan songs forty years ago when I worked long hotel night shifts in San Francisco. The sound was strange to me at first, but something deep within them called to me. I kept listening and grew to love them. I do not always understand the words, but I understand the heart. . I have tears in my eyes right at this moment. My aging heart is forever grateful.

[@victoryue2370]

+Alan Hill Could you remember which hotel in San Francisco? I am keen to find out any nanyin groups in SF. Victor

[@alanhill4957]

+Victor Yue I am so sorry I didn't write more specifically. They were tapes and recordings I bought at a nearby Chinese bookstore. I believe it was called the EastWind Bookstore, or something like that. I would play them all night long into the morning's embrace. They meant a lot to me. I never heard any live performances. Even in S.F. Chinatown. I hope with all my heart you are fortunate in finding practicing performers.

[@peterlim1877]

Alan Hill 6

[@chiangchiuhua7177]

Totally agree. Nan Guan is, yes not was, such a kind of stress-off music nowadays. Even though we don't know what that mean. It's not even a problem. My Nan Guan teachers used to have told us, that you must be careful with your own soul to keep Nan Guan's spirit. It's not about words. Not at all. That's why foreigners are easier than us Chinese the best fans ever. The fact is, that word is not the important thing in Nan Guan. It's like the art of Chinese Painting. It's like Chinese character. The beauty is in the Chinese character itself. Same here in the art of the best thing about music. Nan Guan is the best of the most beautiful art because of the purchase of the souls of art itself.

[@ecjhnanguan]

Thank you for listening to my recording

[@朱世德]

優雅古音，甚好。

[@jeff122401]

找不到第二個一樣的東西,情感會湧上來,音樂,演唱..都是..到那裡還可以聽到這麼好的演奏唱的聲音

[@ecjhnanguan]

Jeff Hsieh 謝謝您！過獎了！台灣南管國寶蔡小月女士以及我的恩師王心心女士都演唱得非常棒，建議您可以找她們兩位的錄音出版品來欣賞！

[@jeff122401]

@@ecjhnanguan 我問一個比較不禮貌的問題 , 有比較女聲類似電影戲劇般唱法的南管或唱曲唱調唱劇嗎? 就是比較嗲聲.或女人味..的唱法?

[@jeff122401]

@@ecjhnanguan 兩位與你有差別 , 不同 . 我個人不是太喜歡

[@ecjhnanguan]

Jeff Hsieh 您可搜尋泉州梨園戲陳三五娘，在梨園戲中還存在有女性角色的唱腔

[@jeff122401]

@@ecjhnanguan 找過了...那唱法不行 ..太傳統...

[@陳柏安-n6x]

0:28 山險峻，路斜欹。 1:32 為著紅顏，阮那為著紅顏到只。 2:48 爹媽！媽親！恁值去？ 3:42 袂得相見，阮袂得見媽恁一面。 4:32 [豆寸]耐延壽你做事可不是， 5:03 騙金不就，騙金那不就，起有虎狼心意。 5:45 虧阮、那虧阮一身到今旦阮袂得相見。 6:35 恨煞奸臣毛延壽， 6:56 你掠阮一家來拆散，遭流離。 7:21 阮身到只，今卜怙誰通訴起？ 7:52 思憶劬勞，思憶父母兄共弟。 8:35 去到陰司，阮就去到陰司， 8:53 一點靈魂卜來見我媽親。 9:16 今旦來到只，今旦來到雁門關， 10:03 那見曠野雲飛，牧馬鳴悲。 10:18 對只雁門關，舉目一看， 10:31 黑水滔天，越惹得阮思憶君親個情緒紛紛， 10:52 今卜值處通訴起。 11:11 阮一身恰親像花正開，遇著風擺搖枝， 12:03 又親像許中秋月正光，卻被許雲遮烏暗時， 12:38 值時阮會得相見面， 13:00 除非著蝴蝶夢裏化作鴛鴦， 13:11 枕上即會鸞鳳棲止。 13:35 嗏！恨煞毛延壽，即會行來到只， 14:30 你掠阮一對鴛鴦拆散做二邊。 15:10 苦痛傷悲，目滓如珠淚滴淋漓。 15:55 見許旌旗閃閃，旌旗閃閃， 16:56 金鼓喧鬧，嗡！ 17:49 虧、虧阮一身來到只， 19:08 只處無興又無采。 19:26 四覓無親，阮舉目無親，今卜怙誰人？ 19:46 阮四覓亦都無親，今卜怙誰人通訴起？

[@ecjhnanguan]

謝謝您幫我把字幕打上

[@陳柏安-n6x]

@@ecjhnanguan 感謝老師的演唱，讓我更能體會南管叫字的特色！若以上內容有誤，也請老師不吝指教！

[@abc0bab]

Simply Great!

[@莊俊義-m3t]

❤

[@tehopan866]

要是能將詞打上就太完美了！真心期待

[@jeff122401]

非常好

[@johnnie1961jeng]

[山險峻]詞在 - 泉州南音 - 謝曉雪唱。不知是否一樣？I' m just passing through. The song was about someone suffered political persecution by a bad guy called Mau Yian-Sou, and caused family separated. He has no way of knowing where were his parents, he would like to see his mother and brothers before he died. He was traveling in the steep mountain path ....etc. If someone is interested, I can try to translate the content in my poor English. Yes, it's a sad story. But, as a gentleman said, the content is probably not important, you listen with your heart. You were probably a Chinese in your previous life.

[@ecjhnanguan]

Jeng Johnnie 是的，與謝曉雪唱的是同一曲

[@吳美美-d8o]

陳小姐，唱得很好，有字幕更好。

[@ecjhnanguan]

美美 吳 謝謝您

[@劉華-s8d]

南音應該是唐朝宫廷樂奏，是皇帝閒時聽賞的，唐朝宫廷有可能是說閩南話的。

[@mengyuantsai4977]

一堆小粉紅以為閩南語是福建方言，其實北京話才是方言，閩南語更具有統治的法理道統

[@CHIH-g6n]

唐朝時期就是講閩南話啊！

[@洪敏雄-t9d]

如果能將詞文顯示出來就更完美了 畢竟大部分的人不懂古漢文

[@洪守志-r4d]

能有歌詞字幕更好

[@johnnie1961jeng]

She was traveling near Great Wall - Yianmen Guan (Gate to North of China.)

[@傳文]

唱詞最好有字幕

[@蔡知誠]

好聽，謝分享，有字幕更好 阿彌陀佛

[@lamcheong5570]

蔡知誠 、

[@chrisliu805]

南管需要跟日本接洽，試著用日本的唐樂器來彈奏，在像漢唐樂府一樣，人用現在大陸裝束復原的漢服與唐妝， 到唐代建築的圍欄台上表演，這樣就能顯現唐代的樣貌了。

[@lanhongmark6299]

請問，有教學嗎？我本身是對簫樂感興趣，希望有機會可以學習南管簫樂

[@ecjhnanguan]

台北市有和鳴南樂社、中部有南北管戲曲中心、南部有南聲社…等南管館閣有南管傳習班，你可上網查詢

[@莊俊義-m3t]

2:43

[@johnnie1961jeng]

To ecjhnanguan. 謝謝您的回覆。To me, it's new. 唱腔是是樂器的一部份？！我感覺泉州南音與台灣這裡的不同。泉州的拍子不明顯，且似乎當成戲曲在唱。

[@ecjhnanguan]

Jeng Johnnie 您的感覺很敏銳，台灣的唱法較重視節拍上的頓挫，而大陸泉州唱法屬圓腔式的唱法，偏美聲唱法，兩者美學觀大異其趣，的確會在音樂詮釋上不太相同。

[@johnnie1961jeng]

感謝！請問，主唱所拿為何物？是算拍子還是另有其他意涵？不好意思，我是好奇寶寶！

[@ecjhnanguan]

Jeng Johnnie 唱者執「拍」，南管曲有一二撩、三撩拍、七撩拍等不同拍數的曲目，都會在固定的拍數，拍擊ㄧ下。例如此曲是一二撩，就像西方記譜法的2/2拍子，你仔細看我會往外數一撩，然後在等量的打一「拍」。原本是指揮的功能，但現在都流於形式居多，對我個人而言，執拍有助於我唱曲的頓挫和運氣。

[@johnnie1961jeng]

感謝回覆。Wish you all the best.

[@离离原上草-d5u]

抬高自己的同时请不要贬低别人！毕竟泉州南音才是正统！联合国教科文组织颁发的世界非物质文化遗产！

[@jeff122401]

想請教為何中段過後 . 聽的會比較充滿激情 ?

[@ecjhnanguan]

Jeff Hsieh 我應該是隨著音樂線條本身的高低起伏，自然而然地演唱出來的，並未刻意做什麼處理。

[@jeff122401]

@@ecjhnanguan 謝謝老師回覆, 很喜歡聽這首 . 雖然不懂,但唱的很有感情

[@wongcherry9329]

回复音响

[@johnnie1961jeng]

Sorry, it's a She.

[@ecjhnanguan]

Jeng Johnnie The contents of lyrics are not so important for Nan-Guan music cause when we sing we just focus on how to pronounce the syllables,one word is separately pronounced to interpret the musical phrases!So I would like to say that Nan-Guan music is "absolute music" and it's not just vocal music..we treat the voice part as another instrument part so when we perform the kind of Nan-Guan ensemble music,It's quintet not vocal quartet!Thank you for listening to my recordings