Reading Music Is Easy When You Know THIS

[@tomazlm_]

1. Rhythmic divisions - The trick is to get fast at finding the division points in each measure. - Train your eyes to look for the large beats. [...] You can sort of eyeball where the midpoint is, for example, for each measure. 2. Interval faces - The trick is to pay attention to the lines and spaces. >> If two notes are both on lines or both on spaces, then those are odd number intervals (1, 3, 5, 7, 9...). >> If two notes are one on a line and one on a space, then those are even number intervals (2, 4, 6, 8, 10...). - Once you master this, you can really monkey-branch from note to note. If you have a starting point, you can read the notes by intervals. - This is particular useful when you have a lot of ledger lines. >> If a note is on a high ledger line, you can make an educated guess of what note it is by thinking in terms of odd or even intervals from your reference note. >> You can also think backwards: Your reference note can be several notes ahead of the one you're trying to guess. 3. Tiering - An important extension on the topic of intervals is to layer your reading: if a phrase of music has two layers (some notes much lower, some notes much higher), divide your reference notes, one for each layer. - The important thing is that, by monkey-branching and tiering, you're combining different types of information: absolute information (your knowledge of what a note is upon first glance) and relative information (using reference notes and intervals). 4. Key signatures - For sharps, look at the last sharp to the right: that will be a half step below your major key signature. - For flats, look at the second to last flat to the right: that will be your major key signature. 5. Clumping - Clumping is looking at a larger pool of notes and information instead of reading note by note. - Some common ways to clump notes together are to recognize scales, intervals and chords.

[@javiceres]

Up

[@invsi6231]

up

[@scottfoster3643]

❤

[@Kartagoooo]

Bless you

[@WMDistraction]

This is how I think of it even years after taking music theory. Once you understand common cadences and chords, the patterns become much easier to see, so very often I don’t even “read” the note - I just see the chord and play it.

[@younghokim1994]

Also if you want to improve your sight reading... try composing! It will give you a new perspective!

[@lois2911]

You are so totally correct. I have experienced that personally. It also helps in so many other ways too.

[@jkingenglish]

Ýou could could compose something that will be appreciated in the year 3,000 who knows right. let's compose I'm all in

[@younghokim1994]

It doesn't matter if 1 person or 1 billion people listen to it, do it for yourself, and your love for music!@@jkingenglish

[@Snarkapotamus]

The best way to learn is by doing...

[@belenlg5978]

So true!! I teach piano to a little girl and I was not having any progression with her reading sheet music, until I started to make her "compose" and make her play afterwards the notes she wrote down. She really likes drawing and writting, and she thinks music notation pretty. Once we started doing "composing" exercises at the beginning of her class, after a couple of months reading clicked for her! Me personally I wasnt a great sight reader but when I started to learn jazz and be more comfortable with harmony, my sight reading improved a lot!

[@leomilani_gtr]

As a guitar player, the secret to make me stop playing is giving me sheet music. This video is helping me a lot!!

[@jfbmusic]

I see what you did there! 😂 classic! There’s also the version that will make you turn down your amp - but with this video, you will soon keep your volume the same! :-) have fun.

[@leomilani_gtr]

@@jfbmusic and if you want the pianist to stop playing, you take the sheet from him.

[@jfbmusic]

@@leomilani_gtr 😄

[@juanmoralesvideo]

As a non professional guitar player, sometimes I hate the fact that I was taught how to play just by memorizing shapes, ignoring theory and score reading completely.

[@MesserMusic]

@@juanmoralesvideo that’s how most people learn now

[@arthuracevedo4681]

OMG! This video was so incredibly helpful. I’ve studied piano for years and never learned these reading techniques. There is a difference between being encouraged to read more, to actually being shown HOW to read better. Thank you! You are brilliant!!!

[@Coasterdude02149]

Same. While I loved my piano instructor as a teenager, she never taught me HOW to practice properly I'd just start playing until I messed up and then go over the part I messed up a few times, start at the beginning again and go on. After 30 years, I'm getting back into it- alone- and found another video talking about blocking chords in a passage and finding the intervals, etc. I would have progressed much faster than if I was taught this way. This video is golden!

[@RJSmith-jo7oe]

I agree, same here!

[@See_Sharp]

As a kid I thought pianists just read the music and they just play it perfectly. I did not know they practiced a lot to achieve perfection.

[@RMS12.2]

Well good for you. You learned something. I wish I had learned when I was younger

[@RMS12.2]

Well good for you. You learned something. I wish I had learned when I was younger

[@Starmast3rmusic]

Some do, I took lessons for a couple years when I was younger and my teacher could literally sight read anything perfectly... It was amazing

[@fernfunk]

as a kid i thought i could communicate telepathically with cats... and that they saw me as their true leader 🤷🏼‍♀️

[@chordsofsteel-i4j]

​@@fernfunkI think I can tho my cats definitely understand my thughts

[@Eric1396]

I studied music at university level and no one ever taught me any of your tricks! This is life changing!

[@PassionPno]

Which uni did you go to? My uni taught this in a separate course called practical keyboard skills.

[@caradegian]

Maybe because this are things that everyone does in a way that conforts them, not always will be easier or better to everyone to follow this video

[@kwimms]

Apparently you wasted your time and money.

[@onionjohnny4998]

Maybe you were sitting in the Biology class . . . . . Lol

[@greendeane1]

My impression is that it gets in the way, looking for all those things rather than actually practicing reading. It might be good if one is changing from reading one line to two, such as an instrumentalist moving to piano, or some complex amateur written music that does not follow standard rules.

[@angelinemarsland]

A lot of these I have been doing naturally but sort of forced myself to stop because I thought it wasn’t the “proper” way to sight read. Thanks for giving these a name and letting me know this is even what the pros do!

[@truefilm6991]

Piano teacher here. That's almost exactly how I teach reading music. Of course I do it differently at the very start, when students just learn what keys to press when, but I always point out: follow the notation for reference. The number of notes each key stroke, the values, melody contour. I also teach tricky 16th note jazz/funk/latin phrases as "words". One doesn't read each single letter, but recognizes patterns and translates these into sounds. Excellent video as always!

[@eddyvideostar]

To True Film: "Tricky 16th note jazz/funk/Latin phrases as 'words...' " Similar to keywords of a sentence = chordal structure.

[@dinaalsaigh165]

I have a question please What are the big bows mean above and beneath notes?

[@truefilm6991]

@@dinaalsaigh165 are you referring to arches over or under several notes? These are slurs, instructing you to play legato. With string instruments (violin, viola, cello and double bass) they indicate the notes to be played with one single uninterrupted bow stroke.

[@dinaalsaigh165]

@@truefilm6991 so its not for piano?

[@Rmanpc2323]

@@dinaalsaigh165yes it is for piano.

[@bayareapianist]

What she said was just the first step after visually checking a sheet of music. After playing and reading music for a long time, I found out which finger should play what note is more important. Most of the sheet muiscs have fingering which sometimes do not fit with someone's hand size. However most of the time sheet musics do not have fingering and i have play many times to find out which fingers work better. Pianists are lucky that there is one for each key. But sometimes you have to figured out which hand is better to play a note. The bad thing is we have 10 fingers and we can be expected to play 10 notes simultaneously! e.g Chopin's Prelude #20. For string instruments, you have to add which strings you should hit and which bow direction you should use. These are what you cannot find in any books.

[@NilsWennström]

When i started playing piano, i was afraid because i thought that i had to sight read anything perfectly upon first glance. Like looking at a piece like La campanella and instantly being able to play it in the right tempo. It was such a relief when i figured out that almost everyone takes a little bit of time and that even the professionals sometimes read the wrong note.

[@tomarmstrong1281]

For a struggling intermediate adult learner, Nahre's skill, ability, her patience and well-thought-out; ingeniously presented explanations are a blessing beyond compare. I love each video and wish her all the success she deserves.❤

[@volknerbat7049]

As a violinist I’m always amazed by how great pianists sight-reading skills are. There are tips and this skill takes time to be practiced - we only have 1 staff usually… no excuse if even pianists (2+ staffs) can do it!

[@harsimaja9517]

Similar boat here. Pianists have two staves and very often chords that together can very often make up 6 and even up to 10 notes at once (!). Piano seems like it must be so much harder from intermediate onwards in terms of being able to play a random piece of music for it well from the page. But there's a much lower learning curve at the start than for violin, since even someone who knows zero music can just play a key on piano but it takes a lot of practice to play even one note beautifully on violin (rather than like a cat being tortured), let alone beyond that. Much more fine-tuned control needed there.

[@robertakerman3570]

N.S. Normalizes the frustrations of Us mere mortals. So Kool!

[@lucasl.s.7831]

pianists read faster largely bc there is only one place to play the note written, you don't have to think about where to play it, your finger just go to the right place automatically after some years of practice

[@harsimaja9517]

@@lucasl.s.7831 Sure, but even without playing it a pianist will be able to read - just mentally - several voices at once, in a way violinists won't. The implementation of playing a given note is another matter, where violin is harder, but 'sight reading' is about the mental processing of the page.

[@jerboaaaa]

@@harsimaja9517 This issue is even more pronounced with woodwinds

[@jamesbernards8409]

I found myself doing things like this years ago when I was taking various music lessons with piano, clarinet, and saxophone.... I ended up getting the idea that because I wasn't playing the notes from a base of absolute knowledge, that my playing was "bad" and/or "inferior". I think I actually have strong musical instincts and this video you made helped me revisit those damaging assumptions I allowed to choke out my willingness to practice and play music. Thank you very, very much for making and sharing this video. You've earned a subscriber, a like, and have made a happier person as a product of your efforts. :)

[@ikept_the_jethryk2421]

I’m a lifelong pianist but always have trouble the first time I look at sheet music. These are great tips!

[@remco805]

that "like=odd, different=even" insight, so useful!

[@dathyr1]

Another method of determining interval notes is there is a pattern for all lines or all spaces which is F,A,C,E,G,B,D and then it repeats. So on the treble clef the first line is an E note. then all the staff lines going up would be G,B,D, and F would be the top line. And you can continue with notes that are above the top line F which would go A,C,E,G for each note with a line through it. Spaces would be done in the same fashion. Pretty slick way to figure out notes above the normal staff lines.

[@AidanMmusic96]

The space + line breakdown is great to hear someone talk about. Such a simple + effective explanation.

[@shannonschumann2108]

Thank you SO much! As an oboe major in college who has switched to harp later in life, I am so used to reading horizontally, and thinking vertically is a challenge. I used your reference note tip when I had to read (a single line) in tenor clef for my piano proficiency exam, but your tips on finding the beats, tiers, and "same or different" intervals is immediately helpful! This is a video I'll be returning to this video again and again!

[@stratfanstl]

This was FASCINATING. SUBSCRIBED. After watching this, I realize my school training in music decades ago only taught me to PARSE music notation. One NOTE at a time, one PITCH at a time. This explanation describes how people can fluently READ music notation to quickly understand what is required to play it without essentially trying to memorize what was manually (painfully) parsed. As an example, the idea of conditioning your brain to realize any two notes both appearing in a "space" are GOING to be odd intervals while two notes -- one on space, one on line -- are GOING to be an even interval makes a first scan so much more informative. Odd / strange that I've never seen anyone explain these techniques.

[@joshs6536]

I got your book. Not only because I’ve been playing for 3 years now and still suck at sight reading, but also because I think you’re a great teacher. Cheers.

[@kwimms]

Well... Now you have to read the book. Oh no!

[@gman2point0]

As one who easily get intimidated at the thought of reading music, this was absolutely brilliant. Thanks for the tips Nahre! Now to be less lazy and get to reading more 😅

[@laurenttanguay9480]

As a professional classical violinist, this is exactly how I read! Sometimes we have to play old editions that looks almost hand written. It makes the interval spacing not perfectly consistent which makes reading a lot harder haha

[@ericglickrieman939]

I am a music teacher and I like to watch your videos to pick up some new tricks. This video was succinct, and I thank you. I'd like to add from my 25 years of teaching piano that it is important to sightread every day, or at least to recognize that if you don't, your language skills in music land will deteriorate. If you spend most all the time you practice working on tough pieces or your repertoire your reading will suffer. The same is true of improvisation - do a little every practice. Thanks again for your insights!

[@Олег89-ю5й]

Thank you for a great piece of advice. I find it very helpful.

[@pasadenaphil8804]

I just returned to piano two months ago after not playing for 50 years. Seriously. After focusing on general music theory for two weeks before hitting the keys, I fell into the habit of buying sheet music and spending my free time reading and making notations (my own... a minor problem now after watching) this. I feared I was wasting my time on repertoire that is far from my ability to play but now I can see it is a good habit. I just need to start using better notation and hit the keys sooner. Great video.

[@ericglickrieman939]

@@pasadenaphil8804 Think about how much time you waste scrolling the internet and compare it to the value you get from doing music - my choice to work on music is a no-brainer for me. A challenge every day, that puts one's mind in order and allows me to touch what it is to be human.

[@lucianorani]

Thanks for the generosity and clarity that you use to teach everything, Nahre!! A hug from Brazil!!

[@SilverPoyozo]

Fantastic tips! Reading music is very intimidating for beginners, it's much better if you start using these techniques right away... wish I had been taught these when I was a kid, because I haaaated reading music, and didn't get very far. Because of that, I've been playing only by ear since then. But for the last 5 days I've been actually sitting down and just doing it, and employing techniques like these, and it's very fun and rewarding.

[@AdrianEarnshawMusic]

I always look forward to these types of videos. Even though I've been playing for over 35 years, I always seem to pick up something useful.

[@truecuckoo]

🙏🏼 When I play from sheet music, even when I get it right, I very often get stuck on a bar, and am having trouble moving on to the next. I'll reference this video from now on. Thank you!

[@lunyxappocalypse7071]

That is perfectly normal, no worries. Sometimes one should play it in a alternative way, like turning arpeggios into chords to process it or think about it another way. If your still stuck, just leave the motif for later to look at it with fresh eyes.

[@tongqiustb847]

this video could not have been made in a better timing! like for the past few weeks I've just been having strokes trying to read sheet so this is quite literally a lifesaver

[@allanjmcpherson]

This was great for me as a teacher. I do all these things, but it's hard to remember I'm doing them when I'm teaching students. It's always good to be reminded of what I'm actually doing so I can teach it to my students.

[@crow4277]

your videos are really really awesome; as a self-taught piano player that never really got too good at reading sheet music, this is really inspiring me to dive into it and practice more!!! thank you so much!!

[@radhikar3529]

Wish I’d had a teacher like you when I was 9 years old! Oh well, never too late to learn now. Thank you for this brilliant video.

[@ritaireneguzmanaldeco6110]

This is the most useful thing I've found about sight reading. Usually most videos and teachers just tell you to read ahead and practice a lot, but this video is incredibly detailed and useful, thank you very much!!

[@baldy555]

Thanks for the gentle and kind teaching method. You truly understand your customer (us beginners)

[@jickamangah]

As a guitarist, this is the most helpful video for sheet music reading ive come across. I feel like sight reading is actually possible now with practise

[@atrempest6152]

For anyone interested, her book is great. update : holy molly, why do i have all these likes ?

[@dangdatcrazymaster2355]

A fellow Eve fan 😭 I love u

[@atrempest6152]

@@dangdatcrazymaster2355 glad that you recognized, love you more :)

[@sunsunsunh]

what makes it so good?

[@alexisbssnt7176]

I am just not into the pdf book thing, but that’s me

[@Cambodia69]

@@alexisbssnt7176 It's not that difficult to print it out, three hole punch it, and put it in a three-ringed binder.

[@TimChernikoffMusic]

This is really great to see. I've long held the belief that the secret weapon for a jazz musician is to read music. I liken it to that scene in the matrix where neo learns kung fu in a second; if you find the right material and do it consistently, it's like having a musical legend jump into your head and influence your playing. This video gives a lot of nice ideas for sharpening our reading and I'm going to enjoy using them!

[@ColorGrisss]

As a musician that struggles with reading music at first sight, I value these hacks. Thanks!

[@averageclassicalmusicenjoyer]

Bach is extremely good for training your sight-reading skills, because (basically) everything he writes contains extremely complex counterpoint. I know sight-reading fugues and contrapuntal stuff may seem very intimidating (and it is), but I can promise that playing through stuff like the WTC and the two-part/three-part inventions are good ways to improve your sight-reading skills (as well as your technique and musicality) significantly. It trains your mind to process all of these different lines at the same time, which extends to all sorts of other music you might want to play.

[@Vasioth]

I second this but to be honest his 2 part inventions are a better starting place. Some of the preludes and fugues without having proficient technique are difficult to play without injury or to play as intended. The Bach fugues are pretty late-intermediate to advanced repertoire. But I do agree contrapuntal music really does speed up your sight reading. As much as I think he's a hack and I disagree with his pedagody, BachScholar released a pretty remarkable book on sight reading that other pianists like Joshua Wright recommended. They are based on simplification of Bach chorales and are really great late beginner/early intermediate pieces for sight reading before moving onto the Inventions.

[@mgregory22]

That's very interesting. I think I'm coming to the conclusion that anything you do involving Bach's music is going to make you a better musician.

[@srothbardt]

He goes around the circle of fifths, doesn’t he?

[@mgregory22]

@@srothbardt Sometimes.

[@mistaowickkuh6249]

"EVERYTHING" he writes contains extremely complex counterpoint? Either I'm a damn genius or I've actually come across some not so extreme works of Bach (Not saying bad).

[@rebekahsunday3254]

Thank you for this video! As a child, I was always an “intuitive” player, and my teachers seemed to think I didn’t need to learn the fundamentals of theory. That ended up hurting me in the long run - I had to drop out of being a piano major because I got to college and realized I knew nothing about theory. I felt so embarrassed around all of these people who had been trained in theory for 10 years. So buying your book was an easy decision. I can’t wait to dive in. Thank you!

[@vineboomsoundeffect5395]

Tip no2 just let me speechless! I you made my ability to read intervals 10 times easier THANK YOU

[@Cambodia69]

Up until now, I've done my best to avoid the anxiety and stress that I've always associated with sight reading. The way you approach it and break it down here has me reassessing my earlier doubts. Perhaps it is time to give it another go.

[@AnthonyB2351]

Quick ledger lines tip. We know the 3 middle lines centred on middle C spell ACE. So do the 3 ledger lines above the G clef and the 3 ledger lines below the F clef. Once you get that into your head the rest falls into place quite quickly.

[@DancingPony1966-kp1zr]

Thank you!

[@tedl7538]

This is the best collection of good sight reading tips that I've seen online. There are surprisingly few resources providing useful tools for this part of the musical process which so many of us find frustrating and daunting! 🎵🎶🎵

[@2Phast4Rocket]

Because the music teacher doesn't want to share with you the secret so you have to return for lessons forever

[@Kevinschart]

​@@2Phast4Rocketexactly. Music teachers are a great resource but they are also a scam. They seek to drag you along a bit to ensure cash flow. I grabbed a theory book and learned more in 6 months than I was going to learn in 2+ years with a teacher. Teachers are best for intermediate + players. At least then they can't bullshit you

[@Makusa-qc2qd]

I'm self taught but have been playing for decades, and sight reading has always been one of my strong suits. I didn't think i would, but I learned a lot from this. Thanks!

[@shanemcknight1583]

Awesome! Improv has been my thing for many years (playing by ear), and I appreciate this greatly as I have not paid much attention to reading music, but now I am needing to.

[@raycallender5066]

Wonderful plan of attack for sight reading!!!!!

[@8beef4u]

For large intervals above the staff with a lot of lines I imagine another staff stacked on top of the normal one, where the first line above the staff (A) is the top line on the bass clef, kind of hard to describe but once you get it in your head it’s completely second nature to read large jumps above the staff

[@clutteredchicagogarage2720]

Hi Nahre, Thanks so much for making this video! Honestly, what I loved most about this video is that you had to pause and think to work through some of this sheet music. I'm just an amateur pianist. Yeah, I took lessons as a kid for some number of years. I own a piano. I can work through some easier classic music pieces and play them with some degree of proficiency to the point that they sound good to me. I can sight read very simple scores without pausing, but I would definitely have to pause a little bit to read and think through that Gershwin score, for example, before I could play it a second time with an even tempo. I've watched a bunch of your videos. I think you're a very talented pianist, and I love the way you think as a composer. I also enjoy your compositions. So I found it very comforting that you couldn't just sight read through this music and play it perfectly the first time. I also found it comforting that you had to stop and count when you saw those notes that have all those extra ledger lines. Once I see more than 3 ledger lines above or below the regular staff, I don't always remember immediately what the note is, and I have to count the lines for a second before i figure out the notes. So, again, I found it super comforting that even very talented, experienced and proficient pianists like you have to do this sometimes. Thanks for publishing this!

[@5tr41ghtGuy]

This is a timely video for me, as I have been working on piano for a few months. Sight reading is very slow for me at this time, and it is great to hear your well articulated guidance for improving this essential skill. Thanks for posting!

[@totaltwit]

Very slick :) I learned some new things, thanks. I also got an answer to "voicing" where a note beam can go up or down on the same staff, that confused me, by watching the overhead video of Nahre's hands, I got my answer, thanks.

[@1jennifer]

Wow, I've done many of these kinda implicitly but it really helps to articulate them. The interval faces tip, however, blew my mind! So good, such high quality, thoughtful content, as always

[@ikinglopez]

Oh, God. This makes sight reading so much easier! :) I'm so happy.

[@eenayeah]

As a really slow reader (Even after learning various Chopin pieces like Ballade No. 1 and Liszt's Liebestraum, still counting "every good boy does fine" and FACE), I think your #3 tip will revolutionize things for me. I can't believe something as simple as that is so... enlightening. Thank you very much! I do wonder why this is so difficult in the first place. Because I've been a guitarist longer than I've been a pianist, and I only play from tab (tablature) for guitar and I do that INSTANTLY. Like ZERO lag for me from reading into playing. Yes, tab really shows you the one spot to play a note, but so does standard notation for piano. That one note in notation will only correspond to one key on the piano, unlike notation for guitar, which can be interpreted at multiple locations on a guitar. Really weird.

[@kazeed]

As someone obsessed with Chopin, I appreciate how you use his mazurkas as an example of wtf-ism when reading music. Thanks.

[@TallysYunes]

I had never heard of the concept of tiering, but it totally makes sense! Will try to incorporate this into my sight reading efforts. Thank you for sharing this, Nahre! You're awesome!

[@enochpeter]

Very useful and well-produced! As a side note, getting stronger glasses doesn’t mitigate lean-and-squint.

[@michael_harren]

This is such a fantastic video! So many of these techniques are just ingrained into my sightreading over the years. Having you explain them like this is going to really help my teaching and express these concepts to my students!

[@AcousticBruce]

I started out playing totally by ear with guitar and learning theory using the number system and understanding intervals building chords based off shapes. However, 2 years ago I started learning classical piano and I started with sheet music and it has been the greatest connection to music that has happened in my life. I'm glad I started out by ear and then learn to read music. It's really the best of both worlds. Videos like this are incredibly helpful. Thank you

[@ltgreatsocks1]

This is so easy to digest but feels very comprehensive, makes me feel very excited to grab some sheet music and go at it!

[@harryleblanc4939]

This is SUPER useful. Every book I've read on notation is just an endless barrage of details. These strategies help me to organize what I'm seeing. Thank you so much!

[@sambochen2010]

Awesome video Nahre! You certainly have a gift for explaining complicated concepts into digestible understandable golden nuggets. Thank you!

[@lukewarm5356]

This is brilliant, the looking back thing and layering, so obvious now but never seen it explained so clearly. Thanks for these insights Nahre, will be buying your book for sure.

[@YonkoKenji]

Thank you Nahre!!! your contributions are appreciated by many.❤

[@ThatMakesSenseToMe]

This is so helpful!!! I literally thought everyone was saying the names of every note in their heads to read and was discouraged that as I was practicing I was naturally doing intervals and patterns. This is confidence building for me. Anchor notes and intervals. Love it love it.

[@error.418]

I always had a blast doing sight reading as a kid when learning (maybe because I didn't love practicing so used it as a crutch to do well enough at lessons). I didn't realize I had internalized a lot of these ideas and never gave them names. So even for an experienced player, it's really neat to see this laid out. Great work!

[@angelinemarsland]

Same!

[@trottheblackdog]

I used to show my guitar students that aside from accidentals, notes were simply scale degrees. And by taking a scale position on the fretboard, their fingers already knew where the notes were. This was a great tool for beginning readers.

[@jhur9839]

And to extend the idea even further, make sure to practice each strategy individually and incorporate it as a natural part of your sightreading. The whole point is to break down complex information into smaller, digestible pieces. If you try to learn all these strategies at once, you're likely to just get flustered. This is a skill that doesn't just apply to music either, but lots of areas of life. It's kind of like forming new habits. If you try to start a whole bunch of new habits all at once, you're not going to make much progress. But if you focus on one thing at a time, you can make incremental improvement, and eventually it will become second nature. The more 'second nature' tools you have in your musical arsenal, the better a musician you will be.

[@andrecheng1612]

🤘👍

[@TheSeeking2know]

It's the automation of the specific skills (embodied) after you’ve drilled them into subconscious habits that make them available to you on demand. Like you said, this applies to any relatively complex activity.

[@david_holter]

One of the best videos I’ve seen on sight reading! Thanks Nahre, love your channel!

[@sravanmutyala8154]

Hi Nahre, just wanted to ask if you could make a video on how you maintain your instruments, could be on how you clean your keys or good practices on an acoustic instrument, etc. since I’ve seen you play on both digital and acoustic pianos. This would be very beneficial to know from your perspective. Having said that, your videos are the best. Keep them coming! 😊🤍

[@aliensporebomb]

As someone who always seems to get dyslexic at reading music some of your tips are brilliant at keeping my mind on the task. Bought your book. Now to print it out!

[@DouggieDinosaur]

Nahre, your musical choices for this video have inspired me as a sight reader - I began piano at 43 and can now sight read pretty decently. I've never heard these pieces before but they're very beautiful. Though I truly enjoy sight-reading at my current level (3), I'm now very inspired to sight-read at your level !! "Hmmmm . . . what magic spell shall I cast this afternoon? Gershwin!" 🧙✨What an amazing skill to have 😄👍

[@tomguarente]

Whaaat that key signature trick is a game changer ! Thanks Nahre! 😊

[@fran6b]

I'm a big fan of how you organize ideas and think about music, so I just buy your book without any hesitation! So exited to check it out!

[@scrubbingmonkeys2488]

What a great presentation. Thanks

[@doufufa]

#1 strategy for sightreading: lean in and squint

[@DanielSparta4]

Ngl this is the thing that helps me the most, my body is doing this automatically

[@PianoMatronNeeNee]

Great information! I’ve always struggled to remember ( self taught & new player at 54). This video helps! Many thanks from Miami

[@Stephen_Lafferty]

This is a great summary of what I try to teach my students once they have gained confidence in co-ordinating their hands to play simple melodies!

[@ZetaCarinae]

This is really helpful. Experts clump things into patterns - e.g. chess players will look a board and not see pieces, but constellations of pieces they have seen before. I find it easier to progress when I know in advance the sort of patterns to look for, and this video did this for sight reading. Thanks!

[@kwimms]

Yeah... IQ is pattern recognition... hello mister obvious.

[@angelob.1089]

I’ve been trying to improve my sight reading with Bach and some Bartok. I can usually cheat my way through with the melodic line, but I just hope for the best when it comes to rhythms and chords with weird intervals… so these tips are super helpful! Thanks!

[@ericj9011]

This helped confirm I was on the right track with quite a few techniques I was slowly figuring out myself in my 3-4 years of piano lessons/classes. I was always worried they were somehow going to prove to be bad habits so I tried to avoid them and force myself to read each note, which was slow and error prone. Wish my teachers had explained them as you did here.

[@julijanmartincevic1856]

Great video! i'm a piano teacher and i've been unconsciously teaching students these types of score reading techniques. it's interesting to see them systematized like this!

[@TheDriftingShadow1]

These visualizations are next level. What a fantastic way to explain things.

[@yuiii1193]

This is so damn cool and mind blowing✨ Beginner sight reader here, and you just made my piano experience much more fun as I applied your tips into practice over the past few days. Thank you so much!🥺

[@jonathanwing2780]

All great ideas! I used to be obsessed with reading every note in advance perfectly, but once I started relying more on seeing interval information at a glance, as long as I follow whatever accidentals there might be, then I pretty much can play the notes without thinking about it. Especially helpful when taking in entire chords (whether block or broken), scales, or familiar patterns. For example if I see a 16th note pattern starting on A, but observe every single note in the run is a third apart and back down, I can understand immediately this is likely a chord - and I could use other information to tell me what type of chord it is (major, minor, inverted, a chord fragment, etc.) Point is, I don’t have to stop to think “Ok so A… then C… then E…. Then G#…?” Instead, I see the first note on A and I see thirds - boom. Amaj7 chord (using my random example). Another thing that has really helped me is writing down music by hand. Just as we learn to read language as kids, we also learn to write - and I think these skills go hand in hand. Whether you write music by hand or in notation software, I think even just copying scores has a massive benefit in learning to read much, much faster.

[@reidflemingworldstoughestm1394]

0:10 I can't believe you threw a parametric function at us on the first day.

[@mybrainisshortcake]

I took lessons for about six years when I was a child, then I didn't touch a keyboard for 30 years. I have just resumed, and I am fortunate, I still remember how to read music and can basically sight read. I still found this video very useful, many of the concepts you mentioned, and the ways of thinking about things are similar to what I have been attempting. It's nice to kind of know it's "ok."

[@Elivagar666]

Great video Nahre! I'm a long time french horn player, but I started practicing piano a few months ago. It's been a ton of fun, but reading bass clef and treble clef simultaneously is really difficult for me. These tips should help. 🙃

[@FilippoBeckPeccoz]

Your videos are wonderful, thank you for the great work!

[@nagahatah]

sight reading tip that is actually useful!

[@brianhowe201]

This is really helpful. I have an astigmatism that blurs the lines and makes everything look messy and overlapping. It makes music hard to read and slows me down a lot. But I think I may be able to tell whether the notes are on a space or a line better than telling exactly which line they're on. I will definitely try this!

[@michaelmccrary5037]

FINALLY someone has explained how to do it! Just lean in and squint. Music teachers have been overcomplicating it for hundreds of years. Priceless. And I can't stop laughing. Thanks, Nahre.

[@wormfood83]

It's true. In fact, leaning in and squinting is the only way I can see the notes.

[@joshMCastillo]

That makes so mich sense, thank you for clearing so much

[@naktank]

Thank You for this. I love this kung fu. :) Btw. I've changed the tuning standard to 432 hz over 10 years ago. Massive change of everything in hearing sounds and music but also in the body. Thank You. All the best to You. 🙏

[@jacobbrandes9275]

Just bought your book I am super excited. I love the way you teach in your videos. I have always wanted to learn to read music (I play by ear) and I hope it can be the thing to finally teach me!

[@MrDGuitarJourney]

I love looking at your facial expression while sight-reading. Can really relate esp. for beginners. It's very authentic and learners can really feel what is happening during the process. Thanks, Nahre. I'm always a fan since you started this channel.

[@theodorelambert4851]

This video will be very useful for my pupils. Thank you to sharing this !

[@jonathonhunt935]

I love your work Nahre😊 Concepts and approaches to music become lucid. As simple as a pearl is profound. The work you put in prods me to keep reaching. 🙏

[@FairyNya]

the true easiest way that will stick is: practice, practice, and practice, with time you will just know how to read. I don't know when exactly I could just read well, it just happened. So practice, and it will happen eventually. I see some people giving up and just learning how to play pieces from those bars sliding down into the piano thing and that is just, well, making your life way harder than it has to be in the long run

[@fortepian338]

Thank you for this video. It provides an interesting perspective on the subject. In my beginner-level class, I focus on speeding up note-reading. I use flashcards and an Android app called Sight Reading Trainer to help my students improve. Once they become proficient at reading notes, I introduce similar techniques to the ones you mentioned in your video 😊

[@6chords1000songs]

I love how you illustrated the dominate beats in each measure with color. You should create an App that does that! It's a great way to visualize the piece! In copyright and design (invention) law, there's a type of copyright that is a letter of intent. You find a company that has a product you can improve upon - in this case an electronic sheet music reader - and you file a Letter of Intent to Copyright that basically informs the company you are going to copyright the feature. Then they cannot develop that feature and you can strike a deal with them to buy it from you. I have never looked at any electronic sheet music readers, but I see musicians like at piano bars using iPads to read. Maybe the iPad music readers needs that feature! It's a great idea. Everything is going electronic. Paper sheet music is almost a "thing of the past". On electronic devices, it would tell you the key (even transpose for you, if you wanted to change the key), and it would highlight each measure as it becomes the 'active' measure. So adding a muaic calculator that added note timings together from the start of the measure to find and highlight each beat within the measure would not be a difficult feature to create code for! Great idea!