Ableton Live Tutorial - How I Made a Sample Pack a Day for 30 Days = Ned Rush

[@scottfindley1345]

Ned: Good at Abes. Ive long searched for a 'master class' type series for advanced ableton stuff where the presenter isn't some complete joker and woefully unqualified to present such a video. Ive found my man! Wicked good stuff.

[@kaleidophon]

Tine comes from the pointy parts of a fork. In an electric piano, instead of strings, the hammers hit thin metal rods of increasing length (longer is lower in pitch) which are amplified with coil pick-ups. The rods are referred to as tines.

[@spaggio]

Came for the bleeps, stayed for the wawlawlas

[@mCKENIC]

That Rhodes stuff was a real eye opener and an absolute master class Ned! Thank you. When you flicked on stereo in the amp and cab - it was brain melting!

[@dhbehk5339]

The Rhodes sounds are perfect for a drumfunk dnb track 🥁

[@_senib_8114]

ds loops bring windowlicker vibes. I also really enjoy that since I have been following since Live 10 even though I don't have 12 yet I can make this translate to all the tricks you taught in previous versions. Dope!!

[@Fabermorrow]

This is amazing love the Rhodes sounds at the end.. some haunting, some beautiful some like old advertisements or boot up sounds for old consoles

[@beathaven303]

Brilliant use of the expression tool in the drum rack. Great idea!

[@MrKucknix]

First of all, thank you very much for this video. It's fantastic to watch you develop new ideas directly in the video. I have created 16 one shots like in the video. Is there a simple way to export them quickly? Which option should I choose? Sorry for the simple question, but I very rarely work with clip view. Thank you very much for your answer.

[@machinedrum]

you're the best ned

[@GLDNSCTN]

Thanks Nedder!

[@my4trackmachine]

Excellent!

[@LaPlant_Mastering]

Genius!

[@Uuuu-y8s]

You're dangerous for the music industry, Mr Rush :D

[@NullCreativityMusic]

Mad man Ned ❤‍🔥

[@RobertKgma]

i actually made a clip recorder M4L device specifically for this, not realising that I could I could have just set that preference for clip launching/rec 🤦🏻‍♂

[@xd-gm1mq]

You should make the ultimate final boss of generative music where its a very intrecate and overly complex project that generates a totally different whole song in just 1 button. Outros intros break sections etc. Maybe not different structually but the individual elements and sounds and like a different scale each time etc. Could be its own video series or dunno how long that kind of a thing would take to make. You could maybe even make some custom max devices for it or have a community thing where patreons can send you devices/effect chains

[@NedRush]

I did something similar back in 2016 rudenhs.bandcamp.com/album/unsubscribe

[@michaelfitzsimmons6273]

Miles would be proud of your electric piano abuse 😊 great processes here dude, you could totally apply this all just to generating midi as well. Would be mad to make prog stuff I reckon

[@ofootyeabicc201]

Mr Bill did a tutorial on how he multisampled his modular into individual clips in ableton for those who don’t have the most recent version of LIVE.

[@claytonlevibrown]

ableton sure has advanced in all these years. I just use ableton live intro for tracking a few tracks.

[@cooksoni.a]

A tine is the thing that makes the sound in a rhodes e piano i think

[@clownmoshpit2778]

what’s the due date for the stream?

[@the_only_acell]

Everyone just checked their phone 😂

[@HEI5T]

Sorry for asking but do i have to export every single sound manually or is there an option to export all percussion for an example

[@NedRush]

33:47

[@HEI5T]

@@NedRush Thank you i didn t catch that

[@HEI5T]

Also a tip for everybody you can use simple code to change all of the names at once if they came out messed up...

[@marcinw816]

I hope you live forever

[@hrvstmusic]

Type R = Rhodes W = Wurlitzer

[@StephaneSimeon]

Damn, you just dont know when to quit innovating do ya😂