Never Miss a Phrase Change Again - WCS Musicality

[@rachelharriscreative]

This is hands down the best I’ve ever seen this concept taught!!! 🔥

[@chrispugmire]

Best demo of this I've ever seen, thanks.

[@FilipedeBarrosDance]

An excellent tutorial! Lots of really interesting information and concepts 😊

[@RolfandKarin]

Thank you!

[@PrismaticState]

Excellent! Thank you so much!

[@thilo8841]

This is a great tutorial. 👍 thank you so much Guys 👏👌🥰

[@Usernamethisisit]

This was great!

[@samuelcariou3860]

thanks a lot for sharing this

[@RolfandKarin]

You're welcome!

[@stuartj1968]

Thank you. Love the shorts too. Subbed!

[@GFSwinger1693]

Actually, I have to disagree with you on the love for shorts. I really hate the shorts format and wish they would abandon that. entirely. Trying to navigate, stopping, replaying is a royal PITA. The standard YT format that allows playback speed adjustments and replaying to a particular spot especially if you are trying to undertsnd something is just vastly superior. Cheers!

[@komodospider]

Thank you for this fantastic video!

[@yugioh5ds209]

Great tutorial ! I made sure to bookmark it. So far as a begginer I won't try 9 counts patterns. I will just do a 6 count move then a 3 count pattern.

[@RolfandKarin]

Sure, you can always add it later once you master 6+3 ☺

[@yugioh5ds209]

@@RolfandKarin Yes I will ! I already bookmarked this video 😁

[@wallclap1]

Love this!! Thanks!!!

[@victorhong3466]

Thanks so much this was great! Do you have a 5-count pattern to hit the one when it is the leader's right hand connected to the follow's left hand?

[@_ashout]

I can't find the video you mentioned at the start "how to learn music structure the science of songs", where is it hosted?

[@RolfandKarin]

kzbin.info/www/bejne/e2LOqn2NmpqXZ5Y

[@GFSwinger1693]

Pure gold!

[@toutenunmot]

Phrasing -- what a game changer! Thanks for the great video. Does the count change if the accent note is the last note in the current ending phrase instead of the first note in the next starting phrase? I have seen songs that have both of those versions in the same song. Also this seems hards to predict but might not show that much since it only differs by one beat.

[@komodospider]

Hi! Do you have an example of such a song?

[@RachelleIrby]

This is my new favorite video ❤

[@dijonswing]

I've been waiting for this explanation for a long time. thanks ! xxxxx .... if you want to go in France in Burgundy , I can lend my house to you (free) why not for a workshop in wcs ?

[@Nat-yl9jr]

Great , thanks a lot

[@lionelhebert1280]

Can you please send me me the link for part 1 , thanks

[@LightsaberPanda]

You're site up and running yet? I'd totally subscribe to it!

[@RolfandKarin]

Hey John! Hehe not yet. We'll let you know when it is!

[@averymeiznerTheNewHomeGuyABQ]

Hi are you only trying to hit the 1 on the 5th phrase? Not the 3rd one?

[@RolfandKarin]

Hi. You can definitely hit both. But the 5th should be bigger than the 3rd. I refer to the third one as the 'midphrase' and the 5th as the phrase change. As a general rule, you can hit the midphrase a little bit smaller and with less of a build up, then hold it for 1 count. So hit 1, hold 2, then continue dancing on 3etc. For the phrase change you generally want a larger buildup + you want to hold the hit at least 4 counts (closer to 8 when dancing for a crowd. It t takes a while before the crowd starts cheering and you don't want to make them stop right away..). When I say hold I mean that you should not start dancing a new pattern.

[@averymeiznerTheNewHomeGuyABQ]

@@RolfandKarin Thanks. What do you think of the idea of having ways to lead up to the 5th 1. For example: 4 6's and a 9? 3 8's and a 9? Etc Etc? Or after you just his the 1 and then you grove for 8 and now you just have to make 25. 2 8's and a 9 or 3 sixes and a 7? (After the 8 count groove makes it 33. I'm asking this because I was going to take some lessons and practice these ideas but I am not sure if my insructor would think it's not too much math and then if its too complicated I'm spending a lot of $ but not really having a good strategy. I mean I like your approach but it leaves you vulnerable to being on the 4th 8 and having to think, OK do I need a 5,7,9 or 3? Where as if I plan into it, I know which hit I will use. And of course I am only referring to the strong hit on 33. Not 17.

[@RolfandKarin]

I get it, and I hear you. Eventually, you'll learn to catch the phrase change, but it takes time. Dancing within set structures can be fun in the short term because you might hit some phrase changes, but it's not a sustainable way to approach dance. So, it's better to avoid learning and sticking to a specific 32-count combination. It limits the dance and partner's creativity. Plus, not all music follows a 32-count structure, so it won't work for most songs. Flexibility is key. Improvisation allows for more enjoyable and creative dances. Instead of fixed patterns, focus on practicing counting music and recognizing the last 8 counts before the phrase change while dancing. At the very least, you only need patterns for 1 count, 3 counts, 5 counts, and 7 counts. If you have 9 counts, simply do another basic step, and you're left with 3 counts before the phrase change. By the way, another approach we've used when teaching this is to just stop your pattern when the phrase change happens. So whatever you're doing, just stop and dance in place. It can be useful if you struggle with counting. Good luck!

[@averymeiznerTheNewHomeGuyABQ]

@@RolfandKarin Thanks again. I'm in Albuuqerque NM. If you guys ever want to come out to do a workshop here I can get you right to the heads of all the swing clubs.

[@TheKekke69]

Toda raba