I'm in total awe. This is real "furia", this is angry, furious Mozart! BraviSSIMA!
@alexaldren1992 жыл бұрын
This is ABSOLUTELY AMAZING! Wow wow wow! The singing, the characterisation, the intensity! Mind-blowing!!! Brava, brava, brava!!
@sarab83602 жыл бұрын
The sheer balls to scream like that during the recitative. Incredible performance.
@nam25213 ай бұрын
so intense, abslolutely stunning, breathtaking. Absolutely the best ever
@blackappleseed Жыл бұрын
I’ll never ever forget her legendary Traviata in Hannover so many years ago. So good to see that she is still on the absolute top of her game. Unbelievable performance.
@TheJacrespo6 ай бұрын
This Electra reaching and sustaining the F# into a F#2 at the end outshining the Queen of the Night though her F6, is an unparalleled feat, never heard before and astonishingly impactful.
@tomihaa9 ай бұрын
that scream fits so unbelievably well !!! fantastic!!! should have been written there in the score
@porcinet1968 Жыл бұрын
OK to me this is the best sung and the best characterised version of this whole scene. this is is just amazing on all levels.
@porcinet1968 Жыл бұрын
also kudos to the fortepiano continuo: loved it.
@porcinet1968 Жыл бұрын
OMG adding a high C at the end - DIVA
@juliosoto8729 Жыл бұрын
She was truly amazing. But for comparison you should watch Carol Vaness doing the same scene from Glyderborne.
@porcinet1968 Жыл бұрын
@@juliosoto8729 Vaness is a very good singer but her movement and set of gestures is very much the way this character is usually acted by opera singers. What impresses me about Chevalier's performance is that it works with the sound completely off. This is the only performance I have ever seen of this which makes me believe and sympathise with Elektra in that moment, and also believe that this is the same character from the Sophocles or Euripides plays
@BurcuSoysev3 жыл бұрын
The best Elettra I’ve ever seen… I watched it with a big excitement and tears. Congratulations…💕
@jordimartinez4295 Жыл бұрын
I'm will remain in shock for a long time. Bravissima!!!!
@AlexOrozco-Social-Pariah Жыл бұрын
I can't believe she went to that finale after rolling on the floor... That is dedication.
@chatbud2 жыл бұрын
The ad lib. high C at the end is thrilling!
@marcocampus79432 жыл бұрын
Incredibile madness scene.
@williamparsons85352 жыл бұрын
I’m not a big fan of Peter Sellars, but this Eletra is ON FIRE! Both singing and acting are wonderful.
@porcinet1968 Жыл бұрын
i am quite a fan of his and I am happy to see his directing style has become more naturalistic. also an amazing coup de theatre to add that terrible scream just before "Ah non!" and then have the orchestra play it as if it was the rite of spring or indeed something out of Strauss's Elektra (this is the first time I have felt that the Elettra in Idomeneo is the same person as Strauss's Elektra and I can imagine what this wonderful soprano would do with that role).
@porcinet1968 Жыл бұрын
the timing and timbre of that scream and the outburst from the orchestra is so devastating - director and this amazing singer have watched something like this happen in real life but also it just follows the music that follows the text
@iliyakhramov4381 Жыл бұрын
Acting+Singing. This was masterfully done, for the ages. BRAVA, PrimaDonna.
@alexanderalexander3239 Жыл бұрын
It is very funny to read all those critics who are so rigid and not open for a new view on this scene. Opera doesn’t exist to have these “high” standards of 0,0000001% of population. Art is for everyone. And if people like this acting then why not? If she can give us emotions we need then why not? I am not a professional musician, but I am listen almost only to the opera 20 years from 38 years I lived and her scream fits here very well imho. Look for example how Agnes Baltsa screams Amneris when she sings with Domingo in Vienna. I can’t care less that Verdi didn’t write it this way, if it gives me goosebumps and make me want to cry because of compassion for Amneris’ pain.
@freshname4 ай бұрын
It is unparalleled. A rare feat.
@nam25213 жыл бұрын
Absolutely stunning. The best Elettra I've ever seen. So intense!
@virgilepellerin96612 жыл бұрын
the way i would have screamed at the end if i had been in the audience that night
@kastrafior14873 жыл бұрын
Phénoménal ! r e s p e c t !!!!
@marinegranier9070 Жыл бұрын
For those asking : Conductor : Teodor Currentzis Orchestra : Freiburg Barockorchester Mise en scène : Peter Sellars Decor : George Tsypin Place : Salzburg Year : 2019
@nicolasmichel72789 ай бұрын
Mais, c'est qui le chef ? C'est dingue, ce truc, d'un bout à l'autre ! Rien à jeter ! Toujours un bonheur à écouter !
@bettina_soprano5 жыл бұрын
Omg ...what a Performance ... that’s how it’s done 😍
@celiapierre33742 жыл бұрын
Une merveille! Magistral!!
@guglielmo.clarinetto2 жыл бұрын
Grandiosa!
@clarapinto752 Жыл бұрын
Fantástica cantora e actriz!
@bozocri2 жыл бұрын
splendide
@operaarchive25593 ай бұрын
She has made me speechless
@stefanovizioli3 жыл бұрын
meravigliosa
@yue_kongmezzo9708Ай бұрын
Bravo ❤❤❤
@user-PetrowskiyMaxim Жыл бұрын
real furies in her heart
@monicapacheco29042 жыл бұрын
Best Elletra ever!!!! 😱❤️
@hugoalvarez54773 жыл бұрын
WOW. Just WOW.
@amedeomarra8398 Жыл бұрын
Bravissima, è poco, anzi unica in questa interpretazione dell'Idomeneo.
@VK-sp4gv4 жыл бұрын
Very powerful, but why is Idamante wearing pyjamas?
@VK-sp4gv4 жыл бұрын
@Marieke de Koker OK, that makes sense.
@juanitoalimana31313 жыл бұрын
Unbelievably good Nicole Chevalier. She is called to do great things. She follows the famous version of Joan Sutherland, with exquisite agility, a general forte and the final accute. Very ugly his scream just before the aria. You can see the baton of Teodor Currentzis, on the one hand rich and chromatic, changing, seeks reliefs, on the other hand, very extravagant (those endless silences, etc.).
@tristanberger85002 жыл бұрын
Sutherland never screamed like that. Never. Her coloratura were always brilliant.
@juanitoalimana31312 жыл бұрын
@@tristanberger8500 ok bro
@anelsailaubay13454 жыл бұрын
Bravissimo
@emilijaminic4 жыл бұрын
Omg!!!! Bravissima!!! ❤️ Che emozione!
@Georgiancorner4 жыл бұрын
Seen hundredth time, still crying. ❤️
@nicolasmichel72782 жыл бұрын
Oh. My. God.
@ranggawiriantoputra51334 жыл бұрын
One of great Idomeneo!!!! Brava
@samanthaburkesoprano9 ай бұрын
Yes yes yeeeeessssss!!!! ❤❤❤❤❤
@jrosiner2 жыл бұрын
This is a Callas quality performance on stage !! Can you give details of the forces that participated ?
@radioazma24 күн бұрын
Ouch
@MrKregger694 жыл бұрын
This is now my favorite performance of this aria --- dazzling. And not since Sutherland have I heard anyone attempt the high C at the end. Amazing.
@guillote752 жыл бұрын
Any additional info about the orchestra, stage much appreciated. I´m impressed.
@tomihaa Жыл бұрын
wow
@juliejackson7584 жыл бұрын
Holy wow!! Show stopper!
@sergioamaya2276 Жыл бұрын
Elettra...que difícil aria...solo Edda Moser llego a la perfección vocal. Ella un 9.90...amazing Voice ❤
@davidgleba38322 жыл бұрын
What a pity to have such a wonderful performance marred by those ridiculously inappropriate and hideous costumes!
@aneashumm2034 жыл бұрын
AMAZING OMG!!!!!!!
@juliosoto87294 жыл бұрын
Wow! There was no scene stealing of any kind. That whole scene belongs to Elettra!
@melisayenal56264 жыл бұрын
❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️
@francescozh61693 жыл бұрын
Do you also have tutte nel cor vi sento?
@lmsubramaniam4 жыл бұрын
damn this production looks SO good
@viktorpulin8128 Жыл бұрын
I'm torn to pieces by this performance
@felhokek88154 жыл бұрын
Zseniális alakítás!
@clairebouyssou6022 Жыл бұрын
Why is Idomeneo wearing a pyjama?
@claudiozelaschi56724 жыл бұрын
fantastica
@Macart253 жыл бұрын
3:06 Beginning of the aria
@lucacarlorossi75432 жыл бұрын
Perché questi effettacci plateali in contrasto con l’astrattezza e la stilizzazione della musica?
@mavoisine34 жыл бұрын
THat high C was so beautiful but why so short?
@morvil733 жыл бұрын
Because she obviously has taste! ;-)
@mavoisine33 жыл бұрын
@@morvil73 Shut up you racist.
@morvil733 жыл бұрын
@@mavoisine3 Context? Or do you just throw “racist” out there for fun?
@jasonhurd43793 жыл бұрын
The C6 at the end of D'Oreste, d'Ajace, like the C6 at the close of Exsultate, jubilate, is not in Mozart's score, and like the one in the motet, has been added by singers wishing to show off their top notes rather than remaining faithful to the music written by the Salzburg genius. Elisabeth Wendling, the first Elettra, was also the singer for whom Mozart wrote the nearly impossible concert aria Sperai vicino il lido, which includes a sustained F6, so obviously C6 was a piece of cake for Mlle Wendling. Had Mozart wanted a C6 at the close of this scena, he'd have written one.
@jeanoliveira87092 жыл бұрын
@@jasonhurd4379 and ????? the opera audience is unbearable, she brought a contemporary Elettra, the time when singers stood still singing on the stage, afraid to open their mouths... 2021 the year we are friends.
@Abigayl19504 жыл бұрын
She's great but this direction is against the Singer and finally destroys the Voice . Listen at Leyla Gencer and Joan Suthetland and you immediately see the difference 🤔🧐
@francescozh61694 жыл бұрын
This one is much better!
@didierminard59895 жыл бұрын
Final note as Joan sutherland
@marcomicheletti9957 Жыл бұрын
5:46, p. 511
@didierminard59895 жыл бұрын
Yes Salzburg Peter sellars
@bettina_soprano5 жыл бұрын
Is this from the Salzburg festival ?
@leonardoiglesias23942 ай бұрын
A Wagner Vibrato….no, much too wide for Wagner too… They told dozens of years to instrumentalists, oh, dont make so much vibrato, this is Mozart!!! Grotesque classical music world. They wonder why so many people say: I dont like opera. Who can like this kind of singing? Why dont they hear the Sinatra vibrato and learn??
@enthusedtosing96554 жыл бұрын
The staging is horrid The borderline hoarse singing and some of the overthetopness are less than desirable Though the singer has a certain electric quality, has to be noted
@username457392 жыл бұрын
Mad suicidality is not under the top.
@username457392 жыл бұрын
"Though the singer has a certain electric quality" duh it's Elettra.
@nathaliesekatcheff834 Жыл бұрын
Insupportable à regarder …Tout est DÉJÀ écrit dans la musique .
@doGreatartistsgrowontrees2 жыл бұрын
This is ridiculously over the top acting. It is so obviously forced and applied upon that the characterization projects as caricature. Some will describe it as camp. She doesn’t have much of a voice either so, naturally, she has to ham it up. Another observation: This is how fragile voices will destroy fast. All the screaming, writhing and tumbling about and whatnot are not at all conducive to vocal health, let alone a memorable portrayal. More often than not, less is more.
@username457392 жыл бұрын
huh, looked authentic
@doGreatartistsgrowontrees2 жыл бұрын
@@username45739 All that writhing and throwing herself about looks authentic to you?!
@username457392 жыл бұрын
@@doGreatartistsgrowontrees Yes.
@doGreatartistsgrowontrees2 жыл бұрын
@@username45739 Fine, then. You and me, we must live on different planets.
@username457392 жыл бұрын
@@doGreatartistsgrowontrees yeah lol
@vassilissanakszynsky74393 жыл бұрын
Per essere brava è brava, ma cavolo!, è Mozart!!! Non si può cantare e interpretare Elettra come se fosse Santuzza!!! Qui ci sono effettacci che si trovano solo nel più becero verismo ( sia vocali che scenici)
@draganvidic20394 жыл бұрын
Great tension especially in her voice and body (theatre?) with a lot of squeezed and un-free singing in the recitative. Needs to work more with her voice especially to create a steady lower register with chestvoice. She’s after the beat in the end and manage to ”sing” a high C in the end. It’s not a very high note for a soprano. This is average singing but with more than necessary acting.
@aakis13454 жыл бұрын
And who are you if i may ask?
@draganvidic20394 жыл бұрын
Achi Akis It doesn’t really matter to you.
@aakis13454 жыл бұрын
@@draganvidic2039 oh no it does matter to me...i'd just like to know how qualified you are to judge in that way. Are you a voice teacher?
@draganvidic20394 жыл бұрын
Achi Akis I apparently know more than you do, that’s obvious. Btw many voice teachers nowadays are responsible for today’s standards as shown on this clip.
@aakis13454 жыл бұрын
@@draganvidic2039 i'll gladly repeat my question: who are you? Are you a singer? A teacher? Someone who is involved in the business of creating opera? Or are you a fan from the "outside" who grew up with recordings?
@tristanberger85002 жыл бұрын
That's not art, that's artificial. That's what happens when the director has nothing to do with the piece. No more Mozart style - she screams so that the staccati no longer come. The voice is on the edge the whole time. How boring.
@jeanoliveira87092 жыл бұрын
and who are you to say what is and what is not art?!