Nikolai Kapustin - Trio for Flute, Cello and Piano, Op. 86 (1998) [Score-Video]

[@JarmezGD]

This seems to have quite strong jazz influence, what a wonderful composition

[@chungyuetien2461]

3:42 How can Kapustin write something so dreamy? It is like music from a fantasy world.

[@OutbackBoy]

This is definitely in the top 50 of all Western art pieces composed in the last 30 years. It doesn't just demonstrate mastery of craft and form, but is rhythmically brilliant, melodically memorable and completely captivating.

[@arielorthmann4061]

💀

[@themobiusfunction]

​@@arielorthmann4061 yeah Kapustin is dead, so what

[@arielorthmann4061]

@@themobiusfunction phew thank god

[@cube4547]

THIS IS SO AMAZING I AM IN LOVE

[@cunite9263]

What a genius composer indeed! Perfect combination of flute,piano & cello with Kapustin's fantastic atonal harmony. Nobody does it like him!!

[@dhu2056]

This is the second best trio for flute, cello and piano that I've listened to!

[@tuyendan6140]

D. Hu So may I know your best trio piece for flute, cello, and piano? 🙂

[@dhu2056]

vox balaenae by george crumb

[@kurtloidhold7437]

@@dhu2056 ..

[@Lilaliba88]

@@dhu2056 NOOOO pls noooo just not thaaaat one😱😱😱

[@dawnweiss5468]

what is the first???

[@marioclavelllarrinaga1729]

Wonderful music!!!!!!! Korneev is a world-class maestro !! Bravo!!

[@tvndvne]

In love… ❤❤❤

[@humbertosoricardoso6935]

Maravilloso!!!

[@alphaOrderly]

7:15 2

[@gabrielbock5040]

gigantisch!

[@vivvpprof]

Oh my, Gospodin Niklai Girshevich really liked his bass here. Maybe a little too much…?

[@tvndvne]

04:55

[@背脂元帥]

12:57 Ⅲ

[@cube4547]

3:42

[@arielorthmann4061]

What a bad trio

[@GNGianopoulos]

Ummmm.....

[@rowyourboat5361]

another less known trio for this combination kzbin.info/www/bejne/iXiwi6Gel8l2n9k

[@SCRIABINIST]

Ehh, doesn't compare to this one

[@vivvpprof]

Actually I like it very much. It's a cross between Honegger, Szymanowski and Martinu, as far as I can tell. Ithink it'd benefit greatly if it were performed by humans actually, rather than notation software, although I can hear you spent much time regulating and fine-tuning dynamics and articulation. Nevertheless, there are some things in the "interpretation" which are just horrible computer no-nos, and they don't let the musicality shine through. Also, the ending is weird and abrupt, it looks like the piece was cut in half, with the other half missing.