No Straight Roads (Vs EVE) Swapping Sides at random (Test read description)

[@pastelangel7641]

I just realized in the boss battle both sides are symbolism that eve still loves Luke and that eve hates mayday you can tell by both sides I once more chaotic And the other side is calm

[@St4rryTV]

Yeah, NSR does a great job portraying things using music in the battles, it's actually the case will ALL of the boss fights, but most prominently EvE and YINU. DJSS - At each phase, the melody always starts at Base, symbolising how he always makes himself the centre of attention, as well as how he pushes EDM (NSR) to the backing in Phase 2 right as he mentions that NSR may end but he will not. SAYU - The music becomes more vaporwave as more components get destroyed, as more components get destroyed, the more relaxed the fight and the music becomes. YINU - The music changes with who's taking the stage, Base when it's YINU, Rock when it's B2J, EDM when it's YINU's mother, the EDM version has muffled piano, symbolising the mother taking the stage over YINU. 1010 - The backing instruments represent 1010, the backing changes to rock in late phase 2, the lead instrument resembles Neon. J. The EDM version plays in Phase 3, this is the part where everything is uncontrolled, 1010's shields stuck turned on. EvE - It plays much more aggressive and jabby instrumental with her feelings towards Mayday, and a smooth but overbearing and slightly disorienting Base with her "obsession" clinging onto Zuke. Tatiana - At first, the music is always locked on EDM. As Tatiana loses more control, more of the track locks on rock. She breaks out in Phase 4, and the instrumental is locked on rock.

[@WannabeWryter]

Yes, it's that very symbolism that makes me love this game and this song.

[@margaretlee2571]

i love the chaotic side better

[@st4rrytun3s67]

Later today, I'll try uploading vs Eve Phase 1 melody replaced with mayday's solo. I'd like to mention, some of the videos i've made and are making are just audio taken from other videos mashed in a way that some people would want. I don't have much expertice with this which is why some transitions are really bad. The video purpose is just to help the people who would like to hear a specific part.

[@BBWahoo]

You've done great!

[@foko3036]

you do NOT know how long i wanted someone to attempt this, thank you kindly.

[@DelusionalMinds808]

Not to mention perfectly try to blend the other tracks and try do a proper transition between Rock/EDM/Base. This is the only attempt I seen that did it this smooth.

[@MadGamer55100]

This swap mix really does add to the track. It's just such a big impact, and almost overwhelming in a good way. Honestly, I just can't come up with the right words to describe this. I know my comment is super late, but I've gone and come back to this for months now. Good work!

[@juice_lime5114]

The most confusing track out of all. It's like getting stuck between two opposites. It's quite funny that the parts I feel most uncomfortable with, are unsurprisingly those for Zuke from phase 2-3. It's like you know which side is more real or justified. The resentment and envy towards Mayday is raw and you can feel it. The feelings towards Zuke gives you a sense that something is off. Interestingly, the full rock versions sound the calmest for all the phases.

[@BonusDuckie]

This is so cool!!!! You could try to slip in some parts of mayday or zuke's solo guitar/drum (which they play when you transform an object) to really hit home.

[@St4rryTV]

Thank you but something has happened with this channel, so I won't be able to post anything on it until I can get it fixed, whenever that time comes, I'll have a lot of videos ready, I'll keep your suggestion in mind!

[@BonusDuckie]

@@St4rryTV No problem, i hope everything goes well! Stay positive, reach for the stars!

[@pedronova100]

This is awesome

[@st4rrytun3s67]

Thank you!

[@sky4548]

Love this! God bless you! :D

[@rafoxas9024]

What a nice job