It's terrific to hear someone speak so poetically about Bach. Very interesting video. Thanks
@Zakarum42012 жыл бұрын
It's very captivating to hear someone speak so passionately about something they love.
@CRAEager12 жыл бұрын
His rendition of #25 was superb: it demanded my undivided attention; sucked me in to a vortex of contrapuntal bliss. He should record it.
@BachFlip2 жыл бұрын
That breath after he finishes variation 25 says it all really.... this movement really does hit deep, does it not? Incredible writing!
@muzeinview084 жыл бұрын
Thank you, Mr. Denk, for this insightful and personal outlook on this gorgeous music!
@impulsesystems3 жыл бұрын
"The Goldbergs are a desert of happiness with oases of sadness: we drink thirstily at all-too-rare darkness." from the NPR blog post. There is nothing to hate and much to love!
@stelun564 жыл бұрын
Bach has become an overwhelming part of my life as I move into the latter years of my life. This is compulsive viewing. Thank you so much for this intelligent analysis.
@johnk81744 жыл бұрын
me too.
@iama85374 жыл бұрын
Me too!
@bealreadyhappy3 жыл бұрын
How wonderful! How wonderful and mysteriously how what your fingers play just happens!
@lovemovement88087 жыл бұрын
18 is definitely one of my favorites too and it's one that I can actually play quite well and it is so fun to play
@WoodaPeople11 жыл бұрын
I recently started learning # 18. I am in love. So simple and sweet. But there is something about the way the moving lines intertwine; this sort of rising and falling into themselves. It's something I don't think I'd be aware of just through listening; but in feeling what's required of my fingers.
@jasonnewyork111 жыл бұрын
Well, now I want to hear him play the full versions of both of those!
@annjeanmillikan2 жыл бұрын
Marvelous playing and with life and beautiful touch/expression. Someone just recommended Jeremy Denk this morning and I am thrilled with this great suggestion!
@kevoinitch1 Жыл бұрын
The metalanguage used to describe the very nuances of these variations is very illuminating. My many thanks going out to you!
@lettersquash3 ай бұрын
Great analysis of #25. It seemed incomprehensible when I first heard it (played by Glenn Gould, monumentally slowly), and then I gradually fell under its spell. I'm just learning it. Bach surprises and shocks and teases in much of his music, but this must be one of the most excruciating torments he ever devised, with the restlessness of repeated false arrivals, on and on, like climbing mountains with false summits, until the last section where we succumb to the inevitable gravity and tumble in slo-mo back down to the bottom.
@bachplayer1311 жыл бұрын
Bravo and many thanks for such enlightened and passionate insights am loving all of these Goldberg discussion by denk wuld luv to hear him speak about partitas and suites of Bach wtc etc
@StephenFasseroMusic2 жыл бұрын
Such a craftsman of sound! A truly engaging explanation.
@daviddemers909310 жыл бұрын
Thank you Jeremy. Your musicianship is inspiring. I wish I had your talent and I also wish I'd been pushed by parents years ago. Alas! At least I can appreciate good music - chamber particularly but also orchestral. Hope to shake your hand at Tanglewood soon. David Demers (Your cd French Impressions with Joshua is extraordinary).
@russellgrant15354 жыл бұрын
At first, I didn't like his recording of the Goldbergs. I was wrong. These recordings are unbelievably thoughtful. This guy is all up in JS Bach's head.
@lucasignis865810 жыл бұрын
Love variation 18. \o/
@buellwinkle6911 жыл бұрын
Jeremy you have the magic without the madness of our old Bach favorite Glenn Gould.. keep up the good work...
@edwardcone68606 ай бұрын
Gorgeous, Mr. Dent -- hitting many nails on the head !
@PoetlaureateNFDL12 жыл бұрын
Fantastic music!
@ishan62416 ай бұрын
Very good commentary thank you
@radiokid211 жыл бұрын
Just when I thought Bach couldn't be anymore amazing! This sounds like Wagner or even Schoenberg 100 years later.
@neonneooneeon39605 ай бұрын
Your var.25 is so deep and touching! I would say Gould is really not good at playing var. 25-like movement, for something he lacks in nature, although I enjoy his energetic side.
@klavieru66323 жыл бұрын
Thank you so much for this !!!
@merdufer12 жыл бұрын
Why oh why did I learn to play the guitar instead of the piano.
@pascaloboth94594 жыл бұрын
I hear adagio.. Don't play it so fast you jack😀. Humor added to such delicacy!👌
@brugelxencerf8 жыл бұрын
Why are 18 and 25 so popular? Because they were both featured in Glenn Gould "Slaughter house 5 movie
@error.4188 жыл бұрын
+K- Jay And why were they featured in the movie? And why were they popular before the movie?
@brugelxencerf8 жыл бұрын
You should have asked Glenn Gould that before he passed away. It was his decision
@error.4188 жыл бұрын
K- Jay Just saying that what you claim is the reason is not /the/ reason.
@brugelxencerf8 жыл бұрын
far out, douche
@error.4188 жыл бұрын
K- Jay Lol, that went from zero to butthurt pretty fast, nice. That doesn't stop you from being wrong, though.
@WhiteMaskPianist11 жыл бұрын
Guitar is also great! :)
@klarakrok2 жыл бұрын
Food for the soul
@ratzlp0li9 жыл бұрын
jeremy dank le master trol xD
@brugelxencerf12 жыл бұрын
I think the reason #18 is so popular is bc Glenn Gould used it in the sound track to Slaughterhouse FIve
@jkim72729 жыл бұрын
TED MOSBY!!!
@yzubirt4 ай бұрын
❤👏👏👏👏👏✨
@louishaddad23037 жыл бұрын
😊
@sanjosemike31375 жыл бұрын
One has to WONDER where Bach got his shocking chromaticism. I am not aware of any other composer Bach was aware of who might have pointed in this direction. I once heard of a motet composer, whose name escapes me who also did this. Sanjosemike (no longer in CA)
@maidenmilkcrate9145 жыл бұрын
Carlo Gesualdo?
@aeopmusic10 жыл бұрын
Can you comment on my performance of No. 18? posted on my page. I really like the Gould staccato style, which most performers don't use so much. For me it makes the piece twice as fun to hear and play. It makes it sound very regal in some parts- like a popping trumpet. The video is a bit old, and I've worked a lot lately on my dynamics, and a few tempo variations.
@bearmouse100010 жыл бұрын
Its not staccato, its called portamente. And yes, it brings the voices in Bach to light. But i don't think this man really understands this, as his Bach does not sound very clear as Gould's does. I think he's simply copying Gould's way of how he would talk about a piece and then play certain amounts of it. Very staged.
@cmreillythegreat10 жыл бұрын
Derik von Soltanjan You know, people on youtube are a really unfortunate combination of stupid and mean. This comment is a perfect example.
@RealShinyDummy9 жыл бұрын
max reilly Wait, by "this comment" do you mean your comment?
@cmreillythegreat9 жыл бұрын
Zaq Pariah , no. I was referring to derik's comment condemning the performance and opinions of a world renowned concert artist. My apologies if that was not clear.
@RealShinyDummy9 жыл бұрын
Blorp.
@bearmouse100010 жыл бұрын
This guy is clearly not mad yet, or perhaps his 'genius' is not real. Because with genius comes a certain amount of madness. We see this with Bach, Mozart, Beethoven, Gould. Either way, nicely played.
@quinto3410 жыл бұрын
Haydn was a genius ..
@franklyvulgar110 жыл бұрын
Thanks Jeremy- just bought your Goldberg off iTunes