Nusrat Fateh Ali Khan - Phiroon Dhoond Tha Maikadah Tauba Tauba part 3/3

Nusrat fateh Ali Khan Phiroon Dhoond Tha Maikadah Tauba Tauba part 3/3

[@ayoubsabery]

Har ik mord par ik neiy maat khaei rahi dil ki dil mein zubaan tak na ayei kiye hein kuch aeisey karam dostoon nein k ab dushmanoo ki zarorat nein he hazaroo tamannayein hoti hein dil mein hamari tu bas ik tammnna yahi he muje ik dafa apna keh kar pukarooo bas iss ke siwaa koi hasrat nein he (Nusrat sahib great)

[@basirsiddiqui3750]

nusrat sahab to.hamare dil mai baste h....aallha nusrat sahab jannat mai.aaala.makam.aata farmaye

[@omarkhant610]

ager tum kaho to mai khud ko bhula do TUMHAY BHOOL JANAY KI TAQAT NAHEE HAI

[@sleepyeyesofdeath]

The Raag is intrinsic to qawwali, it evokes moods, affectations, and imagery in harmony with the lyrics, it is almost another language in itself - and Nusrat is the Master. However I do agree that the other party members shouldn't solo so much, rather not at all, and their repeated interruptions often break the flow of this and other qawwalies, sometimes quite obviously to Khan-Sahibs annoyance

[@danidildajani]

AweSome..

[@basirsiddiqui3750]

zabardast

[@shakeelch7977]

kamal k lyrics hain yr :)

[@shareefahmadshareef6086]

Ok

[@TheRavlicious]

I want to know who wrote this ghazal.. The words are so heart touching.

[@omarkhant610]

as sleepy said raag is another language. if u get into it and understand it . dude trust me lol ,, if u dont enjoy that ur missing 50 % of his music .. no offence

[@AshokBhatnagar007]

@blog3000 Nusrat Saab uses Raag because he wants to performe traditional way of Qawwali. Amir Khusro did not start Qawwali with just words but with more of a musical approach. The solos of the vocalists depends on their voice quality; of all of the numerous and harmoniums that performed in the party, Rehmat Ali is my favorite. I do not want to cause offence but Rahat Ali's piercing femenine voice is very disturbing for qawwali and has lost the respect that Nusrat has put into qawwali.