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"HOUSE OF THE DEAD" -- SEASON (2) EPISODE (37). June 7 1960.
COMMENTARY (spoilers alert): Many "One Step Beyond" episodes are constructed so tightly and move so swiftly that one emerges from a viewing with a sense of breathlessness. "House of the Dead" is just such an installment, filled with engaging characters and built on a "time limit" and a "needle in a haystack search" that foster a true sense of urgency.
"House of the Dead" is erected with an eye towards generating suspense. John Newland's opening narration establishes that in "Hong Kong, all things are possible . . . and nothing is what it seems", hinting at that common "One Step Beyond" trope: that "ethnics" (Indians in "The Riddle," Gypsies in "Gypsy," Native Americans in "Night of Decision", et al) have a more well-rounded view of life and the universe; and that the white man is hampered by his traditional, Christian, Euclidian view of the world.
After setting up that thesis, the episode establishes a few points. Firstly, Lt. Fraser is due to be shipped out of the county in a short amount of time. Secondly, he is in love with Mai Ling, a beautiful girl who gains the audience's sympathy instantly. She is so sweet and kind a character that one understands immediately why Fraser loves her. Then Mai Ling disappears and Fraser is forced (with only two hours left in the country before being shipped out) to undertake a search through the vast city that "only a man in love would ever attempt." The love relationship thus established (and threatened), the viewer is invested in Harry's mission, aware of his imminent departure, and therefore behind him all the way as he fights the odds to find Mai Ling.
Often it is illuminating to see how a writer stacks the deck in his favor, balancing one story element against the other to create a viewer's identification with the material. By making Mai Ling sympathetic (she is afraid that her ethnicity is a problem for Harry), by creating a "deadline" (Harry's departure from Hong Kong), by putting up an impossible obstacle (a search of all the Houses of the Dead in Hong Kong), Don Mankiewicz constructs a story so tight, so compelling, that viewers are completely engaged by the time that the paranormal enters the picture in the form of a "ghost cabbie" who leads Harry to Mai Ling.
And what is one to make of the fact that a man can be in two places in the same instant of time, as the cabbie directs Harry to his lover and simultaneously lays dying in a House of the Dead, tended to by the lovely Mai Ling (?) Though bilocation and the OBE are possibilities, one senses this episode may have been trying to grapple with a slightly different experience: the NDE (Near Death Experience). The screenplay establishes that the cabbie is at the final transition between existence and non-existence, hoping to conduct a last act of grace before he finds his destiny in the afterlife.
This certainly sounds like a Near Death Experience, although most NDEs feature visions of the afterlife (and common elements like a tunnel of light, a feeling of peace and serenity, a meeting with friendly faces from life who have already "passed on"), not some attempt at redemption in this life. Perhaps the occurrence in "House of the Dead" is merely an OBE-like journey that occurs near the time of death. Whatever one calls it, it allows for a triumphant reunion and a happy ending, so one can be grateful for It.
The other "psychic" component of "House of the Dead" involves the blind street prophet who is able to (in a very general sense) determine Mai Ling's location. This seer draws sketchings with a stick and his grandson then traces over his drawings, which inevitably reveal something of great importance. How to explain the prophet's powers (?) Well, he could simply be a good guesser, since there are apparently dozens if not hundreds of Houses of the Dead in Hong Kong. This is rather reminiscent of a psychic who determines "telepathically" that a corpse has been buried near a "body of water." It is so general an answer that it will inevitably be interpreted as "correct." Bodies of water are frequent, and how does one "quantify" close (?) A mile, two miles (?) Thirty miles (?)
On the other hand: one can assume that the Prophet's powers in "House of the Dead" are real if one accepts that old chestnut that one who has lost an important sense (such as sight) develops other radar (such as telepathy). A great episode (and an involving love story), "House of the Dead" is notable also for an early performance by James Hong. This is the Asian actor who has appeared in films such as "Blade Runner" (1982), and TV series such as "Hawaii Five-O" and "Kung Fu" . . .
From John Kenneth Muir's definitive book "An Analytical Guide to Television's One Step Beyond": • ▶ "One Step Beyond" Ba...