Pentatonic Voicings on Giant Steps

[@paulward1586]

Open Studio is THE BOMB.

[@federicogasparinicomposer]

Thank you so much ! it felt so good to practice this

[@rockstarjazzcat]

Count me in! 🤙🏼

[@miyahuatotol]

It is so great!

[@francisrichard5282]

You’re the best Adam!

[@cynthiastory8603]

Thanks Adam, you're a good teacher 🎵🎹🎵🎹🎵🎹🎵👏👏👏🙂👋👋👋from Kingsville, Ohio

[@effsixteenblock50]

It works for soloing too!

[@nickrees4706]

I tip my hat to yours, which is at a jaunty angle 👍🏼

[@robbes7rh]

Can't go wrong with voicings. And they give this tune from 1959 a little contemporary spice a la Jimmy Jam (IMO) which sounds quite cool.

[@davidrumpler5528]

Thank you! So beautiful! So is the download pdf correct now?

[@min8882]

If we have m7b5 chord..which pentatonic is useful? Gracias 👍🎶🎵

[@jeremiecoquillart322]

Why don't you use minor 6 pentatonic scale a fifth above for dominant 7 chords ? You will have the second, third, fifth, sixth and the seventh of the chord.

[@tbonealex]

Depending on the top note, you’ll get a minor 9th interval in some of the voicings which can be a little problematic.

[@srantoma4869]

Bbmsj7? you mean Bmaj7 6:36

[@davidrumpler5528]

In measure 4 of “staying close”, you said the pentatonic is C for both chords. Why is there an F# on the D7? it does sound good

[@tbonealex]

Sus-ing it out. The fourth replaces the third.

[@poplarboydavid]

Southern England

[@embodiedconducting]

The sus chords work to some degree, but the resulting effect minimzes the tonal gravity between maj 7 chords. That is, of course, what sus chords often do.

[@phly23]

Thanks Adam, Dude…..

[@juwonnnnn]

👌

[@johnjunior4642]

United Kingdom