Oppenheimer's Ludwig Göransson Breaks Down His Composing Career | Awards Tour Podcast

On our premiere episode, host Jacqueline Coley sits down with the virtuosic composer Ludwig Göransson to discuss his filmography and inspirations, from his humble days back in Sweden to Hollywood's biggest productions. Shot in-person at his studio in LA, the Oscar winner chronicles his awards-winning compositions for Star Wars: The Mandalorian and Ryan Coogler's Black Panther, his chart-topping work with the likes of Adele and Rihanna, as well as his latest effort reteaming with famed director Christopher Nolan for Oppenheimer.
► Listen to the full podcast here: editorial.rottentomatoes.com/...
RT Awards Editor Jacqueline Coley hosts an in-depth interview podcast which chronicles all the awards show happenings and contenders through the season as well as the cultural and historic significance of every lens, line, lyric, and costume on screen. Tune in to hear first-hand accounts of film festivals debuts, red-carpet premieres, and tastemaker screenings; alongside intimate career spanning conversations with the creatives and craftspeople of award-worthy cinema and television.
Subscribe and click the bell to be notified of all your favorite movie scenes: bit.ly/2CZa490
► Shop Rotten Tomatoes: bit.ly/3m2xK43
Watch More:
► Rotten Tomatoes Originals: bit.ly/2D3sipV
► Fresh New Clips: bit.ly/3mJePrv
► Hot New Trailers: bit.ly/2qThrsF
► New TV This Week: bit.ly/2Cq3wzc
Rotten Tomatoes MOVIECLIPS is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films.

[@NATTURALIE]

So Good

[@ScottSullivanTV]

I hate how she answers her own questions then Ludwig is stuck answering "yes" or "no".

[@dake9759]

I thought him to be older for some reason

[@ChoatMusic]

In my opinion not really a skilled interviewer it is less interesting when an interviewer asks you a questions, then gives a multiple choice answer to the person they're interviewing. Study Oprah Winfrey a master at interviewing people. Look at the expressions of Ludwig on some of the questions. He's a great talent it's nice to see an interview about the interviewer not very good. Study Oprah

[@thebigcj517]

This guy like alan wake 2

[@NamHoang-qh6sd]

Lol

[@Runner862]

As an interviewer she talks to much

[@maxdavid2119]

The soundtrack had all the subtlety of a pack of howler monkeys going nuts in a china shop. A full blown orchestra blaring over seven men having a conversation was ridiculous, and reeked of artistic excess. Take a page out of Maurice Jarre's book.

[@sherwoodd1]

I agree it was over the top and distracting

[@user-dc3rn9ey5e]

The Oppenheimer score was way too loud, like it was composed by Nigel Tufnell. It reminded me of a Speilberg film where 1,000 violins break out like a sentimental A-Bomb and the camera zooms in on an actor swooning with emotion. Some directors and composers feel the need to shove emotions in people's faces, like they're too stupid to know what's going on. Oppenheimer without a soundtrack would have been better.

[@roy_gaming5801]

Yeah bud....yeah, sure. 😒

[@sherwoodd1]

I thought his score of Oppenheimer was average compared to Hans

[@sandeepdas3526]

Bad taste.

[@daveyjones.]

Nah he's right. Zimmer was on another level with Interstellar. More original and more powerful. Göransson is amazing when you consider his age, but his work is forgettable for the most part. @@sandeepdas3526

[@moviesbyemilio]

Nope, you are nitpicking and biased, I win, bye bye!

[@vincem3393]

Compared to Hans? Did Hans make one?…😂

[@maxdavid2119]

It distracted from the movie.