ORPHEE ET EURYDICE (Gluck) | Roberto Alagna - Serena Gamberoni - Bologna 2008 (Full - Complet)

[@Nabegat]

Magnifique Roberto qui nous fait partager la souffrance d’Orphée par son sens dramatique et la beauté de sa voix. C’est vraiment un ténor exceptionnel que je ne me lasse jamais d’écouter ! J’aime beaucoup la représentation des Enfers très spectaculaire que nous propose David Alagna…

[@НатальяБаринова-ш6ы]

Спасибо за прекрасную постановку! Аланья -гениальный певец и актёр. Потрясающий ансамбль с Исполнительницей роли Эвридики! Браво! 👏👏👏🎉🎉🎉♥🌹🔥

[@christophesingio9801]

Extraordinaire !!!!!! Terrifiant.

[@martinegodret4639]

Merci pour ce tragique spectacle qui demande beaucoup à Orphée

[@jobatridente2638]

..., QUE BELA VERSÃO!!!! GRATO POR COMPARTILHAR!!!

[@menabarata]

Divino.

[@hamidiyeasfalturetimtesisi129]

TEŞEKKÜR EDERİM YAYINLADIĞINIZ İÇİN.

[@franciscojoseriverapinedo119]

Impactante, maravilloso.

[@macrocosmique]

C'est agréable de comprendre toutes les paroles chantées par Alagna

[@mariann1982]

Thank you a lot for sharing this video!

[@levi1458]

Do u know how to speak french like meh?? This song is in french i saw this in class lol

[@marja011]

Gamberoni bravissima e Algna è proprio grande!

[@hans895]

What an incredible Performance,wow

[@МаксимЛесковец-щ1с]

Великолепно! Браво!

[@thegigi4109]

What a beautiful take on Gluck's masterpiece! I don't even like 18th century opera except for Mozart, but this is so moving!

[@fiumesimonini6169]

Bravísimo!!! Me encantó

[@svetlanaermolaeva305]

Каждый раз плачу. Очень трагично

[@Динатуркестан]

Genial!!!!!❤❤❤

[@sallyh3902]

Fan from Taiwan! Thank you so much for showing this!

[@jamydelpias]

Sublissime 🙏🌹 Le Dieu des Amours, va nous réunir pour toujours 🙏

[@Heart_and_Soul]

⚜ THANK YOU FOR THE LINK. ⚜🕊

[@bognarfoldiagnes8698]

Thank you, it was wonderful!!!

[@Blackkarina7]

Невероятно прекрасная работа!!!

[@MaestroWenarto]

wowwwwwwwwwwwwwwww thank you

[@Alexander12413]

Большое Спасибо за роскошное видео с прекрасным звуком!!!

[@yousoupof]

Orphée et Eurydice1 (titre original en italien Orfeo ed Euridice) est le trentième et plus célèbre opéra de Christoph Willibald Gluck. Il s'agit d'une azione teatrale per musica, ou, selon les indications de la version française, d'une tragédie opéra (drame héroïque) en trois actes. Il raconte le mythe grec d'Orphée et Eurydice. C'est à l'occasion de cet opéra qu'est créé le poste de harpe au sein de l'orchestre de l'Opéra de Paris (alors Académie royale de musique)

[@levi1458]

J vue sa en classe :D

[@GoldenxSunshine]

Wonderful, truly marvelous!

[@martinbennett2228]

What version is this? It seems to be a new arrangement.

[@robertodeiana3816]

Bello bello

[@Василиса-р5л]

Великий Аланья!!!!

[@freshden]

50:55 ❤

[@gabrielasobiesinska]

Interesting montage

[@hugoalvarez3915]

Interesting. Thanks for sharing. May I have more information on the musical version that this version follows? I see the score has been reordered. Why? According to which version of the score? Thank you.

[@rapunzeliha]

i wish it hd subtitles but wonderful sounding anyhow

[@aramragona618]

1:21:40 Che Faro Senza Euridice

[@michaelhandy4018]

Alagna is great. Don't mind a Baritone as Amore, it works. But what have they done to the score? Some really strange choices here. Cut the act 1 heroic closer (which is common but always disappointing), transposed everything down like third, far more so than the modest Simoneau-era reworks. Alagna is more than capable of singing the original 1774 tessitura since he's done the just as high and more demanding mid 19th century stuff.

[@LoveMusic-pd5iz]

Of course, this was live and in 2008...he was 45.

[@Ikkarson]

Roberto Alagna might be *physically* able to produce the high notes of the original tessitura, but he does not have *at all* the character of voice that was expected then, which is that of haute-contre (not to be confused with contre-tenor which is a falsettist voice). Haute contre is far lighter and less lyrical than what Alagna can achieve with his (then) amazing bel canto / tenore dramatico voice best suited for 19th-century opera. Remember that the French version had been Re-written by Gluck to avoid casting a castrato not available in France at the time, as was the lead role in his original “Orfeo ed Euridice”; therefore he did not intend a heavy dramatic voice such as Alagna’s. Transposing down was therefore the best artistic choice for the Alagna brothers to turn the opera into a very lyrical drama-a genre that had not been invented in the time of Gluck.

[@Simeulf]

Christina sent me here

[@elisabethaymeriegaraut2101]

J 'ai perdu mon euridice

[@dantesparda-b7c]

Gonzalez David Lopez William Hernandez Matthew

[@robertsentieys6234]

Oh la laaaa........... . . . . . . . Orphée n'est pas Cavalleria Rusticana !!!!!!!!!!!

[@macrocosmique]

C'est agréable de comprendre toutes les paroles chantées par Alagna