Pandit Shiv Kumar Sharma - Raga Bilaskhani Todi

[@DrKapoorKD]

Ustad Shaffat Ahmed Khan was my Tabla Teacher, He passed away too soon. He represented the Delhi Gharana and was one of the finest human beings. His passing was such a tragedy ! btw Pt Shivkumarji himself is a good Tabla Player, His sense of rhythm combined with his knowledge of music brings out the best in his performances. BTW I was fortunate to learn Santoor from Pt. Shivkumarji. An unbelievable teacher. MY PRANAM to the Late Ustad Shafat Ahmed Khan sahib and Pt. Shivkumarji.

[@sanjaysinha8887]

THE ONLY ONE . UNIQUE N UNPARALLELED PERSON CAN DISPLAY SUCH DEVINE N SPIRITUAL MUSIC. NAMAN🙏🙏🌹🌹

[@ranjitbhattacharji1360]

Once again I must pay my respect & gratitude to Late Ustad Bilas Khan Saheb.

[@Fall1976]

Thank you for this wonderful recording. It sounds like the late Ustad Shafaat Ahmed Khan is accompanying Panditji on the tabla.

[@associazionemusadistefanog2058]

YES. It is indeed late Ustad Shaafat Ahmed. I have the original CD reporting his name

[@SaradinduHalder-j9y]

Unbelievable

[@sanjaysinha8887]

DEVINE N MESMERIZING. JUST INCREDIBLE

[@anitamehta5803]

Om Shanti Pandit Ji 🙏🏻🙏🏻🙏🏻

[@manasroy7159]

Amazing performance brings mental peace

[@shrikantkelkar9869]

Really enthralling. Such a wounderfull performance

[@bashirrazvi8824]

Peaceful music. Excellent

[@npsahuja2714]

This gives the feeling of heaven

[@DrKapoorKD]

Excellent rendition by Pt Shiv kumar Sharmaji

[@siddheshmavalnkar3884]

Panditje ka sangeet yane adhyatma mai smadhi ka anubhav

[@niharulislam6344]

শ্রদ্ধা...

[@npsahuja2714]

sangeet takes us to heaven

[@prasannahegde15]

❤️❤️

[@prabhatmukherjee6049]

blissful

[@nationalemerald4054]

Simply great

[@DrSRanjanMBBSAcupuncturist]

8 am Morning Music .. Raag Bilaskhani Todi

[@premsingh-xv8cy]

Sur ka kam Kay bat ha

[@44migg]

SubhanAllah

[@associazionemusadistefanog2058]

Tabla accompaniment by late Ustad Shaafat Ahmed.

[@ashispaul4201]

God is nowhwre,but He is here,here,here

[@samsamy123]

48:20

[@Mizantropiciel]

sound quality is very bad here, try to listen orginal from CD...

[@ranjitbhattacharji1360]

YES TABLA PLAYER IS SHAFAAT AHMED KHAN.

[@ARINDAMMANDAL]

Can anyone please let me know who was the Tabla player? Just outstanding sangat.

[@reshijaved831]

Ustad Zakir hussain

[@shobha5624]

Late Ustad Shaafat Ahemad Khan

[@hp.ramesh]

It’s Ustad Shafat Ahmed Khan, a very close associate of maestro Shivkumar Sharma. Shivji told me that this is the first time that Shafatji played Matt Taal of 9 beats. What an incredible performance!

[@hp.ramesh]

This is a Chhanda Dhara recording and original studio recording has a far better audio quality. It’s sad that we upload recordings without mentioning anything about the copyright holder.

[@srimurtisrivastava4780]

Yes, Chhanda Dhara was established by Gopi and Shefali Nag in Stuttgart Germany in 1971 and it organised and recorded several live concerts which were released in LPs, CDs and Cassettes later on. Almost entire collection of Chhanda Dhara is a treasure and musical delight for Classical music aficionados.

[@shivkumarparashar7602]

s

[@reshijaved831]

Bilaskhani todi pe mazaq hai ye kash pt bhajan Sopori saheb ji hote toa jalwa alag hota

[@shreebhalerao1906]

It seems that you don't have the right mindset to listen to this kind of music...comparing artists of completely different styles is stupidity... You lack the ability to understand true and pure indian classical music

[@wmrajput]

I m sorry. Bilaskhani todi can not be played on an instrument like santor that has no meend

[@bivaskoley3749]

Mind blowing

[@bivaskoley3749]

Just playing and go to sleep as your choice

[@abhishekrajopadhye717]

well said...either vocals or sitar, sarod would do full justice to bilaskhani todi..but be careful not to tread the bhairavi way as it ruins the real mood of bilaskhani todi

[@rajadawn]

I had asked Pt. Sharma exactly this question directly during a SPIC MACAY programme at my college (Univ of Roorkee 1992) He avoided a direct answer saying it is too technical for others to understand. My understanding is that he creates an illusion of meend by playing both swaras at the same time and slowly changing the emphasis from one to the other. That gives an illusion of "meend"

[@associazionemusadistefanog2058]

Very interesting remark. But in same way it makes the interpretation on santoor still interesting and a great challenge.