Part 2--Choreography of the Hands: The Work of Dorothy Taubman

"No serious musician interested in the essential relationship between physical and artistic elements in performance can afford to ignore Dorothy Taubman's illuminating and revolutionary discoveries." -- Peter Takacs, Oberlin College Conservatory of Music

[@clarawalken1]

dorothys amazing! genious, cute, fun voice, gorgeous! they dont make em like that any more!

[@PDN11141]

Made me well up, stunning lessons, beautiful...

[@Freeknowledgefan]

It is one of the great regrets of my life that I didn't get to study with Ms. Taubman.

[@MrYakkforgottenpass]

the audio sucks so hard it's almost unbearable listening with headphones. But yeah, the good ol days, huh? It is a pedagogical gem nevertheless! Thank you almighty google-algorithms y3

[@EmilyOnMyMind]

Chopin, Mazurka, op. 24, no. 4, played by Yoheved Kaplinsky

[@brianbernstein3826]

NAPOLEON DYNAMITE 8:55

[@UndesirableUK]

I wonder what he's going to play today? Probably whatever he feels like, GOSH!

[@Musicantrix]

Only 4500 views? And 23 likes? People need to know better her work...

[@carlhopkinson]

Robert Schumann could have used the Taubman Approach before he messed up his 4th finger.

[@isabellebaumann6355]

does anyone else have problems with the sound of this video??

[@ji94552]

Tim Topham, it's Liszt-Paganini Etude No. 6.

[@PeterMaleitzke]

Check out 6:30 for a very valuable statement.

[@stitchyduck]

I had to repeat that segment literally dozens of times before I understood its application. It hit me so hard I'm amazed.

[@mrficho097]

What's the name of the piece at 3:05?

[@brandonwarweg3622]

Chopin mazurka no.24

[@pipillotta]

Please, what is she playing at 14:50?

[@MrD3eath]

pipillotta might be a bit late but it’s rach on pagini theme

[@bangryak]

Liszt-Paganini Etude No. 6 (based on Paganini's Caprice No. 24)