Patch from Scratch: Analog Feedback Loop in Eurorack (Cybernetic Music) | Simon Hutchinson

[@kimmy_future4265]

Reminds me of old early sci fi movies. They must have been doing something similar. Always loved those sounds.

[@SimonHutchinson]

Yes! Definitely! Good ears. So, there's little documentation about the specifics, but the soundtrack for "Forbidden Planet" by Bebe and Louis Barron was built from these kinds of cybernetic, feedback circuits (more here: en.wikipedia.org/wiki/Bebe_and_Louis_Barron). That said, also the spring reverb has that really old-school sci-fi sound!

[@kimmy_future4265]

@@SimonHutchinson Forbidden Planet is one of my faves! Krell music is fun stuff lol.

[@goddoggoddoggoddog]

Beautiful!

[@xcentricdiff]

Excellent! So I did an [osc~]*[rev3~] ring modulation feedback in Pd (similar to your 'Screaming Metal' example from 2022-05-16) The learning part: well, the response you illustrate at 2:01 doesn't happen in the digital world (well, duh! [0 * donuts = 0]). So question: is there a signal always bleeding out of the analog reverb such that the ring modulation is non-zero from the git-go? Quick addition: I primed the [rev3~] in my Pd patch with a short pulse and the feedback kicks in and works beautifully. Also, I then replaced the [osc~] with your "Bad Sine Wave" patch (2022-04-04) -- modulating the "badness" on that patch produces a nice subtle control over the feedback through the reverb. THANKS!

[@SimonHutchinson]

Very cool stuff! Analog doesn't necessary always have the signal bleeding, it's just that analog math is going to be different that digital. Like, it's analog, can I really promise that the "zero" is truly a zero? Or are little imperfections and resonances being introduced into the system somewhere. Anyway, sound like you've got some cool projects going on! Hope you're enjoying the sonic results!