The mosquito in my room at 2am trying to convincs me to let it live
@flickaJay5 ай бұрын
nose kazzoo? the voice is not all about resonance. Humming hard through closed lips and open teeth can really help you with power and dynamics. I think this drill is designed to help you get into head voice? Imma try it now!
@فلسفهعلموموسیقی7 ай бұрын
This was the nissing piece in my journey to be able to mix my M1 and M2. The only slight problem i have now is that the quality of both sounds differe a little when i go to a headier dominant sound....have to keep developing it. .❤
@azeleyes29366 ай бұрын
You can’t mix M1 and M2
@1000-flowers10 ай бұрын
Should I just sing behind the nose area above soft palate they the front? Or should I sing from the back of throat they the nose ?
@AcousticVocalPedagogy7 ай бұрын
Though you will likely get some frontal sensation, it is best if it feels like it originates further back, in the nasopharyngeal area, and, counterintuitively, a "warmer" version of the twangy timbre--in other words, don't drive the brightness forward into the nose. Go for pleasurable comfort and ease in the neck.
@JohnnyCool-r6w7 ай бұрын
Don’t follow her instructions who wants to sound nasal any way
@AcousticVocalPedagogy7 ай бұрын
If you read the notes below this, you will see that this is a training tool to get competent but easy vocal fold closure--definitely not intended for performance, unless you are doing a character voice. It was however used in training by Gigli, Tagliavini, and other wonderful Italian tenors who definitely didn't sound nasal in their normal singing, though sometimes used it in sotto voce as in this voice-over recording (he's not in the picture--the actor is, but he is using pharyngeally colored sotto voce--but wait until he crescendos out of it at "si m'ama" to see how it set him up for full voice). The folds tend to remember the easy closure when you return to normal timbre. kzbin.info/www/bejne/ipqTc2ydjtiCn7c