Photography and Taiwan: History and Practice (Symposium Day 3)

About the Symposium: The Scottish photographer John Thomson (1837-1921) traveled to Taiwan, taking pictures of the aboriginal people on the island in 1871. He included the photographs of Taiwan and its people in his 1898 book Through China: with a Camera. Thomson’s short stay in Taiwan was facilitated by European imperial advance to China as he had established his own studio in Hong Kong two years before the trip. It is also notable that his book was published three years after the island’s colonization by Japan. From 1895 to 1945, Japanese colonialism structured photographic practices and culture in Taiwan. Visualization of the indigenous people was a part of ethnographic and anthropological studies during the colonial period, while the Han Chinese opened studios in urban centers and went to Japan to learn the technology. The cold war hegemony played a crucial role in the postcolonial Taiwanese society, impacting photographic practices in various ways.
How did the Japanese photographers visualize Taiwan and its people during the colonial period? What have women photographers address in their photographic practices? How did Taiwanese photographers interact with postcolonial and the Cold War social changes through their works? What distinguishes Taiwanese photography from Chinese, and how do the two entities interact with and challenge each other? What colonial legacy has been continued and denounced in Taiwanese photographic scenes? Are there different ways of interpreting prominent photographers, including Deng Nan-Guang and Chang Chao-Tang?
Due to the COVID-19 pandemic, the symposium was held entirely online to accommodate a broader audience in Taiwan, the U.S., and other countries. In addition, due to the time difference between Taiwan and Arizona, the symposium was held for three days with only afternoon panels in Tucson, AZ (morning panels in Taiwan).
The symposium was delivered both in English and Chinese with interpreters.
About Day 3:
Panel 2: Taiwanese Photography in a Global Scene, moderated by Dr. Meg Jackson Fox, with panelists: Professor Shuxia Chen, Professor Jeehey Kim, Professor Olivier Krischer, and Art Critic Chia-Chi Chen
Special Session: Photographer Presentation - Chien-Chi Chang and Lulu Shur-Tzy Hou, moderated by Professor Hongjohn Lin
Roundtable, moderated by Professor Jeehey Kim, with Curator Abby Chen, and Curator Albert J.L. Huang
Closing remarks, with Dr. Rebecca Senf, Center for Creative Photography Chief Curator