Playing Outside - Peter Martin | 2 Minute Jazz

[@alexkoehler1845]

In less than 5 minutes you touched on upwards of 3 topics that I'm struggling with, and managed to explain them in a way that really helps me get a better understanding. Thanks, Peter!

[@WIUBenny35]

Yes!!! 🙌🏻🙌🏻🙌🏻

[@puterimaharani9345]

Wew wkwo2prr9oowoe8r dwiwieii22qwan oaq98r89o8w44

[@mathieuduprat7124]

Really?? 😂

[@songotenson]

👍

[@jameslockhart2223]

I love the sound of those outside triads with the added 4th - sweet and sour licks.

[@LisaMichele]

there's such a pleasantness to your playing and to your teaching! :)

[@mathieuduprat7124]

Why make it simple when you can confuse everyone 😢

[@Roman-ht7rx]

Outstanding series. Fantastic explanation and no unrelated garbage. It's probably the most effective 4 minutes I've seen

[@derycktrahair8108]

Thank you. When I hear 'outside' & get away with playing a few bars of it, I always think it's a fluke. You have explained why it works. It's good for confidence to know that there's some theory behind it & we trust our ears. Now there's even more stuff to practice. Your videos help a lot of players. Thanks again.

[@NikolayBine]

Peter that’s literally mind blowing. For a long period of time I was trying to understand how to shred over these pentatonic scales and sound more professional and now it’s done! Cause many different modern jazz pianists such as McCoy Tyner, Kenny Kirkland and many others use it a lot. So thank you!

[@AntKneeLeafEllipse]

Dude you are such a shredderrrr. Your harmonic language is literally off the charts.

[@robbob7383]

Great stuff Peter! I'd love to see how you go inside and out over a chord pattern, though. For example, when playing jazz standards where can we find opportunities to go outside the progression.

[@TonyWinston]

Great explanation and demonstration. You da man!

[@fabianfacchi8220]

Too fast too learn.... The same little slower and it will be perfect thank you

[@StephenAntKneeBk5]

The concept is elementary, but hearing it and using it with feeling takes time. We have the D Dorian Mode -- D, E, F, G, A, B, C. Then, he plays notes and chords not part of the scale. It lends an unexpected sound, a departure from the home tonic center (D Minor/Dorian Mode) and then a return home. It's an interesting exploration for the improviser and the listener. Perhaps try listening to some Polychords to hear some of the more "outside" sounds. Play a D Minor Triad and an E Major Triad at the same time and so on and on. :-) Good luck.

[@DovidM]

I agree. But I set the playback speed to 50% after watching the video at normal speed.

[@Photologistic]

DovidM - He sounds drunk at 50%, but the piano notes are still pretty quick. 🙂

[@garycitro1674]

The idea, of course, is that you go to the website and take one of the courses where they dissect it at your pace. Even shredders have to make a living, which ain't easy in the jazz world. But in truth there is enough free stuff from Open Studio and other talented teachers on You Tube, it can probably last a lifetime. I recommend a course with Open Studio though. I'm in one, but I still grab from all over.

[@tonyfarina1310]

You were able to help me make sense of solos I have enjoyed by Chick,Keith Jarrett,Herbie and many others.Thanks for opening the door to understanding this theory.

[@Jestunes]

Damn that was very cool. Wish I would have heard all this 50 years ago. I would have been a monster on any instrument. Thanks for sharing...

[@Mynelka]

I love playing outside , particularly on an 80F day with a light warm breeze by the ocean ...

[@EdgarMarcPetter]

Very funny, I didn't think of that!😁

[@deaconblues3964]

Damm son...that was amazing...reminds me of Chick Corea!!!!!

[@tomekp95]

The most significant factor of playing outside successfully is the spot on rhythm in my opinion, otherwise it sounds really wrong :D

[@johntrojan9653]

Before I use to chase women, NOW I GET THEM !! Mucho appreciation Mr. Martin. Ur da M'on !😁! T/y ! ! ! ""🤛"" 😎

[@armadesy7233]

Very interesting video. Would it have been more useful to play more slowly?Anyway, thanks for your teaching.

[@jeffreydelisle7337]

Respectfully Peter, this is pitched way over my head and I suspect others of your audience’s heads if they are honest. The same info, over a 20-30 minute video, with music staff examples, would be of vastly more practical utility. We all love your playing and want to learn to play like that, but for me, all I can do is marvel at videos like this. Thanks. Perhaps an open studio update with a longer format?

[@eldani8095]

very nice - but a slowed down version would always be great! (I know you can do that as a listener on KZbin but it distorts the sound, so showing it very slowly helps a lot anyway :) - thank you very much for the videos!

[@LordOfFlies]

Damn

[@egassi1027]

The videos going a little fast but sounds like you're playing for the voicings in the left hand. Anyway you can show us what you're playing in your left hand?

[@pusanghalaw]

So cool! reminds me so much of Chick Corea.

[@CharlesAustin]

So nice ..a jazz education in 2 minutes for real.. sparkly technique !!

[@michaelokeefe-daw5543]

you sir are the man! Thank you for making these videos!

[@mergeband]

Didn’t know its possible to go outside if the chord is in minor. Do you have a technique what triads that can be played in minor chords. Thank you.

[@zacate1983]

Been looking for this!!! Yes!! Thanks!!

[@elleondejuda4681]

Oh man , this sound so amazing

[@Mr.-Wonderfull]

Very Dave Grusin like, which is Nirvana

[@williewilliams8612]

Playing outside?It's Kold outside

[@bojedjedthemusiciankid-vit249]

Please teach it slowly the run notes ,so that we can learn it fully,

[@curiouscurious6558]

you da man Peter thank you for all you do and for sharing

[@DeMelodyMan]

Yeheah bro!!!!! Smoking......... :)

[@edwinskau]

Arrrghh! You make it look so easy!!

[@chrismanning9215]

Seriously good instruction, clear, concise and awesome playing!

[@billleuschner3990]

Hello Peter and (Adam) I love your show Peter I’ve learned so much from you you have turned my playing around so much I want to travel to Open Studio ( I’m in California unfortunetly) your show is the best thing onYou Tube period.I hope you read this I know you Are very busy! You have inspirer me out of my skull I’ve replayed your videos hundrede of times- I have a question: on the playing outside you have inspirer me to create something on my ovn: going up to the Ab min. 11- I play a Bb 13 and go down chromatically: Bb13 A13,Ab13,G13 etc. and on the right hand I play F,EC,G( 5,b5,9and 13 for the Bb- then for theA13 the same going down: so I hit the 5 the b5 , 9 and 13 of every chord- you have inspirered me to do this because your teaching is so awesome! I. Want to order some materials ( my daughters going to for my birthday!) I hope you Antwerpen me back- I know your’re busy- thanks for your show it’s amazing,! William Le Us the loneliest musician in the world,

[@luxolontamo4440]

This is useful!..great lesson sir I like what you doing

[@davebartholome2924]

I like that he ended with “You gotta bring it back home at some point,” because I agree with him! When guys just zoom into the stratosphere and there’s no harmonic context any more, it feels too much like that old quote (from Stravinsky?) about “playing tennis without a net.” It kinda feels pointless. Even some of MIles Davis’ music with his second great quintet (Wayne, Herbie, Tony, Ron) felt that way to me. On one level, some amazing playing was going on, but when it’s just “rhythm-no changes”, then I kind of lose interest after a while. I actually liked his 70s electric stuff better, because a lot of times there was a very basic thing going on-like a one-chord vamp-so that no matter how far out the playing got, you knew where “home” was. I dunno, anybody feel me on this?

[@paxwallacejazz]

Really any scale that contains D including melodicminor scales that include D also there is no reason to limit yourself to pentatonic shapes. Like try superimposing D-7, F7+11,D7+11,Bbmaj7+5,Abmaj7+5,Dalt7,D-7 all over a D pedal. Play it inside with chords.

[@alamooji3716]

paxwallacejazz bro that was so simple but you helped me very much thank you!!!

[@MM-rr1kp]

its ok to say black keys, that what they are

[@AntKneeLeafEllipse]

If you could actually do a video breaking this down in the context of Chick Corea.... I've been trying to find someone to explain Chick's harmonic mind for YEARS.

[@MattScottMusic]

Nice stuff. But the ‘non-white’ notes on the piano are all actually black. Black and proud. #BNM

[@mellotones]

How do you apply this to chord changes rather than just single chords and modal songs? For example how would I apply this over On Green Dolphin Street?

[@ksorkopzumi8176]

Good

[@marcofarina9299]

Incredibile video in soli 2 minuti!

[@superconnie5003]

Nice reverb

[@mikejamieson4252]

This dood shreds!

[@mrfokus901]

I have FINALLY found what I'm looking for. Time to practice

[@AlexBaylymusic]

Eurika.

[@santomusic3981]

Really love those McCoy Tyner concepts but those outside notes sound great because o the chords behind them give them logic. For other instruments they don’t work as well.

[@musiccenterchannel4940]

bel sapore :)

[@dantedt3931]

Exactly what i was looking for. Sounds awesome.Thanks!

[@deneisraelvargassilva2288]

God bless! ! Very cool! !

[@hmoore76]

Thanks!

[@qc4402]

Omg this man is amazing

[@squoocher]

great stuff.. so clear, no waffly bullshit.... (i'll go home later and fail to put it into practice, of course.... but for now there's at least hope!)

[@9Modespianokeyboardclasses3570]

Hi Sir you are planning very nice but can you teach you slowly and playing slowly

[@Bgoods]

I️ always look forward to your videos! Inspired practice today. Thanks!

[@calcal5135]

Hi Peter I really love your playing and instruction. Wow! Could you do some outside examples (like in this video) but keep the comping extremely simple? For example, stick to just one chord or inversions of it. It would really help me in getting the sound in my mind’s ear.

[@vibist]

Sounds great. Reminds me of Chick Corea.

[@TNKeys]

Dude you're a monster. Holy crap.

[@tropicjam7343]

You are "the"man!are you teaching at the julliard?so inspired and versatile..

[@jashajazz8646]

Great, but too fast!

[@djojurio3463]

C'est vraiment cool Peter. On dirait que le tempo rapide donne un autre sens aux phrases que tu joues... You see what I mean?

[@JulianFernandez]

This is the shit... Thanks!

[@kankan7940]

Saludos Maestro....Increible manera de compartir sus conocimientos...Algo novedoso para mi....

[@marcosburbano]

Gracias Peter por los videos, el mejor canal de Piano! 🎹

[@pianopeter]

🙏🏼🙏🏼🙏🏼 gracias amigo

[@josephfelice601]

Sounds GREAT man! Thanks for the inspiration!

[@espr7564]

Very cool vid thankyou 👏👏👏

[@farleymaxwell1311]

Queria muito entender oque ele fala...parece explicar muito bemm

[@PIANOSTYLE100]

Just went to the site. Thanks for putting those resources up there. I'm sure that I can glean some good stuff there.

[@saadalhumaid3959]

This guy is a jazz monster

[@paulrodberg]

😅mind blowing as usual

[@myx0mop]

Wonderful lesson. Thank you!!!!!!!!

[@luisitodorantes]

Excelent as always. 👍🏻

[@snoopy_next_door]

Luis Rodriguez Dorantes nice profile image though

[@GroundZero-bg2er]

I want him to do this on synthesia So that I can try to copy what he did here

[@vasilisvourvopoulos8636]

You really know how to unlock me ! thank you so much for your help !!!

[@gabrielwinsat4336]

wow amazing learning today!

[@arpadternei6991]

Really great videos! Thanks a lot Martin! :)

[@louramoreira]

Thanks !!! The thruway to learning processes.

[@StephenAntKneeBk5]

Great concepts, great playing.

[@anicetjoy5456]

Watch it in 2 min and work on it for years

[@nathaniamalakasamilalekamb4948]

Sloww please 🙏

[@fractal618]

Thank you Peter!

[@pascualgimeno6804]

Great explanation

[@esauponce9759]

Absolutely brilliant!

[@sonorstudio1]

Very clear explaining to me. Thanks man !

[@emijunior5782]

sir how do u want what soloing when change the medoly

[@MrAbeRoad]

wow totally amazing videos. Thanks a lot !

[@ArgoBeats]

Super dope

[@1bradleyyoung]

Great Stuff Peter, Thank You!

[@danielkuk2999]

Huge help!

[@jimjennings7623]

Too advanced for me, I think. I love the sound & I can do this but I don't understand it.

[@je-pq3de]

I think the application is much harder than the understanding, its just going away from whats "normal" and then back

[@alexpavchinski]

Very cool and modern patterns!

[@ElsonA9]

thank you Peter

[@hfmhsi]

Great!

[@a.rizapahlevi9659]

Wowww... tks

[@ramziboukamel8227]

Amazing man thanks for this great explanation

[@CharlesAustin]

So good !!

[@Myaccountishacked]

Fantastic.