Playwriting 101: Exposition

Welcome to Playwriting 101 with Julia Fisher! One of the best signs of strong playwriting is the ability to weave in exposition gracefully. Today I'll share some of my favorite tricks to show you how! (And I'll also show you what BAD exposition looks like so you can avoid it.)

[@jayceejm]

Excellent info right here and it took me too long to find it. Glad I did. Now lemme go check out all the rest you have. Cheers and thank you!!

[@marydonald3453]

You're so kind, Julia! This is helping me out, more than you know. You're a Godsend!

[@christeenfrancis7303]

i learned a lot. thanks!

[@amanialied7163]

Thank you so much for all the videos.

[@MAFion]

I love Cat on a Hot Tin Roof, but I quibble with the use of Maggie to info dump for twenty minutes in the first act. It helps that Maggie the Cat does this monologue in a slip while Brick is drinking and scowling the whole time. Am I wrong for thinking this? At least there was dramatic tension while it happened and we get to see an unhappy marriage. But Streetcar had more subtlety.

[@prometheus200]

Brilliant

[@prometheus200]

Please make more theater videos.

[@GiudiCielHeaven]

Thank you so much, this is extremely helpful!! You are lovely and informative :>)

[@JuliaMakesTheatre]

Thank you so much, Giuditta! I'm so glad you found the video helpful. :) Happy writing!

[@chokkalingamkaraikkal1779]

Hi madam why you stopped to uploading the video. come back ✌🏻

[@JuliaMakesTheatre]

Hi, Chokkalingam! Thank you so much for watching my videos. :) I've taken a break from recording these videos to work on my own playwriting, but hopefully I'll have more for you in the future! :)

[@chokkalingamkaraikkal1779]

Madam post some videos for acting