I can't imagine these being played better than this. Chiu captures Prokofiev's mercurial wit and mischief to perfection.
@ThankYouKiwi4 жыл бұрын
Fun fact: All 6 of these pieces are actually just piano transcriptions that Prokofiev made of his other pieces. 1, 2, and 3 are all from Prodigal Son, 4 is from his 5 Melodies for Violin and Piano, 5 is from his first string quartet, and 6 is from his sinfonietta
@lylecohen16382 жыл бұрын
The 5 Melodies for Violin and Piano are in fact themselves an arrangement of his 5 songs without words. In my opinion the version for violin does work better, but I’m still dreaming of a performance of the songs on theremin!
@citizent69992 жыл бұрын
No 2 is also from Symphony no 4, Op.47, 3rd mvt. It's played here slower like in the revised Op.112 Symphony No.4. Such a delightful gem in any version - no wonder he used it so often!
Yet, as a Gen Z, crazy that this man was living, breathing, and composing on this Earth less than a hundred years ago!
@DavidSmith-kc4hz7 ай бұрын
I well remember the report of his death in 1952, I think. Great big headline “STALIN DEAD” then, in a tiny entry at the bottom of the page: Prokofiev death is announced. I would have been nineteen. I had known his music for a large part of my life: both violin concertos, ballet music et al.
@none50207 ай бұрын
@@DavidSmith-kc4hz Haha OLD
@claudiomonteverdi7126Күн бұрын
@@none5020 are you ok in the head?
@FredericChiu3 жыл бұрын
From my CD Notes specifically about this Opus 52 set: The first recording of Prokofiev’s complete works for piano, made in the sixties by György Sándor, omitted all the transcriptions, including Romeo & Juliet and Cinderella, reflecting the prevailing attitude toward “non-original” works. The Six Pieces of Opus 52 were also overlooked, giving away their “transcription” status. Prokofiev never specified that the six pieces formed an organized whole, and the fact that each bears an individual title and dedication would suggest that this is a collection of unrelated works. Nevertheless, there is definitely a dramatic sequence to the movements of this “suite”: 1) a formally complicated opening movement filled with urgency (dedicated to Alexander Borovsky, a reworking of the opening scenes of The Prodigal Son); 2) a quirky, coquettish interlude (also from The Prodigal Son, and arranged as part of the Fourth Symphony; dedicated to Arthur Rubinstein); 3) a fleeting scherzo (from the same ballet, dedicated to Vladimir Horowitz); 4) another, shorter interlude (one of the five Songs without Words, for Nicolas Orloff); 5) the dramatic Andante, in the role of slow movement (the closing movement of the first String Quartet); 6) and ending with a violent Rondo (from the youthful Sinfonietta, dedicated to Horowitz). Prokofiev’s dedications to famous pianists of the time was a calculated attempt to guarantee some sort of public exposure, especially in the Soviet Union, where Prokofiev’s star was dimming. In addition, he sent copies to other Russian pianists with the hope “during this period when the attitude toward me has soured, to improve relations by means of these easily playable pieces.” That wish must have been made with some tongue in cheek, given the highly virtuosic demands of these works. The piano versions are sometimes denser in polyphony and detail than the originals! Even the simplest piano transcription is transcendental in some way , since the performer is asked to transcend the instrument - to recreate a non-pianistic sound, texture, color. But all of Prokofiev’s transcriptions manage to be transcendental and idiomatic all at once, thanks to his performance-level technique and his habit of composing at the instrument. Prokofiev felt, for example, that the Andante of the first String Quartet, which he also arranged for string orchestra, “being for the most part melodious, ought to sound richer in the orchestra, but it is in fact better as a quartet.” Ironically, the movement sounds more natural on the piano, as the fifth piece of Opus 52!
@ThankYouKiwi3 жыл бұрын
Amazing thanks for the insight! And really, bravo for all of your amazing Prokofiev recordings like this one! They truly do mean a lot to the big Prokofiev fans out there
@FredericChiu3 жыл бұрын
@@ThankYouKiwi I'm delighted that you are sharing these obscure but compelling pieces (and I can only hope the same be said of the recordings as well!) with your added value of providing the score. We are all dealing the deplorable state of the recorded music industry, where people's expectations are now set in concrete: recorded music MUST be FREE! In the face of that, I applaud you and encourage you to continue to explore and share this great music. I have highlighted your videos to my Patreon community as well, under my tongue-in-cheek "Pirate of the Week" posts! And I encourage anyone who is deep enough into listening to these treasures to be reading this - please join my FCXFC Patreon project! It is the only way for artists to know their work is being supported, and to actually get any kind of revenue from their creations. And if you don't want to join MY patreon, please join ANYONE's patreon! Recorded music CANNOT BE FREE! Please do your part.
@AlkanLove Жыл бұрын
確かに彼のピアノ作品は超越的だ
@jackcurley15913 жыл бұрын
Wow what a cool set of pieces, Prokofiev is the man! Thanks for sharing this wonderful recording!
@walterguerson42653 жыл бұрын
As an argentinian I recommend the 1 american preludes by Ginastera with a clear polytonal influence from Prokofiev.
As a pianist terrible this is slow shock nonsens. But like number 2 concert.
@neg_94235 ай бұрын
プロコフィエフが引き算したときに、みえる天才性。まさにここにあり
@LandOnBolts3 жыл бұрын
The ending of the first is amazing.
@orb37962 жыл бұрын
oh nice! 13:56 is the piano version of the final movement of his first string quartet
@kofiLjunggren2 жыл бұрын
Yes!! Wow
@adlfm Жыл бұрын
I love how the second one starts in B minor but only 4 measures later says "let's forget about key signatures and let's cadence in B-flat major".
@dhackj2 жыл бұрын
Great pieces and great playing!
@richardjchandler3 жыл бұрын
Although born in Ukraine, Sergei Prokofiev is considered a Russian composer, and he was also a fantastic pianist. These compelling, virtuosic pieces are worth listening to and following the score. I have a deep appreciation for pianists who can play them as Frederic Chiu so admirably does!
@nnaazzaa9746 Жыл бұрын
Sorry, but you are so much wrong... Prokofiev was not born in "uk rain", the Composer was born in the Russian-cultured lands close to Donetsk that were completely within the very big and entire Russian Empire.😊 The bolsheviks made them to get CALLED as "ukrainian Soviet socialist republic", no more than that.😊 Political casus, not judicially clean at all.
@flexo_refoto1283 жыл бұрын
wow! breathtaking interpretation
@marcoesquandolez3 жыл бұрын
This is fascinating. I never heard these before
@user-yc6vr8vn5j3 жыл бұрын
yes gorbachev
@paulcummins67803 ай бұрын
I had never heard these before. Skip the first. The rest is incredibly beautiful.
@woyeshinibaba3 жыл бұрын
i wonder other than Fred Chiu, who else had the complete recording of ALL of Prokofiev's solo piano work?
@ThankYouKiwi3 жыл бұрын
Boris Berman. I much prefer Chiu though
@tests39763 жыл бұрын
Anyone know if there exists a recording where Horowitz is performing the pieces dedicated to him?
@conorhughes1 Жыл бұрын
10:23
@edgenutcry2 жыл бұрын
The etude is overwhelming me.
@zampai3 жыл бұрын
It almost wants to sound tonal.
@ThankYouKiwi3 жыл бұрын
It is tonal.......
@Edisonjesusedisdinho6 ай бұрын
.
@alexparkin87363 жыл бұрын
психопат
@l.w.paradis21083 жыл бұрын
Who??
@arrighiniofficial2 жыл бұрын
@@l.w.paradis2108 your mum
@Warp75 Жыл бұрын
@@l.w.paradis2108I’m assuming Prokofiev
@ViRrOorR3 жыл бұрын
sounds like a thousand cats walking or running on a piano back and forth
@Scriabin_fan3 жыл бұрын
In a really synchronized and harmonious manner
@SeigneurReefShark3 жыл бұрын
Saying that, you are instantly positioning yourself in the ignorants and stupid people
@floriankurz41693 жыл бұрын
Sounds like you're one of the uneducated ignoramus...