Psychoacoustics: Critical Bands and Auditory Filters | Consonance | Dissonance | Susan Rogers

[@bazzab44]

Key point here is the fact that 2 tones in the same filter will interfere with one another. Good work. Thanks

[@DragisaBoca]

I am so happy this exists. Thank you.

[@johnw5734]

Yeah, you just did a fly by. I need to get up to speed here. Thank you.

[@pitchpolemusic3555]

So... correct me if I'm wrong but she's explaining how two notes just a single step apart will create that wobbly dissonant sound if they exist in the same "cochlea" band in your ear? I sometimes will play two notes a semitone apart specifically to get this effect although overall it's a bit uncommon to hear this in music because it can also be unpleasant. She's just explaining the acoustic phenomena so to speak. Right? It's not like she's suggesting it's something you "fix in the mix?"

[@koolyman]

Thank you ma'am

[@oldmanscrooge1904]

Thank you!!

[@musicalexcursions]

Great! Now how do we handle these close tones if they share the same filter?

[@bijanzelli]

Could someone help me with something that I do not get an answer for here. The question is why the fifth and octave interval are sounding consonant. What in cochlear structure makes these intervals consonat. Some people say the origin of octave is mathematics and arithmetics but I am sure the structure of the cochlea is important here. I’d appreciate any help to understand this. Thanks

[@GeeBee135]

fascinating!

[@cromatikdubstep]

Major tip! Thank you

[@moremorgellons]

So pretty and so smart love the video

[@streamofconsciousness5826]

Good stuff, a new way to visualize what I hear. I can image her being like Lenard's (BBT) mum. especially the scene where she breaks down Raj and Howards relationship.... still among the funniest things I have ever seen and her dead pan delivery is not even the best part.

[@norortvel]

462 Hz