Raag Puriya Kalyan: Pt. Jitendra Abhisheki, a Legend (Padamshri) of Classical. . Rare recordings.

Indian Classical Music:
Pt. Jitendra Abhisheki, a Legend (Padamshri) of Classical.
Raag Puriya Kalyan: Thaat Marwa, Jaati- Shampuran/Sampuran; Vadi/Samvadi - Ga/Ni
Aaroh : ni re Ga, ma Pa, Dha Ni re# Sa#.
Avroh : Sa# Ni Dha Pa, ma Ga re Sa.
Time : Evening
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Tabla:
Taal : Vilambit Ektaal: Aaj ki Sanjh ajaae Sab Mil Angan Duar
Drutt - Teentaal - Mann Harva Aayo Re, Banra More Ghar Ma.
Drutt - Ektaal: Tarana - Nadi te Tum Tana Na dere Na.
Harmonium-
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Ganesh Balawant Nawathe, better known as Pandit Jitendra Abhisheki September 1929 - 7 November 1998), was an Indian vocalist, composer and scholar of Indian classical, semi-classical, and devotional music. While he distinguished himself in Hindustani music, he is also credited for the revival of the Marathi musical theatre in the 1960s. Jitendra Abhisheki has been praised as being "among the stalwarts of Hindustani classical music who mastered other musical forms such as thumri, tappa, bhajan, and bhavgeet. His work in Marathi natyasangeet is well-known.
An annual Pandit Jitendra Abhisheki Mahotsav is held, and the last was held in mid-October 2018 at the Yashwantrao Chavan Natyagruha in Kothrud, Maharashtra. In Goa, a Pandit Jitendra Abhisheki Music Festival held at the local Kala Academy also reached its 14th edition in 2018
Early life and background[edit]
Jitendra was born in priestly Padye Karhade Brahmin family in Mangeshi, Goa. His family was traditionally attached to the Mangeshi Temple of Shiva. His father, Balawantrao aka Bikambhat, was a half-brother of Deenanath Mangeshkar and the temple priest and a Kirtankar (performer of Kirtana, a devotional music style). Balawantrao taught Jitendra the basic principles of Hindustani classical music. Jitendra received further training in vocal music from Jagannathbua Purohit of Agra Gharana, Azmat Hussain Khan of Khurja Gharana, and Gullubhai Jasdanwala of Jaipur Gharana. Abhisheki was also well known for his renditions of his Marathi Natya Sangeet compositions like "Guntatá Hrdáya Hai", "He Suránno Chandra Vhá" and other songs/Marathi ghazals such as "Májhe Jívana Gáne", "Kaivalyáchya", "Sarvátmaka sarveshvara", "Kátá rute kunálá" etc.[citation needed]
Career[edit]
After receiving a degree in Sanskrit literature, he joined All India Radio (AIR) at Mumbai for a brief period, when he came in contact with several musicians and also got an opportunity to display his musical talents by composing several pieces for radio programs. Around this time, he received a scholarship from the Indian Government for advanced training in Hindustani classical music under Azmat Hussain Khan.
He composed the padas (songs performed live during play) for the Katyar Kaljat Ghusali play.

[@hyperdevil9422]

Shashtang Pranam Prabhu 🙏🏻

[@satishchandraj01]

A rare biography informing details of his musical legacy and skills in many musical forms other than khayal gayaki. His directing the music of "Katyar Kalajaat Ghusali" for live performance received an thundrous acceptance. His natyageets, bhavgeets and othe songs are extremely popular even today due to their soulfulness. A soft voice but expert renering of raags to receive Padmashree from Bharat Sarkar is a feather in his cap.Simply enchantig.